Tom Early on Writing, Characters, and his new release ‘The Final Season (Seasons Rising #3) 

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The Final Season (Seasons Rising #3) by Tom Early

Harmony Ink Press
Published June 11th 2019

Cover Artist: Sadie Thompson; Cover Design by Paul Richmond

Sales Links:  Harmony Ink Press | Amazon

 

✒︎

 

Scattered Thoughts and Rogue Words Interview with Tom Early

How much of yourself goes into a character?

  • Fay is fun. He was one of the first characters I’d ever written, and he is, at this point, rather like who I might be if my time past high school went very differently. The rest are their own, with aspects from other people I admire or am intrigued by that I went and snagged like a magpie and built a character around.

Do you feel there’s a tight line between Mary Sue or should I say Gary Stu and using your own experiences to create a character?

  • I’m not sure it matters, really. If it’s enjoyable to read, what’s the point in saying a character is too perfect? (That said, if the character is enjoyable to read, that probably isn’t a problem).

Have you ever had to put an ‘in progress’ story aside because of the emotional ties with it?  You were hurting with the characters or didn’t know how to proceed?

  • For sure! Characters often have minds of their own, and when I hit a hard scene, they like to scatter and hide until it stops smarting. I have to tempt them out sometimes to finish the scene; it’s a fun time. Usually if it happens, it’s about a week for them to come back, but I’ve hit patches with a hard ending that I had to put aside for months, and eventually realized I was being told this needed to be rewritten.

How do you choose your covers?  (curious on my part)

  • This series has had all the covers done by my childhood friend, who’s credited on the inside cover of the book. They work with me to make covers that we feel accurately reflect the core concept of the book! And wow, what wonders they’ve made…

Do you have a favorite among your own stories?  And why?

  • I’m proudest of The Final Season, because I wasn’t sure if I could write it. It gets at a feeling I’ve had very strongly for a while, of… the sense that just because you have been on a path for a long time, doesn’t mean that you are bound to it. Especially if the actions or expectations of others are what placed you on that path to begin with. It isn’t giving up to realize you aren’t who you are when you started on an ambition. And that’s okay. This last book is about that feeling.

What’s next for you as an author?

  • Good question! I have a fun book called The Kingdom and the Crow, which is YA Fantasy, and follows an assassin named Jasper who’s having a bit of an identity crisis in the middle of a world-ending conspiracy. I don’t know what will happen with it yet, but I’m hopeful. I’m also working on another novel that more or less is my take on deconstructing some of the story beats of the Ancient Greek concept of a “Hero’s Journey”. It is, unsurprisingly, a romance. A witchy one. We’ll see what happens.

If you write contemporary romance, is there such a thing as making a main character too “real”?  Do you think you can bring too many faults into a character that eventually it becomes too flawed to become a love interest?

  • Good lord, no. I believe it was Patrick Rothfuss in one of his books that said it is a beautiful thing to love “because”, but a rare and powerful thing to love “despite”. I think some of the greatest love stories out there include characters who are terribly flawed, but find ways to be loved, and to love, and to find a measure of peace despite it all.

   

Ever drunk written a chapter and then read it the next day and still been happy with it?  Trust me there’s a whole world of us drunk writers dying to know.

  • Oh my. Yes. Several. The Final Season has one. Not much of it survived, but parts of it exist near the beginning. They tend to be a little bit more embarrassing than I usually am able to write.

 

If you could imagine the best possible place for you to write, where would that be and why?

  • The Edinburgh Botanics is a lovely place to write! Big garden, lovely café, quiet and surrounded by nature. I like ambient noise and people around me when I write, so quieter but active places like that are my favorite.

 

With so much going on in the world today, do you write to explain?  To get away?  To move past?  To widen our knowledge?  Why do you write?

  • I write for me, and to help others like me. We could all use more of ourselves in stories. And we could all use the reminder that no matter what, it’s worth it to keep trying.

 

What’s next for you as a writer?

If you find out, please do let me know. I’m terribly curious.

 

Sequel to The Doorway God

Fay is no longer a boy haunted by the spirit of Winter—he is now the embodiment of the cruelest Season. If he thought access to the immense power that grants him would make his life easier, he couldn’t be more wrong.

 

The return of the Seasons is tearing Gaia—the magical realm that mirrors Earth—apart as factions form to either take advantage of the shift in power, fight against it, or use it to spur societal change. Terrifying enemies emerge to face Fay and the other Seasons, even as the Seasons plan their own battle strategy.

 

Fay, Sam, Tyler, and their friends and allies are facing a final test unlike any other. To survive the chaos unleashed on his world, Fay will have to choose what to hold on to and what can be sacrificed.

About the Author

Tom Early is a native Bostonian, coffee addict, and gay disaster. When he’s not off doing weatherly things for work, he can be found writing, talking about his characters with anyone who’ll listen, and giving impromptu lectures on the importance of representation in genre fiction, especially fantasy. There is a nonzero chance that he is actually a dog.

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