Good morning! Today Scattered Thoughts is welcoming Sarah Black back to talk about her latest release The General and the Elephant Clock of Al-Jazari (The General #2).  Although my review won’t come until tomorrow, I will say that this book is on Scattered Thoughts and Rogue Words Best of 2013 list.  Trust me, it is one of those books that you will want to read over and over again.  So with that in mind, we are giving away one eBook copy of The General and the Elephant Clock of Al-Jazari to one person who leaves a comment on any of the posts from 10/23 to 10/26.  A Winner will be announced on Saturday.

This is Why I Love Those Old Men by Sarah Black

My stories are full of old men, and I think anyone reading can tell I love them. In Lawless I wrote Manuel, and in The Legend of the Apache Kid I wrote Johnny’s old man and Raine’s daddy; in Marathon Cowboys we had The Original Jesse Clayton. In the new book, The General and the Elephant Clock of Al-Jazari, I wrote another old man, the director of the Bardo Museum, who steps in and helps the young men realize their dreams.

That’s what old men do, right? Step in and stand watch while the young men strap on their wings and prepare to leap off the ledge. They listen when we talk. They’re quiet when we just need their company. They watch over us, and when we’re about to screw up, they put up a hand and say, “hold up now. Better think about that.”

My grandfather is the model for all those old men in all my stories. He was quiet and strong and steadfast. A hurricane couldn’t blow him over. No rain would ever touch my head if I was standing next to him. He was as big as a mountain and as strong as an oak. That’s what I remember. He died when I was three, and he was fifty, of a heart attack.

Just before he died, my grandmother sent him out to buy me a pair of shoes. She told him to get something sturdy that could be washed. He carried me back into the house two hours later and I was wearing pretty little black patent Mary Janes. The women had a fit. “Earl, what’s she going to play in?”

And he laughed and pulled a tiny pair of red sneakers out of his pocket.  I’ve adored red shoes from that day, and I adored my big, handsome grandfather. He never said three words when one would do, and he preferred action over words, anyway. He could fix anything, a broken toy or a car that wouldn’t run or a skinned knee. And I have been pretty sure all my life that he was up in heaven keeping an eye on me. Never a judgmental eye, either. Just keeping me safe, keeping me company. Pure love has no room for judgment.

I’ve wondered sometimes if I was writing the same story over and over. I guess writers have things to say, and we say them through fiction. I always try to be clear in my mind what I’m trying to say. This new book, I was really ambitious. I wanted to say something big, something with meaning. Plant my flag and say, this is how I see the world. But with this book, and every book, now and forever, my handsome strong grandfather will make an appearance, and he’ll be watching over me.

Here’s a link to the new book: http://www.dreamspinnerpress.com/store/product_info.php?products_id=4277

Dreamspinner Blurb:

Fresh out of the closet, General John Mitchel and Gabriel Sanchez are settling into their new life together when an old army colleague taps them for a rescue mission to Tunisia. Eli and Daniel, two former Rangers working security, have been arrested in Carthage, charged with blasphemy and thrown into prison.

With rampant unrest in the ancient city and an old enemy targeting them, John gathers a team to liberate the two captive men. When he discovers Eli’s boyhood obsession with Al-Jazari’s Elephant Clock, the rescue becomes complicated and strangely beautiful, and John and Gabriel have to risk what they love the most to bring their team home.
Here’s an excerpt from the book, with my new old man:

The Director was a very old man, with a cane and a long white beard, sharp dark eyes under heavy, greying eyebrows. He was formally dressed in a dark suit and tie, and he greeted Gabriel with a handshake. He had a young woman with him, holding a portfolio. Wylie opened the portfolio, looked inside, then patted it down.

John moved forward, greeted him in Arabic, then he introduced Eli and Daniel. He didn’t remember the old man, but they’d all changed so much in thirty years. Kim was holding his camera, one of the big professional models, and the Director seemed charmed by his Arabic greeting and pretty smile. “Eli, Daniel, why don’t you sit down with the Director? Sir, have you met Abdullah al-Salim? I know you will recognize him. The first time I saw him, I thought his father was standing before me.”

The old man greeted Abdullah with cries of delight and three kisses, the traditional Arabic way. Abdullah held a hand out to Kim. “Kim is General Mitchel’s nephew. He’s my best friend.”

Kim was kissed now, then they all sat down on the couch. John counted. Five men, with plenty of room, just like Kim had said, and the U shape meant people on either end could see each other to talk. Even better, he could, if he wanted to, perch on the leather polka dot ottoman like a frog sitting on a lily pad. God, he hated that couch. Kim looked at him, gave him a weak smile. Kim was reading his mind again.

Gabriel took Sam and Wylie, and they moved over to the table and pulled up chairs. Kim held up his camera. “Director, I thought I would take a picture of you with these men. It will be a good memory for them when they are back home, to remember your kindness.”
Abdullah translated, and the Director gave Kim a hesitant nod. Then the old man turned to Eli and Daniel, offered them each a hand. Abdullah translated his words. “I have come to tell you of the admiration of the Tunisian people for your courage. It gives great heart to the people when we see your love for Carthage. I also brought something for you to see. I found this in the archives.” The young women with him handed over the portfolio, then retreated to stand with Jen. Jen reached out to her, and John could hear the quiet murmur of their voices in the background.

The Director pulled out a plastic sleeve. Inside was a brown manuscript page, painted in colors still vibrant and beautiful more than eight hundred years after they had first been painted. The old man put the page down on the ottoman, and the boys leaned forward to look at it. It was an original page from The Book of Knowledge of Ingenious Mechanical Devices and showed Al-Jazari’s wondrous elephant clock. Eli caught his breath, reached out and touched the edge of the parchment through the plastic. “This is really… it’s the real….” He sounded like he was having trouble catching his breath.

Kim stood up and moved around the other side of the couch and lifted the camera. Eli looked up at the Director, and something in his battered face must have touched the old man. His eyes were tender, and he reached out, put his hand on Eli’s cheek. Then he reached out with his other hand, held Daniel’s. “My sons, will you come and see the Bardo? The museum will be open tomorrow for the children. It’s the day we have a festival for them. I would like you to come, to see something of our history and our culture.”
Eli looked down at the page again. “The kids, they’ll go crazy over this! Can you believe it? Is this wild, or what? Do you see it?”
He looked up at John, his green eyes like jewels, his black hair sticking up in the front in little tufts. John nodded at him, smiling. “I do see it. Is it as good as you thought it would be?”

“Better,” Eli said. “Can we go, General? To the Bardo?”

John looked at Gabriel, then back to Eli. “Yes, I think we can. We’ll be safe in a group.” Daniel stood up, let John take his place next to the old man. “Thank you for your kindness. Are you sure it will not be too much trouble? I understood you were closed for renovations.”

The Director shook his head. “Once a year we have a children’s day. We had planned to have the parts of the museum not under construction open tomorrow. It is like a festival, very important to me. I believe there will be camels and balloons and too many sweets, and my staff will have video projectors set up because the children like to watch movies. In your honor I will add a stage for the elephant clock, a video so the children can see. Like this young man,” he put his hand on Eli’s shoulder, “love of scholarship starts when a child is very young. I believe you will be safe. Let us open our heart to you, show you the true face of Tunisia. The true face of Islam.”
Eli leaned forward. “What is the true face of Islam?”

The old man put his hand on Eli’s cheek again. “Just like with your people, my son, the true face of Islam is love.”