BUY LINKS FOR VICE CITY
DSP Publications: https://tinyurl.com/ycumb5d2
Barnes & Noble: https://tinyurl.com/y7tuowhk
Google Play: https://tinyurl.com/yajyrwt9
Scattered Thoughts and Rogue Words is happy to host S.A. Stovall here on tour for her debut novel, Vice City. Welcome, S.A.!
~Scattered Thoughts and Rogue Words Interview with SA Stovall~
How much of yourself goes into a character?
Nah, I’m joshing.
For the most part, I try not to put a lot of myself into a character. I’ve never written a character that was an author, gamer, or attorney (the three life roles I identify with) and I have a lot of odd mannerisms that I never write into my stories (saying kooky things, living a hermit lifestyle, talking to myself, etc.).
That being said, I use my life experiences to shape characters, and sometimes an odd phrase of mine will slip through.
Do you feel there’s a tight line between Mary Sue, or should I say Gary Stu, and using your own experiences to create a character?
No, not really.
From my understanding, a Mary Sue/Gary Stu character is a self-insert that lacks flaws, is admired by their peers, and is often the key to solving the story’s dilemma (either by being the chosen one, or by being soooo much smarter than the villain, you guys).
Like I said above, I try not to write myself as a character, but if I did, I would need to write several flaws. I’m somewhat awkward, a little too literal, and if I don’t eat something after I wake up, I tend to get hangry (hungry + angry). Not the Mary Sue type.
And I imagine that’s the same with everyone. Everyone has flaws. If an author is using their own experiences (honestly) there’s no way they can avoid their flaws, which would defeat the definition of a Mary Sue/Gary Stu.
Does research play a role into choosing which genre you write? Do you enjoy research or prefer making up your worlds and cultures?
Even if I make up my own world and cultures, I still end up doing a lot of research. I like my fantasy/speculative fiction to carry some real-world parallels. Additionally, I’m not an expert on everything (though that would be cool) and I tend to read a fair deal of information, even for minor scenes, just to make sure I get them accurate.
That being said, research isn’t all parties and confetti. It’s like editing—I’ve got to do it, no matter how soul-draining it can be. I know it’s all worth it in the end, however. I can be proud of the finished product, and that’s what matters.
Has your choice of childhood or teenage reading genres carried into your own choices for writing?
The first book I read and fell in love with was Island of the Blue Dolphins by Scott O’Dell. It sparked my imagination like no other books had—to this day I remember the impact it had on my thoughts.
After that, I read a ton of fantasy and science fiction, especially anything with animals (Rats of NIMH, Watership Down, Plague Dogs) or with darker themes and characters (Black Jewels Trilogy, Dune, Ender’s Game, 1984).
I would definitely say these novels have an influence on my work. I love dark, gritty themes, and one day I’ll write my own animal novel, just you wait and see!
Do you like HFN or HEA? And why?
I prefer Happily Ever After. That being said, I also like a few stories that end in straight tragedy, but those two aren’t as dissimilar as some might think.
I like definitive endings. It’s good, or it’s bad, I don’t want wonder.
Happy For Now endings are filled with uncertainty. Will the future be okay? Will it all fall apart? I don’t want to think about that. I like knowing!
How do you choose your covers? (Curious on my part)
Well, my publisher was gracious enough to hire an artist, and I sent said artist a written out description of what would be my ideal cover. Then the artist got back to me with a few mock-ups.
When I look at the mock-ups, I go with my first gut reaction. Did I like it? Did I trust it? Then I focus in on the details. What’s going on here? Is it clear? Does it get the tone across?
The cover for my novel, Vice City, captures the tone to a T. It’s dark, atmospheric, and it’s set in a gritty cityscape. I fear it may scare people away, in all seriousness, but I want people to know Vice City is a noir-style thriller, not a light-n-fluffy crime drama.
What’s next for you as an author?
Lots and lots! The sequel to Vice City, titled Vice Enforcer, is already set for publication April 2018. Additionally, I have several novels with my agent, and three more in the works. I wouldn’t want to disappoint my adoring fans (*waves to the two people on twitter* – Vice City is my debut novel – doesn’t mean I can’t pretend).
BLURB FOR VICE CITY
After twenty years as an enforcer for the Vice family mob, Nicholas Pierce shouldn’t bat an eye at seeing a guy get worked over and tossed in the river. But there’s something about the suspected police mole, Miles, that has Pierce second-guessing himself. The kid is just trying to look out for his brother any way he knows how, and the altruistic motive sparks an uncharacteristic act of mercy that involves Pierce taking Miles under his wing.
Miles wants to repay Pierce for saving his life. Pierce shouldn’t see him as anything but a convenient hookup… and he sure as hell shouldn’t get involved in Miles’s doomed quest to get his brother out of a rival street gang. He shouldn’t do a lot of things, but life on the streets isn’t about following the rules. Besides, he’s sick of being abused by the Vice family, especially Mr. Vice and his power-hungry goon of a son, who treats his underlings like playthings.
So Pierce does the absolute last thing he should do if he wants to keep breathing—he leaves the Vice family in the middle of a turf war.
S.A. Stovall grew up in California’s central valley with a single mother and little brother. Despite no one in her family having a degree higher than a GED, she put herself through college (earning a BA in History), and then continued on to law school where she obtained her Juris Doctorate.
As a child, Stovall’s favorite novel was Island of the Blue Dolphins by Scott O’Dell. The adventure on a deserted island opened her mind to ideas and realities she had never given thought before—and it was the moment Stovall realized that story telling (specifically fiction) became her passion. Anything that told a story, be it a movie, book, video game or comic, she had to experience. Now, as a professor and author, Stovall wants to add her voice to the myriad of stories in the world, and she hopes you enjoy.
You can contact her at the following addresses.