A MelanieM Review: Ever the Same by B.A. Tortuga


Rating: 4.75 stars out of 5

EvertheSameLGAudie Barrack is in it up to his elbows with a sick calf when his son’s school calls. Seems Grainger has gotten into yet another fight. When he walks into the principal’s office, he’s shocked to find his son has been fighting with a little girl named Randi.  And that’s not the only shock.  The little girl his boy has been fighting with has a blind dad, a widower when his husband recently passed away.

Dixon has lost his sight, his career, and his husband. Thank God for his brothers, Momma and Daddy, and his little girl, or he would simply give up. The last thing he needs is for Randi to start trouble at school, especially trouble that puts him in contact with another dad who might expect him to be a functional human being.

Dixon is struggling to live as a blind man, Audie is terrified someone might see he has a closet to come out of, and everyone from the school to both men’s families is worried for the men and their children. Unless they get themselves together and commit to change, neither of them stands a chance.

It’s no secret to those of you who have read my reviews that I am a huge fan of B.A. Tortuga.  She has one of the finest ears for regional dialects and culture in the genre as well as the ability to write memorable characters. And that gift is apparent here in Ever The Same. In fact this book has so many elements that are hooks for me, that it has taken a while, and another reading to think about what I was going to write.

Why?  Because some of the parts of this story that I find alluring are ones that other readers might not connect with, something not unusual in a B.A. Tortuga story.  Let’s start with the characters, who, yes, can be defined by their conversational style and wording.  Audie is rooted in the soil of his family’s ranch and the horses he loves almost as much as he loves his son.  He is a plain speaker, full of the regional euphemisms and colloquial speak of the area.  This is Audie, in a capsule of speech:

He gave Momma a call as he pulled his shirt on. “Momma, I got to run up to the school. Can you get Sister to keep an eye on the calf?”

“Is he sick? Grainger, I mean, not the calf.”

“Nope. It’s no big deal. I’ll be back in a jiff.” He hoped.

“Okay, Son. Your daddy’s due in off the road next weekend. He wants to take that boy of yours to a picture show. Tell him if he ain’t good, PopPop won’t take him.

Audie is a man filled with family and its obligations.  A person with a huge heart, open mind, and realistic view of himself and his situation. I fell in love with him immediately.

The father of the little girl his son has been fighting with at school, is so very different from Audie…at least on the surface.  Dixon is a musician blinded in the same car accident that killed his husband and he’s lost in his grief while trying to maintain a life for his adoring daughter.  And she is not coping well either with the changes in her life and the loss of one of her dads.   It’s country meet city in the most  unusual way.  Dixon and his daughter have moved from the city into the small town where his mother and step dad raise llamas.  It’s round peg trying to fit into a square hole for both of them.  This is a small scene from the principal’s office where the initial meeting about their kids hasn’t gone very well.

“I’ll talk to her. If it happens again, I’ll… shit, I don’t know what I’ll do. I’ll make it up as I go along.” The guy stood, and his mom handed him a cane. A white cane.

Oh Jesus fucking Christ. Seriously? Seriously, Grainger picked the kid with a blind dad and a dead….


Her other dad was dead. Jesus. This guy was blind, had lost his man, and his kid was a shit? That sucked hugely. “I can try to get Grainger to help. I promise.” He had no idea why that popped out, except this guy’s life had to suck, and because it had been a long time since Audie had met anyone who would openly admit to being queer like he was.

“Take us home, Mom. Please.” Now that he could see the White guy, he kind of wanted to wince. Lean, tattooed—this guy wasn’t made to be here, and obviously he wasn’t a local. Hell, his parents weren’t that local; Audie didn’t know them.

“Of course, Son.” She stood and offered Audie a frosty smile. “Thank you for being so, er, understanding.” She put a hand on her son’s arm, and he turned her way, the cane tapping as they left the room.

Audie glared at Shannon Shields as soon as they were out of earshot. “You couldn’t’ve had Miz Laws warn me?”

“I assumed you knew, Audie. Everybody knows.”

The conflicts have been established, as well as some of their backgrounds and family circumstances and we are still early in the book.  What a great job Tortuga has done to bring the readers into the various situations, letting us empathize with each “faction” and the small children involved.  The need for understanding that is born out of this meeting will set the stage for the relationship and attraction to follow.

As with most of Tortuga’s plots and stories, no character exists as a isolated individual.  Audie (25) is surrounded by his family, which includes along with his son, Grainger, a sister, Gracie, her kids, his “Momma”, and long haul trucker father.  All on the family farm.  Gracie’s husband is in the Army and is on tour abroad.  This family has its own tensions, expectations, and stress along with the love.  Dixon’s family is equally large and imposing, even more so.  For Dixon (33) has brothers Damon 20, Dalton 18, Dan 31, along with his daughter Randi.  Most are close with each other, and Dixon and Randi are now living with his upscale mother and step father on their llama farmette.  I loved that while the two families have a foundation in agriculture they still couldn’t be farther apart in approach and style.  Yet both sides are believable, layered and authentic.  You can like them even if you aren’t fond of their actions.

The story winds through multiple stages of Audie and Dixon’s relationship and that of their kids, a major factor here just as it should be.  For readers not fond of children or gay families in their stories, this element will put you off.  Those of you, like me, with kids and who love to see them in stories, you will love following their growth and increasing closeness to each man.  In this case, these two men and their children really do complete each other.  It’s heartwarming and real.  And yes, I loved it.  Because the author makes every part of Audie and Dixon’s journey intimate and heartfelt.  We are there along side them as Dixon starts to deal with his blindness and Audie becomes sure enough of himself to be openly gay in town.  There are some very tough spots and situations to deal with but that’s pretty real and reasonable as well.

Tortuga includes a epilogue that stops the story just where it should.  It’s funny, heartbreakingly alive, and leaves the reader satisfied as to how it all came out.  How much do I love this story?  Enough that when I want to smile and leave myself in a happy state, this will be one of the books I pick up.  I highly recommend it  and hope you will love it as much as I do.

 Cover Artist:   Christy Caughie did a beautiful job with the cover.  I loved the colors and the composition.  It easily draws the reader in.  Great job.

Sales Links:       Dreamspinner Press   All Romance (ARe)       Amazon       Buy It Here

Book Details:

ebook, 256 pages, also available in paperback
Published February 27th 2015 by Dreamspinner Press
edition language English

A MelanieM Review: Bayou des Enfants (Rougaroux Social Club #4) by Lynn Lorenz


Rating: 4 stars out of 5

Bayou Enfants coverA year has passed since Scott Dupree took Ted Canedo as his mate and assumed leadership of the St. Jerome pack.  They’ve moved in together into Scott’s house near the bayou, Ted’s private detective business is slowly getting off the ground as is Ted’s career as an artist.  Scott’s police department is solidly behind Scott so what could go wrong?

That would be Scott’s mother, Darlene Dupree. She’s not happy because she wants grandkids and she wants them now.  As she usually does, Maman, (as Scott and Ted call her) takes matters into her own hands.  A little spell or two in the middle of the night next to the bayou and Maman’s magic sets events in motion that has profound ramifications for all in the bayou.

What happens when two boys are suddenly in need of a home and parents?  Especially when Ted isn’t even sure kids are something he wants?  It’s chaos when change is forced upon everyone with just one accident.  Ted and Scott have a chance to become not just partners but parents and a family, if only they and everyone else can agree!

I have loved this series from Lynn Lorenz from the first story, Bayou Dreams (Rougaroux Social Club, #1).  It was a clever tweak by Lorenz that had Scott’s wolf being attracted to Ted before Scott was.  And throughout the story we watched as Ted tried to overcome his fear of involvement with a man who had been “straight” as well as Scott trying to adjust his ideas of sexuality to the needs of his wolf which soon becomes the needs of the man.  Plus there was the whole “and I’m a werewolf” thing to adjust to as well as a magical spell throwing Mama to contend with.  I fell in love with every bit of characterization and plot that Lorenz threw at me and then some.  And I have followed the series gleefully ever since, through three stories to arrive here at what is possibly the last story in the series, Bayou des Enfants.

Maman has been a strong character in every story and usually the impetus for events and relationship explosions that happen along the way.  See, Maman wants what she wants and uses magic to do it but her spells never go as planned, veering off onto another unexpected wild path to the end she wants and asked for.  I adore Maman and her raggedly black cat, she is straight out of the bayou, with a complicated religious outlook and dialog that rises right out of the swampy waters near her home.  One thing Maman has always wanted was first for Scott to get married (check, although not the way she planned) and now she wants grandchildren.  And yes, that doesn’t occur the way she wants either.  It never does.

The children that arrive at Scott and Ted’s home feel so real.  They are hurt, grieving, and troubled, well, at least one is troubled and more than a “handful” as they say.  Lorenz makes these children so believable and vulnerable that the reader becomes invested in their safety and future almost immediately.  Also just as authentic is the community’s reactions to a gay couple wanting children and the CPS involvement in everything that occurs.  While there was not be as much action as in the past stories here, the emotional adjustments that have to go on and the shifting of attitudes that must take place come so cautiously and slow that the suspense is enough to pull us in and keep our attention firmly focused on the people and events happening.

Did I love the ending? Absolutely.  I have been meaning to ask Lynn Lorenz if this is it for St. Jerome, Ted, Scott, Maman and all the rest.  I hope not.  I want many more tales to come just as surely Maman has more spells to cast to shake up any community.  Here’s hoping for more Rougaroux Bayou stories in the future.

If you are new to this series,  they really should be read in the order they were written.  Otherwise some of the people, events and relationship developments must not make sense.  I highly recommend this series to all lovers of romance, wolf shifters, and the bayou setting of Louisiana!


Cover Artist April Martinez has done a good job in branding the series with her covers, they belong together as a group.  I just wished the setting had a little larger place somewhere in the design.  It just doesn’t convey much about the story inside.

Sales Links:   Loose id LLC       All Romance (ARe)     Amazon    Buy it here

Book Details:

Published November 25th 2014 by Loose Id (first published November 24th 2014)
original titleBayou des Enfants
edition languageEnglish
seriesRougaroux Social Club #4

Rougaroux Social Club Series in the order they were written and should be read: