Rating: 5🌈

Well, Bluz is by far my favorite in an extraordinary paranormal series of magical depths. In Bluz , L Eveland has given this story so many riches in terms of narrative structure and character development that its almost tactile atmosphere could be overlooked for its sublime world building.

It’s inherit within its location, its beings, the culture in this story in a way that is so unique and deeply personal to both characters but especially one. That’s Greyson Boggs,human ,guitarist, a blues musician with an old border collie, Simon. Turns out Simon is also his guide dog as Greyson been going blind since early adolescence from retinitis pigmentosa, another perfectly implemented element.

But that’s just the beginning to the layers of this man. Here’s his voice.

“Footsteps crisscrossed in front of me, busy folk shuffling to places they didn’t want to be. I used the steady beat as my percussion, counting out a one, a two, a five-six-seven-eight while the guitar cried into the humid morning, conveying all the words I couldn’t.

I sang about the places I’d been from the deep dark hollers in rural Georgia to that summer I rode the rails all the way down to New Orleans. I sang about the south, about crawdads and creeks, collard greens and running from the law. The words came with no effort, shaken free from where they rattled around in my head with no pre-planned pattern. “

There’s a particular melodic progression to that voice, one that the author is also born with. And one that’s unfortunately disappearing from the world. It’s the sound and vernacular of spoken Appalachian English language, one of the oldest nonnative spoken languages here in the US. Specifically, the Appalachian dialect or as it’s also known, Smokey Mountains Holler dialect, with its colorful imagery, slow linguistic patterns, and changing tones /spoken words. It’s a language that might even feel a titch familiar, such as where I might say “I took the dog out”

it becomes :

“One night that dog was a-beggin’ and a-cryin’ to go out.”

*In The Language and Life Project that set about documenting the dialects, one man said of his talk “…it’s more like singing than talking…”

That’s pure Appalachian. A dialect so beautifully suited for an Appalachian blind blues singer named Greyson Boggs and his old dog, Simon, that it makes me question that this man is really fictional.

Except, of course, for the werewolves, demons, incubus, and such.

But they get the same layered treatment. A pack in financial straits and leadership issues. A storm coming, a real mixed community to meet, which includes a homeless shelter,imminent storms, and the raw reality of those who live life on the margins. That’s very much an important part of this story and Greyson’s as well.

Gaston, the chef who returned home to help out his recovering father and the pack’s restaurant, Bluz, is a marvelous character. Eveland did a wonderful job in giving him his own issues to work through and challenges to overcome. Gaston is lovely. But he’s next to the powerful Greyson. And he is one of those sharp shining personalities whose life becomes important to the narrative and the reader because of who he is personally. We care so much for him that it’s hard for anyone else to measure up. It’s that voice.

Gaston has a pansexual coming out, not that he wasn’t already, but out to his parents and pack. Another nice aspect of the story because there so many equally strong emotional things that are going on in the story. That includes homelessness. A camp where people/beings live , homeless shelters and what it must feel like to have no where to go when a major disaster is occurring. And it’s done in a matter of fact way that drives home the facts about this aspect of society even more.

There’s a happy romantic journey with communication, some very sexy mate bonding, and very familiar faces from previous books that show up at the end for a satisfying conclusion. Love it.

And through it all, runs songs, and southern cooking. BBQ and the Blues. Do not miss out on all the recipes at the end of each book, this time for pork butt. So yummy. Put on some Etta James or Bill Whithers and grill you some BBQ.

I’m highly recommending Bluz (a Culinary Creatures novel) by L Eveland. This series just continues to get better and expand on the topics within a paranormal realm. Fantastic.

• YouTube: The Language and Life Project : see video

Culinary Creatures:

✓ Brimstone #1

✓ Beefcake #2

✓ Bluz #3

◦ Brewtiful’s #4 – April 30, 2024

Buy Link :

Bluz: A High Heat, Low Stakes MM Monster Romance Novella (Culinary Creatures Book 3)

Blurb:

No one cooks like Gaston, and I’m hungry like a wolf.

Eight years ago, I missed my chance to be with the love of my life. Now, Gaston is back in town to rescue his pack’s troubled bar and grill, Bluz. He’s keen to rekindle things between us, but I’ve still got the blues over how it all went down before.

Gaston’s got a whole life out west full of fast cars, fancy dinners, and famous friends. He claims he’s ready to settle down, and that his wolf has chosen me, but I’m just a country boy, a drifter. Gaston is refined and cultured. I don’t fit into his elegant lifestyle, even if our nights together have been sizzling hot.

His wolf wants me, and I want him, but I’m running out of time to decide. Can I put our troubled past behind me before I lose him forever? Or will our relationship finally go up in smoke?

Bluz is a smoking hot and sticky sweet second chance MM romance between an anthropomorphic werewolf and a visually impaired blues singer. This third installment of the Culinary Creatures series can be read as a standalone, and features a delicious BBQ recipe for you to try at home!

*Appalachian language: The Language and Life Project