
Rating: 3.5đ
Itâs been a while since Iâd read this series, the last book I read being Old Sins. And I think coming back into a series after a long break and diving in at book 5 just highlights the importance of perhaps going back to the beginning and rereading the series again. Particularly with A Carriage of Misjustice because of some of the things I found within the novel âs narrative , and the issues that it raised in the choices made in the storytelling.
One of the aspects of the Lindenshaw Mysteries series, a cozy mystery in every sense of the trope, is that Cochrane has developed, over 5 books now, a real sense of the small village itâs set in , all the locations and its citizens. Sheâs crafted with great detail each person and history that the reader feels we know each main character. Weâre there as they meet, and fall in love, as their relationship deepens amidst murders and throughout the investigations.
Its been an amazing journey, watching schoolteacher (now assistant headmaster) Adam Matthews and Inspector Robin Bright navigate through the obstacles of romance and their relationship while dealing with their own work dynamics, and then the murder Investigations that overlaps between them. Thatâs where that wonderful depth of communication and rapport starts to be built, book by book, connecting the reader to us while deepening the connection to each other. Adam, Robin, and, of course, their equally important Newfoundland, Campbell. Thatâs a huge dog.
What has remained consistent is the evolution of Adam and Robinâs relationship, their warmth and willingness to share their own opinions on matters and perspectives on the cases involved. Whatever issues arise, they face them together. And if, the investigations are lengthy and often the villain pegged a little too easily, the relationships are often the things that make the story.
Thatâs why I was surprised when, in A Carriage of Misjustice ,Cochrane chose to separate Adam and Robin for the entire story, with the exception of the beginning and end. That immediately removes, as they both remark, the things they (and the reader) miss. The discussions and relationship dynamics between them. All those moments and conversations weâve come to expect. Replaced by Robin away on a murder investigation, fixing someone elseâs problems. And Adam singing in a choir.
Another odd element? The readers are told Adam and Robin got married. A simple ceremony (although it sounds rather fun) but after everything the reader has been through with them, doesnât feel very satisfying.
The mysteries here werenât really complicated. Most of the time, it was Robin and Pru guiding a younger squad through an investigation that hadnât been done properly and now needs another more serious investigation. So itâs police procedural time, with a call here and there home to Adam. For me, without the charm of their own village and their dynamics, my attention wasnât there.
And that made other aspects stand out in ways they normally donât. Thatâs the fact that Charlie Cochraneâs series is most definitely written in what Iâve heard termed âBritish speak â. And for non-British readers that presents certain linguistic challenges. Ones I noticed because I wasnât as invested in the storyline.
Itâs not just British in tone but in cultural context. If youâre American like me, then things like having an airing cupboard* or âa nickâ or rozzer, a British slang word for police, just arenât in our culture or vocabulary. So I admit to floundering a bit in terms of not knowing exactly what Cochrane was talking about or referencing occasionally. Thankfully, research is but a phone away. And it also made me think if American mysteries and novels equally present such a challenge to non-Americans in those terms. All that, still not quite into the novel.
So I do love this series, this isnât one of the stronger books in the Lindenshaw Mysteries. Iâm onto the next and recommend reading them in order. Read this to complete the series. And because they tell us that they got married.
Note:
*I did look into what exactly an airing cupboard was in British houses and was equally astonished to find in that same description that it was compared to American linen closets. Americans would not put warm, semi dry linens or clothes in a linen closet, not unless mold was our goal. Differences indeed.
Lindenshaw Mysteries:
â The Best Corpse for the Job #1
â Jury of One #2
â Two Feet Under #3
â Old Sins #4
â A Carriage of Misjustice #5
⌠Lock, Stock and Peril #6
⌠And Nothing But The Truth #7
Buy link
A Carriage of Misjustice (Lindenshaw Mysteries Book 5)
Blurb
Murder doesnât care if youâre a newlywed.
Detective Chief Inspector Robin Bright and Deputy Headteacher Adam Matthews have just tied the knot, and all they want to do is sink into blissful domesticity. Unfortunately, thereâs no chance of that when a chilling murder at a rugby ground takes Robin miles away to help his old boss solve it.
The mystery seems impossible to crack. Everyone with a motive has an alibi, and those without alibis donât have a motive. Robinâs determined that this wonât be the case heâs unable to unravel. Not when heâs got his old boss to impress and a new team to lick into shape.
Back at home, Adam joins a fundraising choir to keep himself occupied. Surely a case thatâs so far away wonât draw him in this time? Fate has other ideas, though, and danger turns upâquite literallyâon his doorstep. Heâll need Campbell the Newfoundland for both company and protection this time around.
⢠Publisher: Riptide Publishing (May 11, 2020)
⢠Publication date: May 11, 2020
⢠Language: English
⢠Print length: 252 pages








