Rating: 3.5🌈

It’s been a while since I’d read this series, the last book I read being Old Sins. And I think coming back into a series after a long break and diving in at book 5 just highlights the importance of perhaps going back to the beginning and rereading the series again. Particularly with A Carriage of Misjustice because of some of the things I found within the novel ‘s narrative , and the issues that it raised in the choices made in the storytelling.

One of the aspects of the Lindenshaw Mysteries series, a cozy mystery in every sense of the trope, is that Cochrane has developed, over 5 books now, a real sense of the small village it’s set in , all the locations and its citizens. She’s crafted with great detail each person and history that the reader feels we know each main character. We’re there as they meet, and fall in love, as their relationship deepens amidst murders and throughout the investigations.

Its been an amazing journey, watching schoolteacher (now assistant headmaster) Adam Matthews and Inspector Robin Bright navigate through the obstacles of romance and their relationship while dealing with their own work dynamics, and then the murder Investigations that overlaps between them. That’s where that wonderful depth of communication and rapport starts to be built, book by book, connecting the reader to us while deepening the connection to each other. Adam, Robin, and, of course, their equally important Newfoundland, Campbell. That’s a huge dog.

What has remained consistent is the evolution of Adam and Robin’s relationship, their warmth and willingness to share their own opinions on matters and perspectives on the cases involved. Whatever issues arise, they face them together. And if, the investigations are lengthy and often the villain pegged a little too easily, the relationships are often the things that make the story.

That’s why I was surprised when, in A Carriage of Misjustice ,Cochrane chose to separate Adam and Robin for the entire story, with the exception of the beginning and end. That immediately removes, as they both remark, the things they (and the reader) miss. The discussions and relationship dynamics between them. All those moments and conversations we’ve come to expect. Replaced by Robin away on a murder investigation, fixing someone else’s problems. And Adam singing in a choir.

Another odd element? The readers are told Adam and Robin got married. A simple ceremony (although it sounds rather fun) but after everything the reader has been through with them, doesn’t feel very satisfying.

The mysteries here weren’t really complicated. Most of the time, it was Robin and Pru guiding a younger squad through an investigation that hadn’t been done properly and now needs another more serious investigation. So it’s police procedural time, with a call here and there home to Adam. For me, without the charm of their own village and their dynamics, my attention wasn’t there.

And that made other aspects stand out in ways they normally don’t. That’s the fact that Charlie Cochrane’s series is most definitely written in what I’ve heard termed “British speak “. And for non-British readers that presents certain linguistic challenges. Ones I noticed because I wasn’t as invested in the storyline.

It’s not just British in tone but in cultural context. If you’re American like me, then things like having an airing cupboard* or “a nick” or rozzer, a British slang word for police, just aren’t in our culture or vocabulary. So I admit to floundering a bit in terms of not knowing exactly what Cochrane was talking about or referencing occasionally. Thankfully, research is but a phone away. And it also made me think if American mysteries and novels equally present such a challenge to non-Americans in those terms. All that, still not quite into the novel.

So I do love this series, this isn’t one of the stronger books in the Lindenshaw Mysteries. I’m onto the next and recommend reading them in order. Read this to complete the series. And because they tell us that they got married.

Note:

*I did look into what exactly an airing cupboard was in British houses and was equally astonished to find in that same description that it was compared to American linen closets. Americans would not put warm, semi dry linens or clothes in a linen closet, not unless mold was our goal. Differences indeed.

Lindenshaw Mysteries:

✓ The Best Corpse for the Job #1

✓ Jury of One #2

✓ Two Feet Under #3

✓ Old Sins #4

✓ A Carriage of Misjustice #5

◦ Lock, Stock and Peril #6

◦ And Nothing But The Truth #7

Buy link

A Carriage of Misjustice (Lindenshaw Mysteries Book 5)

Blurb

Murder doesn’t care if you’re a newlywed.

Detective Chief Inspector Robin Bright and Deputy Headteacher Adam Matthews have just tied the knot, and all they want to do is sink into blissful domesticity. Unfortunately, there’s no chance of that when a chilling murder at a rugby ground takes Robin miles away to help his old boss solve it.

The mystery seems impossible to crack. Everyone with a motive has an alibi, and those without alibis don’t have a motive. Robin’s determined that this won’t be the case he’s unable to unravel. Not when he’s got his old boss to impress and a new team to lick into shape.

Back at home, Adam joins a fundraising choir to keep himself occupied. Surely a case that’s so far away won’t draw him in this time? Fate has other ideas, though, and danger turns up—quite literally—on his doorstep. He’ll need Campbell the Newfoundland for both company and protection this time around.

• Publisher: Riptide Publishing (May 11, 2020)

• Publication date: May 11, 2020

• Language: English

• Print length: 252 pages