Rating: 4 stars out of 5
Twenty-one days.
In a world ravaged by fire and descending into madness, Cavalo has been given an ultimatum by the dark man known as Patrick: return Lucas to him and the cannibalistic Dead Rabbits, or the town of Cottonwood and its inhabitants will be destroyed.
But Lucas has a secret embedded into his skin that promises to forever alter the shape of things to come—a secret that Cavalo must decide if it’s worth dying over, even as he wrestles with his own growing attraction to the muted psychopath.
Twenty-one days.
Cavalo has twenty-one days to prepare for war. Twenty-one days to hold what is left of his shredded sanity together. Twenty-one days to convince the people of Cottonwood to rise up and fight back. Twenty-one days to unravel the meaning behind the marks that cover Lucas.
A meaning that leads to a single word and a place of unimaginable power: Dworshak.
Like the first book, this one is dark and creepy. The excellent world-building continues, and the character development of all the people we met in book one was excellent. Also, this read smoother to me than the first, whether because I had a background now and wasn’t confused as I had been often in the first, I’m not sure. I don’t think there was as much of the hopping around like in the first book, there was some, but it flowed better.
This time we get more of a relationship between all of the characters. It’s not just about Cavalo and Lucas, but about all the people that formed his strange family. As before, Bad Dog was a huge favorite for me during the whole of this story. I was glad to get more info on Lucas and came to feel the connection between all four of them (including the robot SIRS) as a family that worked. Cavalo thinks of himself as a monster, a bad guy, and yet in this we see him risk everything to help others, including those outside of his little family. While I didn’t feel invested in them as a couple in book one, by the end of this book, I most definitely did. And loved the end. Reminded me a bit of Star Trek, and I am a trekkie since a teen.
The way it was written without us really knowing if Cavalo actually heard Bad Dog and Lucas in his head, or if it was part of his mental issues, worked for me. As a movie, this would definitely be horror… maybe something like The Stand, only even more gory. There are definitely plenty of visual images to fill that screen with action, special effects, and blood. I’d like to see it.
The pace in this one felt right most of the time, but I think it could have been tightened up and the story shortened and still read just as well. There was an event about midway that made me say… UGH, not again. However, later on I came to accept it and even like that it had happened because of what else came after. It really came to bug me how they kept speaking of killing Lucas, not just once but so many times.
BTW, when reading the first book, I didn’t actually realize where the titles originated. This time I did. It’s from the poem Ulalume by Edgar Allan Poe. I feel like I should have gotten that, but I’m not much of a poetry reader.
While not everything was bright or wrapped up, this ended much more hopefully than book one and does not have a cliffie. I’d still like more in this world though to see if they rebuild and how.
The cover is creepy as hell, and the feel of it fits the book.
Sales Links
Book Details:
ebook, 340 pages
Expected publication: August 23rd 2016 by DSP Publications
Original TitleCrisped + Sere
ISBN 1634770684 (ISBN13: 9781634770682)
Edition LanguageEnglish
Series: Immemorial Year

When technomancer Quillian Defote crash-lands on remote planet Marutuk, he has limited time to repair his ship and get off world. If he fails, he’ll forfeit his position as professor of mechanical transmutation at the prestigious Ivy Arcanarium and ruin his employment prospects in yet another sector.

Queeny cocktail waiter, Lionel, wakes up to find himself in bed with Dog, a straight-acting softball player and the two embark on a rocky road to romance. A journey that requires coming out of the closet, going into the closet, a pair of red high heels, many pairs of red high heels, a failed intervention, a couple of aborted dates, and homemade pom-poms. Mostly, Lionel and Dog learn what it means to be a man.
Once the second-prize winner on My Slave’s Got Talent, Sky Blue has spent the past few years singing at a failing New York nightclub. While Sky has never had control over his fate, his life seems to take a turn for the worse when he’s torn from the familiar comfort of performing and sold to a rich and enigmatic man.
The zombie apocalypse left twelve people trapped, but safe, at a scientific research base on an Arctic island. Three years later, with supplies critically low, they know they can’t survive another harsh winter. But all of them fear what awaits them on the mainland.
Following the Prentish/Nemarri war, Kes is rejected by his homeland under the guise of religious purity laws. Though he’s spared execution, the proud Nemarri’s fate is only marginally more merciful than death when he is sold into sexual slavery at a prosperous pleasure house.
Stockholm syndrome or Love?
What humans want from the Silver Planet is water. What they find is a race of humanoids who are sentient, but as emotionless and serene as the plants and placid lakes they tend. B, captain of the mission, doesn’t believe that the “Silvers” are intelligent, and lets his crew experiment on them. But then he bonds with Imms, who seems different from the others-interested in learning, intrigued by human feelings. And B realizes that capturing, studying, and killing this planet’s natives has done incalculable damage.
Henry and Sam Miller-Greene are living the dream. They love their careers — which afford each of them opportunities to travel to exotic locations — they love their home, Sam’s caring family, and each other. They disagree on the subject of adoption, but are fully committed to each other in marriage … ’Til Death Do Us Part.