Check Out the Book Blast with Excerpt for Body Parts And Mind Games by Jude Tresswell

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BOOK BLAST

Book Title: Body Parts and Mind Games (County Durham Quad Book 4)

Publisher: Self published 

Release Date: November 4, 2019

Genre/s: Crime, LGBTQ

Trope/s: Sexual/asexual relationship; polyamorous relationship

Themes: Navigating ace/non-ace relationship; loyalty

Heat Rating: 2 flames

Length: 60 000 words/ 228 pages

It can be read alone, although it is 4th in the County Durham Quad series. Background information is provided for new readers.

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A crime to solve, a lover to save, and an ace-happy ending?

Blurb 

Organ trafficking, types of attraction and far-right nationalism are ingredients in this tale about Mike, Ross, Raith and Phil, a gay polyamorous quad who live in North-East England.

Phil is a surgeon in Warbridge Hospital. A patient’s organs are harvested illegally. Are Phil’s colleagues involved?

Detective Nick Seabrooke returns to Warbridge to ask Phil to aid the investigation. Agreeing endangers the quad in more ways than one. How will Nick, who is asexual, react to meeting the quad again? How will they react to him?

This is the fourth story in the County Durham Quad series. Background information is included for new readers. 

 

Buy Links – Available on Kindle Unlimited

Amazon US  |   Amazon UK

 

Excerpt 

From Chapter 2

“I hoped I’d never see him again.” Words that were being echoed three hundred miles away in London. Nick Seabrooke stood at the window of his flat and stared across rooftops to the dome of St Paul’s. He re-read Phil’s message. It was terse and to the point: Considered what you said. Will do it. Feel free to set a meeting up. Was it the answer he’d wanted? Yes, from one point of view. No, definitely not, from another. 

He’d hardly believed what he’d heard the previous Monday. Nick was a detective with the NCA, the agency responsible for criminal investigations that went beyond national borders. Money-laundering involving forgery was his normal remit. He’d met the quad when Raith had been chief suspect in a case and he had been a sergeant. Now he was an inspector. So, he’d answered the chief superintendent’s call, expecting to be briefed about a fraud or a forgery. Instead, he was told about organ trafficking. But although trade in body parts was a crime that cut across borders, it seemed well outside his area of expertise. He’d tried to tell the chief so. Yes, the chief knew that, but whoever had requested Nick’s involvement knew that he had liaised, successfully, with Tees, Tyne and Wear Constabulary the year before and, more importantly, knew that he’d worked closely with a surgeon at the hospital at the centre of the enquiry.

“This doctor, Philip Roberts,” the chief had said, “would he be involved in something like this?”

“I very much doubt it, sir,” Nick had answered promptly. “I think he’d feel that it was beneath his ability and beneath his dignity. He’s totally focused on his own niche. He developed this graphene-based colorectal repair procedure almost single-handedly. He pioneered the research. He carries out most of the ops. I can’t see him whipping out a kidney or cornea when no one’s looking. And he’s conscientious. The ethics would bother him.”

“Money?”

“More than he needs and, I’d say, not particularly materialistic.”

“Then contact him,” he’d been told. “See if he’ll work with you on this. We need a medic inside that hospital. Eyes and ears and a way for you to get in and use yours. You stayed at his house, didn’t you, when you were up there last year?”

“No, sir. I stayed with one of the artisans. In Tunhead though. All the houses are owned by Roberts and the men he lives with. They rent them out to arts and crafts personnel. They call the venture BOTWAC—the Beck on the Wear Arts Centre.”

“BOTWAC?”

“Yes.”

“Interesting sense of humour. Well, see if you can stay there again. It’ll give you some safe opportunities to talk with this doctor without being overheard, and he can teach you all you need to know about proctology.”

Nick knew the meaning of ‘proctology’, but he was focusing on ‘safe’. Safe for whom? The chief misinterpreted his concerned look and his silence, and began to explain proctology.

“Yes, I know, sir,” he said, interrupting, and then he’d been politely dismissed, and tomorrow he’d have to phone Phil. Shit! 

So that was what he’d done—phoned Phil, and now he had Phil’s answer. 

He closed Messages and, almost reluctantly, opened Gallery. Should he scroll to it—the photo that he’d taken in Raith’s studio that last time he had met the quad? The photo of a portrait of Mike. He hadn’t looked at it for months. …………

…………..  Mike had fascinated him, but he realised that he’d rarely even thought of County Durham, or Tunhead—or Mike—for weeks. He was over his crush or whatever it was. So it hadn’t been love. Couldn’t have been love. So, really, he should be able to bin the photo. It shouldn’t be a problem, should it? There was no good reason to keep it, was there? But, although he could resist opening the file, he couldn’t bring himself to press Delete. Couldn’t bring himself to execute that oh-so-final break-with-everything action. So, what did his reluctance, his cowardice, mean? Well, soon he’d have more than a photo in front of him. He’d have flesh and blood. It wouldn’t be so easy to avoid looking at the real thing. He wouldn’t be able to press a key and—abracadabra—delete Mike.

He was probably needlessly worrying. Professional concerns would dominate and there wouldn’t be time to give ex-inspector Michael Angells more than a quick hello and a passing thought. And, being the sensible man that he was, Nick picked up the folder marked Warbridge and re-read the chief’s background information.

 

About the Author 

I’m married, I’ve grown-up children, I’m asexual (although a different sort of ace from Nick) and I do enjoy writing stories that aren’t constrained by hetero-norms.

The plots are always stimulated by something on the news – in this instance, reading that, in 2020, organ donation will become the default position where I live and, also, reading that enforced organ harvesting is carried out in some countries. I enjoy writing funny dialogue as well as dealing with serious issues, though, and I hope that some of the quad’s interchanges will make readers smile. And regarding the extract, I didn’t know the meaning of ‘proctology’ when I saw the word in a review of Book 3! (The term ‘colorectal’ is more common in the UK.) I couldn’t resist including a reference to it.

 

Author Links

Blog/Website  |   Amazon Author Page for all works

YouTube link to audio version of the short asexual/ sexual story Scar Ghyll Levels – available on Amazon Kindle.

(Audio version contains 200 photos of scenery)

https://youtu.be/M6xSuQ9utWg

 

Follow the tour and check out the other blog posts and reviews here

 

 

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Love a Mysteries? Check Out the Release Blitz for Ace in the Picture by Jude Tresswell (excerpt)

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RELEASE BLITZ

Book Title: Ace in the Picture

Author: Jude Tresswell

Publisher: Rowanvale Books

Cover Artist: Billie Hastie

Genre/s: contemporary M/M/M/M, crime/mystery

Heat Rating: 2 flames

Length: 63 000 words/ 251 pages (paperback format)

It can be read as a standalone, but is also the third book featuring the County Durham quad

Release Date: March 31, 2019

Add on Goodreads  

 

Buy Links   

Rowanvale Books

Amazon US  

Amazon UK

Waterstones (UK) 

Barnes and Noble

 

 

 An art fraud, a polyamorous suspect, an asexual detective…

Blurb

Polyamory and asexuality meet in this third tale about a north-east England quad.

The police suspect Raith Balan of faking a painting. So do money-launderers who sink profits into art. Mike, Ross and Phil, the three men in Raith’s life, must prove his innocence. They’re hampered by their certainty that a member of the Fraud Squad is corrupt.

The senior investigating officer is Detective Sergeant Nick Seabrooke. He knows he is asexual, but is he aromantic too? As Raith’s lovers struggle to keep Raith safe and find the fraudster, the sergeant struggles to understand why the quad is often in his thoughts.

 

Excerpt

Chapter 1

Raith stood in the kitchen in front of the calendar. His gaze shifted from the naked figure depicted on ‘October’ to the highlighted ‘Thursday 12th’ and back again. He pressed a fingertip to his lips, transferred a kiss to the mid-point of the figure’s shoulder blades and ran his finger down the spine—Mike Angells’ spine.

The real-life Mike walked into the room and filled the kettle.

“What are you admirin’?” he asked. “The model or the artist?”

Raith was the artist. “The artist,” he replied. “He’s classy. The model’s okay, I suppose.”

“Cheeky!” Mike admonished.

Changing the subject, Raith asked, “You know what day it is in two days’ time, don’t you?”

“In two days? Well, let’s see… difficult one… It must be Thursday. Aye, that’s right. It was Monday yesterday, so—”

“Stop teasing me! Do you think he’s forgotten?”

‘He’ was Phil Roberts, the man Raith had married 364 days earlier.

“Don’t be daft. Of course not. You know Phil. His middle name’s ‘No fuss’.”

“That’s two names.”

“And that’s two cups of coffee. One for you. One for me,” said Mike, handing over a mug.

“None for me?” asked a third man who, yawning, had entered the kitchen. He hugged the two men already there.

“Sorry, Ross,” Mike apologised. “I didn’t make you one. I thought you were still asleep.”

“No. Just dozy,” said Ross sleepily. “I heard Phil’s car. Is it an emergency, Raith?”

“Not exactly,” Raith replied. “He went in early to cover for a colleague.”  

Phil had helped to pioneer a form of rectal surgery that used nanocarbon patches to reconstruct torn tissue. He was a respected consultant at the hospital an hour’s drive away in Warbridge, County Durham.

“I’d better get sorted and get out myself,” said Ross. He was, amongst other things, a gallery proprietor in Gateshead, and his journey to work took longer than Phil’s. He yawned again.

“Are you feelin’ okay?” asked Mike, alert to Ross’s tone of voice. “It’s not like you to sound so unenthusiastic about work.” In fact, it wasn’t like Ross to sound unenthusiastic about anything. He was always lively—he personified keenness.

“I’m dead tired cos I didn’t sleep well. I had a strange text late on. You were already asleep. I don’t think you heard the phone buzz. Strange. Unsettling.”

“Oh?”

“How do you mean?” asked Raith. “We’re not going to get involved with more criminal activities, are we? I had enough of crime fighting last time!”

Even though Mike was no longer a detective with the Tees, Tyne and Wear Constabulary, the four of them were involved in a surprising amount of crime fighting. ‘Last time’ had involved an illegal immigrant, and the tensions that had arisen had threatened the survival of the quad.

That’s what they were: a gay, polyamorous quad. They lived in Tunhead, a hamlet in Weardale in the Durham hills. Once, Tunhead had rung to the sound of workers’ hammers hitting stone. In a way it still did: Ross had turned it into an arts centre full of smiths, sculptors and potters who wanted to escape the North East’s towns.

“Well, we’re not, are we?” Raith repeated.

“No.”

“Good. Well, my creations won’t create themselves. I’d better get off, too.”

In Raith’s case, ‘getting off’ simply meant walking twenty yards to his studio, a converted storehouse.

“You sure he hasn’t forgotten?” he asked Mike again before he left.

“I’m sure.”

“Okay then.”

“What’s that about?” asked Ross after Raith was gone.

“He’s bothered that Phil’s forgotten their anniversary.”

“He hasn’t.”

“I know he hasn’t. He’s takin’ him off on a trip sumwhere—but you know Raith. He needs everythin’ crystal clear and written in capital letters. And sumtimes, so do I. What was this message about?”

Ross pulled a face and explained. When he’d done so, Mike could understand his concern.

“He wouldn’t be so stupid, Ross… Would he?”

“Not stupid, Mike, but he’s gullible. He doesn’t always think. I just don’t know.”

***

The message stayed in Ross’s mind during the forty-mile drive to the gallery and he couldn’t forget about it once he was there. Some of Raith’s paintings hung on the gallery walls. They were mainly of Weardale’s waterfalls. After heavy rain, the falls transformed from gentle trickles into rushing, gushing powerful forces of nature that the four men knew could kill. They’d seen them kill.

Raith loved to paint the waterfalls. From a distance, his torrents looked alive. The effect was linked to his use of colour. Raith was a tetrachromat; he could see a host of hues in what, to most people, was a single shade. He painted for himself, though, not for fame or money—he had plenty of both, due to his skill with clay not brushes. Several of his wares were on show at the gallery, most tagged ‘sold’ with a price that would feed and clothe all four men for a long, long time. His sensually erotic sculptures, modelled on Mike and Phil, were always in demand and beautifully, lovingly executed. But today, Ross gave Raith’s erotica a miss. He stared, instead, at the waterfalls.

What might induce Raith to produce a piece of work “with intent to deceive”, as the legal phrase was?

That was what the worrying message had suggested. That Raith’s were the hands and eyes behind a painting that the police were interested in. They thought it was a fake. For the umpteenth time, Ross asked himself why?

Raith didn’t need fame and he didn’t need fortune, but did he need the challenge of outwitting the experts? Of copying another artist’s work so accurately that no one would notice the difference?

Surely not. Momentarily, Ross’s dark mood lifted. The only challenge Raith was likely to rise to was the one of finding ways to spice up the quad’s evening meals. Two nights ago, he’d ‘accidentally’ stumbled near the saucepan with a teaspoon of chilli flakes in his hand.

“Oh, look! They’ve fallen in,” he’d said apologetically.

Ross smiled when he thought about it, but anxiety soon returned. Could Raith be feeling resentment? Sometimes, that was the driving force behind a fraud. Failed artists whose work had been refused once too often. Failed artists who took I’ll show them! literally.

No. All Raith’s resentments were little ones that quickly blew over—feeling nagged for not doing his turn on the house-keeping rota, being yelled at for leaving clay-covered dirty washing on top of the pile of clean laundry. Raith took umbrage easily, but he’d be smiling again within the hour. And anyway, he wasn’t a failed artist. He was a very successful one.

He was a strange mixture though. That complexity was part of his attraction. It was part of what made him Raith. His skill was undeniable, but his mental health was fragile— ‘bloody unhinged’ was how Mike would describe Raith in less charitable moments. He could be unpredictable. He could be very violent. He had another side, though, and it was what Mike and Phil and Ross adored about him. Canny, clued up, an ex-con hard as nails… but at the toss of a coin, as loving, as sweet and as trusting as anyone they had ever met. Mike was as loving, and often as sweet, but trusting? No. Mike was ex-CID. It wasn’t in his nature to be trusting.

Which was why Mike was already making phone calls.

 

About the Author 

I’m not Nick Seabrooke, the ace in the picture, but there are some firsthand truths peeping through the fiction. Like Nick, I’m ace and happy with it, but also, like Nick, I’m wavery on that ro/aro line–and that can cause some soul-searching. If the picture painted in the story is a very narrow one, it’s because I didn’t want to stray too far from what I know. The quad, however, are totally imaginary.

I blog at https://polyallsorts.wordpress.com . There are posts about asexuality, polyamory, beer, tattoos, book covers, and many other story-related items. There are photos of the Durham countryside, the setting of the stories, too.  I’m always happy to receive and respond to comments. Well, if they’re friendly ones!

 

Author Link

Blog/Website

 

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Book Blast – Polyamory on Trial by Jude Tresswell

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BOOK BLAST

Book Title: Polyamory on Trial

Author: Jude Tresswell

Publisher: Self-published via Rowanvale Books

Cover Artist: Cerys Knighton

Release Date; August 31, 2018

Genre/s: M/M/M/M, crime and mystery

Heat Rating:  2 flames (Trigger Warning: references to rape)

Length: 63,000 words/ 236 pages

 It can be read alone. A third story will be published early 2019 so it is part of a series.

Add on Goodreads

 

Blurb

A bittersweet story with two interwoven themes: a crime and mystery involving trafficking and a look at the workings of a polyamorous relationship.

A young Syrian needing treatment at Warbridge Hospital is seen by Phil Roberts, one quarter of a gay polyamorous quad living in north east England. The men in the doctor’s life are ex-cop, Mike Angells, gallery proprietor, Ross Whitmore and ceramist and artist, Raith Balan.

Phil is troubled. Is his patient in the UK legally? Who has caused his injuries? Is trafficking involved? As the foursome struggle to find out, hampered by the fact that Mike is no longer a detective, cracks begin to appear in their relationship. Can four men be equals? Is their lifestyle viable? Meanwhile, there are cracks of a different sort to deal with—and the job of doing so seems to fall exclusively on Mike’s broad shoulders.

 

 

Buy Links

Rowandale Books

Amazon US

Amazon UK

Available as paperback, ePub, Mobi and PDF from Rowanvale Books and all usual distributors.

 

Excerpt

(Mike is talking about honesty, which, together with openness, love and passion, guide the quad’s approach to life.  His little ‘asides’ feature at the end of the chapters.)

You could say that there are the big honesties, and there are the little honesties as well. The little ones involve the practicalities of livin’ as a foursome. Four blokes together. Shoppin’ to get, meals to cook, washin’ to sort, the loo to clean, the garden to dig, the bills to pay… all the usual family practicalities. But in a poly, we’re equally in charge, equally responsible. Theoretically, that is. One of us seems to think that it’s beneath his dignity to use a mop and that cleanin’ the loo should be left to his minions. He cleans up after himself—I’d shove his bloody head down the toilet bowl if he didn’t—but the proper wash, the one with the detergent and the disinfectant? No way. So, sometimes, we just have to be very honest and tell him he’s a shiter, or rather, Ross and Phil tell him, and I try to look threatenin’. It’s hard, cos I often want to laugh. He comes up with such a load of bollocks for excuses! Then he sulks, or gets in a strop, because he feels we’re gettin’ at him, but we have to. It’s the thin end of the wedge otherwise. He’ll shirk everythin’ if we don’t get tough and lay down the law. That’s what I mean by the little honesties. If sumthin’s wrong, then we have to be upfront about it and say so, even if it causes bad feelin’ for a time.

But I think you probably meant the big honesties. Keepin’ secrets. That sort of thing. Obviously, by their very definition, I don’t know if the others are keepin’ secrets. And yes, I would keep sumthin’ secret if I thought that sharin’ it would place the other guys in danger. In fact, I have done that, and so has Ross. But, to me, that’s not dishonest. Personally, I would never tell the others a lie, a big lie, the kind that’d rock the boat. I might not tell the whole truth, but I would never tell an untruth, if that makes sense. I think our quad’d crumble if we weren’t honest with each other. If there isn’t trust… There has to be trust.

About the Author

I write about gay polyamorous men, but I’m a monogamous female. I’m also asexual. I have no problem imagining the lives of my four men, though, as long as there’s no me (or any other female) in the scene. The term for this dissociation is anegosexual, I think.

I have a lot of hobbies, which is just as well as I spend a lot of time with my imagination and I need to be metaphorically tied down to the real world. I dance, I sing, I play the guitar (the last two, badly), I love geology and I’m interested in languages, and, of course, I love to write.

 

Author Links

Blog/Website

 

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