An Alisa Review: Polar Opposites by Cheyenne Meadows

Rating: 3 stars out of 5

Donovan is the new guy in town, a polar shifter, harboring a big secret. He’s a big city bear who moved to the tiny town of Forgotten, Wyoming, in hopes of finding peace. What he finds is poison ivy and angry wasps.

TJ, a grizzly shifter, is the local doctor with a past. He’s found a home in the country, but lacks happiness and a sense of belonging. The fact that he’s in the midst of his natural mating season doesn’t help in the least. The moment Donovan enters TJ’s clinic, sparks fly. TJ is determined to resist the temptation that is Donovan, but his inner bear and Donovan have other ideas.

When a hunter starts going after shifters and a blast from Donovan’s past show up for revenge, things get hot. But not as hot as the attraction between Donovan and TJ. If they can pull together and survive, they just might discover that, while they might be polar opposites, sometimes opposites do attract.

This was an alright story, though I didn’t connect to the character which would have made it better.  Donovan and TJ seem to have one thing in common and that’s that they are bear shifters.  Though deep down aren’t too different from each other.

Both of these guys are keeping secrets and though TJ’s comes out sooner Donovan’s causes more problems.  I felt that these two were just going through the motions to make the story work which is always true but it felt forced.  I also had to continually go back and reread parts of the story to make sure I knew what was going on because names were often flip flopped.

The cover art by Written Ink Designs is okay, we get visuals of Donovan in both his bear form and his human form.

Sales Links: JMS Books | Amazon | B&N

Book Details:

ebook, 61,016 words

Published: January 12, 2019 by JMS Books

ISBN: 9781634868280

Edition Language: English

In Our Supernatural Spotlight: ECHOES by LA Ashton

Echoes by L.A. Ashton

Cover Art: Natasha Snow

February 25th 2019 by Ninestar Press

Sales Links:  NineStar Press | Amazon

Blurb

After one thousand years of listless eternity, Oskar is used to his particular brand of loneliness. But a long walk through middle America and a few chance encounters will lead him straight to a man he’d known to be long since dead―his childhood best friend, Aranck.

Being undead hasn’t stopped Aran from living life to the fullest. He has all the money and power his charm and business savvy could earn him, and plenty of friends. Lately, though, something seems to be missing. After a millennium, perhaps the world’s shine has worn off—and that’s when Oskar stumbles back into his life, reminding him of who he used to be.

Together the two vampires remember what it felt like to live, all the while navigating a conflict with the local pack of werewolves. A lot has changed in a thousand years, and only time will tell if those changes will bring Oskar and Aranck closer together, or ensure they remain apart.

About the Author

L. A. Ashton is an LGBT+ author writing LGBT+ fiction. They were born and raised between neat grids of corn and soybean fields. They enjoy rock music, traveling, and anything else that adds color to their daydreams. They believe in the healing properties of art and of having a cat firmly stationed on one’s lap.
Email: Contact@LAAshton.com
Twitter: @LAAshton_

A Chaos Moondrawn Review: The Case of the Arms Dealers (Kanaan & Tilney #1) by Jenna Rose and Katey Hawthorne

Rating: 4.25 stars out of 5

This is urban fantasy with Elementals, Beasts, Psychogenics, Necromorphs, and Terrans living alongside humans without them knowing. John Tilney is an author wanting to shadow the PI, Lowell Kanaan, for help with research for a book. Lowell is willing to have a free office assistant, but is slow to let John really be involved with his cases.

Although told Lowell has “gritty, noir-detective glory,” he wasn’t actually physically described for awhile, so he was difficult to picture in the beginning. There is a good description of John as Lowell meets him, but not one of Lowell when the POV is switched. John is guileless, honest, and in some ways socially awkward, but certainly not shy. His directness and persistence seem to usually get him what he wants. He finally figures out he wants Lowell. Although self described as demisexual, he jumped right into sexual attraction with Lowell. The sex scenes are smoking hot. In fact, early on the plot was thin and with those scenes I thought it was just going to be erotic romance. Then, the actual cases start to be interesting.

A man reports his neighbor missing. As they look into his whereabouts, they notice others missing as well. The (supernatural) police aren’t looking into it. In fact, their other client is a women being stalked and the police don’t seem to care about her case either. Lowell is the real hero here, working hard once it’s clear there is something wrong, whether he gets paid or not. As the suspect list gets longer, this is no longer about John writing a book, but finding a killer. John and Lowell have fallen into a work relationship and a romantic relationship easily. When John’s life gets threatened and Lowell gets overprotective, the easy camaraderie falls apart. John’s contacts have helped with the case, but he’s not a PI. Lowell, as a former cop, is now unsure how to make this work. They use actual words to work it out–yay for communication!

The side characters aren’t really fleshed out yet: like John’s mother or his neighbor Macy, and Lowell’s friend Mina. The Zombie Mafia boss Tony was interesting, as was his right hand person, Serafina. There is also very little made of the fact Lowell is a Beast (lupine) and John is a Psychogenic (pyrokinetic). I’m hoping the next book expands these characters and shows us more about the praeternatural factions. I ended up enjoying this and wanted to know more about everything. This is a very good first book in a series and the guys are adorable together.

The cover was designed by Aisha Akeju. It’s striking and a clever play on “pounding the pavement” to look for clues, noirish but with color. The zombie hand made me laugh.

Sales Links:  Less Than Three Press | Amazon

Book Details:

Kindle Edition, 204 pages
Published January 15th 2019 by Less Than Three Press, LLC (first published October 27th 2015)
ASIN B07MTY62FD
Edition Language English
Series Kanaan & Tilney #1

A Barb the Zany Old Lady Audio Review: Magic Runs Deep by Alex Whitehall and Adam R Watson (Narrator)

Rating: 4 stars out of 5

I really enjoyed this story. An unusual shifter tale, in this one Veier (rhymes with bear) has been chained to a king’s throne and kept in his bear shifter form for five years. He’s freed when the kingdom is overthrown, but the new king wants him executed and it’s his brother, Elrid, who saves Veier’s life. Elrid is a powerful mage and he rightly points out that the chain indicates Veier was not necessarily loyal to the previous rulers.

But it takes patience and trial and error before Veier is trusted enough to be let outside the room where Elrid works and sleeps with him as the two begin to build trust. He has brief moments of freedom but always seems to be in the wrong place when trouble occurs. He and Elrid become close as he slowly starts to trust that this human may really not wish him harm.

When Elrid is severely injured in an attack by the previous king’s followers, it’s Veier who risks not only his freedom, but his life, to go to Elrid and use his own life force to help Elrid recover and regain his strength. 

I liked the way the author created Veier’s character as a very rough, gruff, hard to get to know man, yet one who we definitely want to get to know and cheer for as he slowly grows from the bear who reacts before thinking to the man who feels all levels of emotion.  Elrid was the strong, silent type—the kind of man with enough patience to wait out Veier’s slow buildup of trust. 

The narrator did a good job with unique vocalizations for each man. If I had one peeve it would be that the MC’s name, Veier, rhymed with bear and he’s a bear shifter. Perhaps the narrator mispronounced it. Or perhaps the author never read the book out loud.  In either event, it caused confusion on several occasions when I was listening as I wasn’t quite sure which word was being used. And at some points in the story, when it was important to know Veier was in bear or in human form, it was frustrating.

Other than that, this is a definite recommendation to my fellow MM romance readers.  Most definitely not insta-love, this is a slow burn, enemies to friends to lovers story with a unique shifter slant. 

The cover by Shayne Leighton features a close-up of a bearded man, hand under chin, and a bear paw print with the title of the story superimposed over it. Very nicely done.

Sales LInks:  Riptide Publishing | Audible | Amazon | iTunes

Audio Book Details:

Audiobook
Published October 24th 2018 by Riptide Publishing (first published April 9th 2018)
Original Title Magic Runs Deep
Edition Language English

An Alisa Review: Fire and Ink (Kitten and Witch #2) by K.L. Noone

Rating: 4 stars out of 5

Three months ago David Stanton rescued a runaway kitten in the rain. Now he’s got a scandalous feline shapeshifter living in his house, helping with his white-witch business, and making him smile. David is falling in love fast, but there’s still the problem of Colin’s past—and the secrets he’s obviously keeping…

Another enjoyable story with Colin and David.  I’m glad that these two have found a life together since the first book, however they need to communicate a little bit better.

I felt for both David and Colin as they both felt they weren’t enough for the other, though for different reasons.  David is afraid Colin is just grateful for his help months ago while Colin is afraid he isn’t good enough for the good witch.  It takes an extreme situation to get them to actually open up about their feelings but it does the trick.  I’m so glad the Colin isn’t scare to help David given how he was used in the past.  I am enjoying these short stories and look forward to hopefully more glimpses into their life together.

The cover art by Natasha Snow is another cute one though, it’s strange for Colin to have changed colors.

Sales Links: Less Than Three Press | Amazon | B&N

Book Details:

ebook, 16,000 words

Published: November 28, 2018 by Less Than Three Press

ISBN: 9781684313730

Edition Language: English

Series: Kitten & Witch #2

Artist Spotlight: Reese Dante. Book Cover and Artist Month Continues. This Week at Scattered Thoughts and Rogue Words

Cover Art by Reese Dante

Book Cover and Artist Month Continues

Artist Spotlight: Reese Dante

When people ask me to name favorite cover artists, Reese Dante’s name pops immediately into my mind.  Over countless stories, from Amy Lane to Mary Calmes to T.J. Klune to C.S. Poe and so many other authors, there has been one stunning cover after another.  These book covers offer an amazing arrange of tone, coloration, composition, and even style depending upon the needs of the author and novel.  But they never fail to pull you in, hold your eye, make you linger over the artwork, and then want to read the story within.

These covers are gorgeous, compelling, and often magic.

Reese Dante’s designs can run from singular images to complicated forms and everything in between.  From explosions of color to subtle hued covers in greys and whites, both carrying an impact.

 

 

 

 

 

 

 

 

 

I couldn’t wait to hear Reese’s answers to our questions.  So on to our interview.

Scattered Thoughts and Rogue Words Interviews Artist Reese Dante!

Thank you so much for the invite!

How long does it takes to put together a cover draft and whether or not they make multiple drafts to show authors/publishers?

That varies with each assignment. Image hunting is extremely time consuming, especially when character modifications are required. But once I have the images selected for a project and know all the character changes needed/requested, I move rather quickly through the design process. Start to finish (including finding the right pics to work with) can take anywhere between a few hours to a full week or more. Again, it all depends on the project.

How much of your covers are original art and how much do you rely on using content purchased elsewhere?

Most of my work involves photo manipulation. I would say about 80-90% of my covers use licensed stock material as a starting point. There are times when I can’t find a resource I need or I’m just too stubborn and want to incorporate something specific. In those instances, I digitally paint what’s needed (such as a tattoo design element, a piece of missing clothes, etc).

How much input comes from the author and/or storyline?

That varies with each assignment and client. With publishers, there are house styles to consider and some are more restrictive than others regarding the level of input to incorporate. For my non-publisher work, all assignments begin with a spec completed by the author. The responses address a mix of questions about their story (characters, tone, time period, design preferences, etc). Some authors start the process knowing exactly what they want while others give me total creative freedom. Even with that creative freedom, the idea is sparked from something the author noted in a response. And ultimately, the tone and theme in their story determines the colors and style I use to finish off a design.

How did you get to become a cover artist?

Years ago, one of my friends needed a cover for a poetry book and asked me to design the cover. When he published his second poetry book, he asked me to design the cover for that one as well. I enjoyed the process and it was a welcome escape from my corporate office job. Some time later, another author friend asked me to design a cover for his first book, and I agreed. After he published his story, word started spreading and I received requests from other authors. One cover led to another and so on.

What mediums do you use?

I would be lost without Photoshop and my Wacom tablet. I also use a mix of software for my vector and illustration work. And when push comes to shove, I revert to my older drawing days and sketch something out with pencil then scan it in.

Do you have a favorite cover you have done?

That’s like asking me to pick my favorite child. 🙂 In truth, there are too many and for different reasons (the author, the story, elements of the piece, or the overall experience). Some designs have challenged me to try new techniques and illustrate something original. While others provided a creative outlet to help me cope while dealing with something personal in life. I have many favorites, whether the author knows it or not.

Do you have a favorite cover artist yourself?

There are tons of cover artists who create beautiful covers and some are truly gifted in what they can do with their creativity. I have favorite artists for different reasons and specialties. It’s impossible to pick one. Some have a gift for using vivid colors, digital drawings that leap off the page, and some can make something so simple look absolutely breathtaking.

Did you look at book covers or were influenced by book covers as a child?

As a book cover designer, I do look at other covers in order to determine market trends for the various genres.

As a child, I spent more time watching movies than I did reading books. 🙂 I was obsessed with movie posters while growing up. When I was a teenager, I reached out to two store owners who received promo items for movies they were selling or renting at the time. When they cycled through movie posters and promos, rather than throw them out, they would give them to the nagging teenager (*me*). My bedroom walls were wallpapered by movie posters—even the ceiling (I did mention I was obsessed). So I can easily say movie posters are a huge influence on my work.

What do you find most rewarding as a Book Cover Artist?

So many things. I get to do what I love and I’m forever grateful. The creative freedom feeds my soul and the author squee is priceless. There’s nothing more exciting than an author telling me I’ve nailed their character or story on the design.

If you could ask yourself a question, what would it be?

Do you realize how much you obsess with details?

What or how do you see the role of the Book Cover?

Unless you’re an auto-buy author for the reader, the book cover is a critical marketing piece. The cover is the first encounter a reader has with any story when book shopping. Its job is to entice the reader to stop and take a closer look at the book.

How has the eBook format changed that , if any?

Book covers are still important when book shopping. With the dominance of eBook formats, book covers now need to show well as B&W images and at thumbnail size, more so than a printed paperback on a bookshelf.

What trends do you see in Book Covers in the industry? Past, present, and future? {for example the rise of the naked half male torso, model overuse ,generic covers ,etc.)

Trends cycle (and sometimes recycle) and vary by genre. Whether it’s a cropped face or naked torso, there’s a recent push toward single model covers.

How do you feel about them?

I don’t have an issue with single model covers (or any trend) if it fits the character and/or story.

Thanks for taking the time to stop by. And thank you for all the amazing comments, gifs, and messages over the years. ❤

For more of Reese Dante’s artist, don’t forget to check out her website and the portfolio.  You will recognize many of your favorite stories and covers there!  I’ve only given you all a tiny sampling here.

 

 

 

 

 

 

 

 

 

For more about Reese Dante, visit

Reese Dante | Book Cover Artist & Designer

 

 

Original drawing by the artist

About the Artist

Art has always been a part of my life.

Ever since I can remember, I’ve loved art. There wasn’t a safe piece of paper in my home. I doodled everywhere and everything…papers, magazines, envelopes, brother’s homework. Then I started sketching people. I’d go through a magazine and rip out ads, preferably in color, then try to redraw them in a pencil sketch. I’d obsess until I thought it was just as strong as the color photo.

I’m a perfectionist and enjoy a challenge.

I’ve drawn and designed for years, but my first professional logo was used in 1991 for a community development and my first (published) book cover design appeared in 2005. I hold both a BBA with a specialization in Marketing and an MBA. After working for a national corporation in a marketing position for 15½ years handling all creative aspects of the company, I realized it just wasn’t enough…something was missing. The day-to-day slowly overpowered the creative elements of the job until there was nothing left but management tasks and responsibilities. I realized I enjoyed art a little too much to let it go. I started actively designing book cover art in December 2009 to fuel my creative need. People began asking about my covers and availability (thank you – I am forever grateful). I am now a full-time book cover artist and designer, using my marketing background to create art that grabs the reader’s attention. And I’ve never been happier.

My only regret…not having started this sooner.

As a teenager, my walls were covered by movie posters.  Maybe it’s subliminal after staring at movie posters for so many years.  I don’t know, but I do love a good story, especially those told in a picture.

Reese Dante
Book Cover Art & Design
rdante@reesedante.com
reesedante.com

Twitter: @ReeseDante
Facebook

I hope everyone enjoyed this week’s spotlight with Reese Dante. Next week Paul Richmond will be visiting with us. It has been a joy getting to know her further.  Please check out more of her artwork and stories at her website listed above.

Cover Artist Giveaway:

Please don’t forget to leave comments or questions for our artists to be entered into our Book Cover Artist Giveaway, a Gift Certificate for $10 the person chosen.  Please leave a email address where you can be reached.  Open until St. Patrick’s Day.
Now for this week’s reviews and tours.  Happy Reading and Listening!
We have more Artist Spotlights Scheduled. The schedule to date (with links in case you missed one):
February 09:  Aisha Akeju
February 10:   Garrett Leigh
February 17:   Meredith Russell
February 24:  Reese Dante
March  3           Paul Richmond
Until next week, happy reading and listening!  Here is our schedule at the blog this week.  Enjoy!

This Week at Scattered Thoughts and Rogue Words

Sunday, February 24:

  • Artist Spotlight: Reese Dante. Book Cover and Artist Month Continues.
  • This Week at Scattered Thoughts and Rogue Words
  • Ties of Destiny by Caitlin Taylor Blog Tour
  • An Alisa Review : Letting Go (The Knights Club Series#2) by CJ Baty

Monday, February 25:

  •  PROMO Empire of Light by Alex Harrow
  • BLITZ Severed by Shona Husk
  • Blog Tour Post for A New Life by Mel Gough
  • An Alisa Review: Fire and Ink by KL Noone
  • A VVivacious Review Snowed In: Nen and Anani by Nell Iris
  • A Barb the Zany Old Lady Audio Review: Magic Runs Deep by Alex Whitehall  and Adam R Watson (Narrator)
  • A Chaos Moondrawn Review: The Case of the Arms Dealers (Kanaan & Tilney #1) by Jenna Rose and Katey Hawthorne

Tuesday, February 26:

  • Release Blitz – Brigham Vaughn – The Ghosts Between Us
  • Release Blitz – Anna Martin – Helix
  • ECHOES by LA Ashton Promotion
  • DSP POMO Cooper West on Mixed Signals
  • A VVivacious Release Day Review: Helix by Anna Martin
  • A MelanieM PRErelease Review: Jacked Cat Jive (The Kai Gracen #3) by Rhys Ford
  • A Free Dreamer Review: Treasure by Megan Derr

Wednesday, February 27:

  • Release Blitz – Touch Of A Yellow Sun – V.L. Locey
  •  PROMO Emory Schneider
  • Cover Reveal – A.L. Lester – Shadows On The Border
  • An Alisa Release Day Review: Skin and Bone (Digging Up Bones #2) by TA Moore
  • A MelanieM Review: Echoes by LA Ashton
  • A Chaos Moondrawn Review: Concatenation (Lost in Translation #1) by Catherine Lievens
  • A Barb the Zany Old Lady Review: Milo by Lily Morton

Thursday, February 28:

  • Release Blitz, and Blog Tour – The Rising by Morgan Brice
  • Cover Reveal – Murder At Oakschott Hall – Jim Austen
  • COVER REVEAL Becoming D’Vaire by Jessamyn Kingley
  • An Alisa Review Temporary Dad (Bad Valentine #4) by Dev Bentham
  • An Alisa Review:All He Needs (My Truth #1) by Ann Grech
  • A Free Dreamer Review: Empire of Light(Voyance #1) by Alex Harrow

Friday, March 1:

  • In the Spotlight Tour and Giveaway: Demon on the Down-Low by EJ Russell
  • Release Blitz – DJ Jamison – Rapid Response
  • AUDIOBOOK REVIEW TOUR – Dance For You by Colette Davison
  • A Free Dreamer Review: Ostakis by Angelica Primm
  • A Chaos Moondrawn Review Lord Seabolt (Four Families #2)by Megan Derr
  • A MelanieM Review A Miracle for Markie by Lynn Lorenz

Saturday, March 2:

  •  Release Blitz and Review Tour – Brigham Vaughn – The Ghosts Between Us
  • Redeem by Christina Lee Release Blitz
  • A Stella Review – The Ghosts Between Us(The West Hills #1) by Brigham Vaughn
  • A MelanieM Review:That Feeling When (#lovehim #1) by S.M. James

An Alisa Review: Port in a Storm (Kitten and Witch #1) by K.L. Noone

Rating: 4 stars out of 5

Colin is not having the best time lately, being a runaway shifter with a less than stellar reputation, hiding beneath a car in the pouring rain hoping to evade the angry warlock looking for him.

David’s had a long day; being the local white witch and healer is a worthwhile occupation, but it’s rarely an easy one. When he spies a stray kitten under his car, he figures he’ll be able to rescue at least one living thing that night…

I enjoyed this story.  It was so great to see Colin find a safe place after what he had gone through.  David is just an all-around good guy and brings warmth to Colin.

I felt for Colin and how he had been trapped the last few months but also how he has felt the need to seek attention.  David had always admired Colin from afar and once he finds out who his kitten is offers protection.  I loved how safe David made Colin feel and how he gives Colin to chance to actually be himself.

The cover art by Natasha Snow is adorable and I love the picture of Colin when David found him.

Sales Links: Less Than Three Press | Amazon | B&N

Book Details:

ebook, 13,000 words

Published: December 20, 2017 by Less Than Three Press

ISBN: 9781684311293

Edition Language: English

Series: Kitten & Witch #1

Artists and Book Covers Spotlight: Meredith Russell. This Week at Scattered Thoughts and Rogue Words

Artists and Book Covers Spotlight: Meredith Russell

If you’ve read a book by RJ Scott or V.L. Locey to name two authors quickly off the top of my head, well, then you’ve seen the covers of Meredith Russell.  If you read some or all of the stories  in The Christmas Angel series by various authors, then you’ve seen the covers of Meredith Russell.  And of course, if you’ve read Forever In The Sun (co authored with RJ Scott) or Fallout,  you’ve seen a cover created by the artist for a book she’s written.

 

 

 

 

 

 

 

 

Plus if you are a follower of either RJ Scott or VL Locey or the MM Hockey Romance Group, then you are familiar with the adorable chibis that Meredith Russell draws of the characters of the Harrisburg Railers hockey players and their mates and families.  I’m hoping she will extend it to the Rush soon.  Here is the first chibi she drew.  It’s Tennant Rowe! The others can be found here at

Railers Chibi-style promo pieces

Adorable, right?  If you are a fan of the Harrisburg Railers series by RJ Scott and VL Locey, then you know Ten is featured in a very special story that’s to be released this summer, June 30th 2019.  Here’s a look at the cover by Meredith Russell, of course|
Now onto our interview….

Scattered Thoughts and Rogue Words Interviews Meredith Russell on Art, Book Covers and Much More

  • How long it takes to put together a cover draft and whether or not they make multiple drafts to show authors/publishers?

Making a draft varies author to author for me. Some come with ideas, or a set style they’ve adopted, or images they’ve found themselves and so we go down one route and a single draft, and it’s a rather painless process. Then others need to see something to help decide what they actually are after from a cover. I’ve never really paid a lot of attention to exactly how long I spend on a draft. There are various stages I go through – getting any info or ideas from the author, looking at what images are available and which might work together, some back and forth with the author as to whether images fit with what they’re after, and finally the cutting/pasting/making etc of the draft. The time adds up but usually after a few days I have something to show them and a starting point to tweak into something final.

  • How much of your covers are original art and how much do you rely on using content purchased elsewhere (like Shutterstock

I work pretty much exclusively with images from stock sites so I am limited in some ways to what I can find on them and how I can maybe manipulate them into what we need. However, I would love to venture into digital art but I haven’t found the time to devote myself to figuring it out or getting the resources I’d need. I’ve had fun creating some simple drawings for RJ Scott, and a couple of others, who have had me turn their characters into little cartoon people though.

  • How much input comes from the author and/or storyline?

Again it varies. Some authors have a set idea of what they want. Some (naming no names lol) come to me requesting a man with brown hair and give me a couple of details about the story’s setting. I do like to know about the storyline or at least key moments or places that can be incorporated into the cover.

  • How did you get to become a cover artist?

What feels like a long time ago now, I used to do bits of fan art, mostly fanfiction banners for myself and some other writers. When RJ Scott went on to self-publishing she asked me to create her a cover and it went from there.

What mediums do you use? 

I work on a pc. I do have a pen and tablet that I use for drawing the cartoon characters (see above), but also a lot of those do actually start out as pencil and paper sketches that I then digitize and use as a guide.

Do you have a favorite cover you have done? 

Oh that’s a tough one. I recently did a set of seven covers for a series called The Christmas Angel. I liked how they turned out along with the challenge some of them offered considering they were all set in different time periods. A few others I really like include Liam Livings’ And Then That Happened, RJ Scott’s Boy Banned, KC Wells’ A Christmas Promise, and an as yet untitled merman cover I created as a premade that Amber Kell bought off me. Somebody should poke her.

 

 

 

 

 

 

Do you have a favorite cover artist yourself?

I do. I really love Jay Aheer’s work. She does some beautiful pieces.

Did you look at book covers or were influenced by book covers as a child?

I don’t think so much as a child. I was more about the title and blurb, particularly considering what was popular in way of covers back then, or at least for the kinds of books I was reading. It wasn’t until maybe early twenties where I started being tempted by pretty covers, quite a few being the YA type books, or having a striking female model on them.

What do you find most rewarding as a Book Cover Artist?

I just really enjoy getting to work with the authors. I enjoy the sharing of emails, building a working relationship and even friendships.

If you could ask yourself a question, what would it be?

It would be, ‘Have you remembered about that request you got over on Facebook?’ Seriously, I have a terrible memory and am constantly emailing myself or telling people to send details in emails as my inbox is something I have open all day whilst on my computer and can easily check on my phone when I’m not at my desk.

From the Christmas Angel series…

For both the Author and Cover Artist:

  • What or how do you see the role of the Book Cover?

Firstly, as an attention grabber. If you’re looking for something beyond the regular authors you read, the title and cover are the first things you’re exposed to so it helps if they make an impression. And secondly, covers can be a way of making a brand for authors. It might be they all have a set look – so maybe a single model on the cover, or simply keeping the font for their name consistent for all their books.

  • How has the eBook format changed that , if any?

I don’t think it’s changed it too greatly, in that whether you’re walking a row of books in a store or scrolling through online pages of somewhere like Amazon, covers are there to grab your attention.

  • What trends do you see in Book Covers in the industry? Past, present, and future?  {for example the rise of the naked half male torso, model overuse, generic covers ,etc.)

I think like with everything styles come in and out of fashion. There was the time of the headless models, shirtless torsos, two models, touched up single image covers,  Recently, for me at least, it’s been focusing on a single model on covers, for example The Christmas Angel series and having just one of the characters on there. And unfortunately, because cost is a factor for many authors when paying for cover art, repeated use of models from stock sites is difficult to avoid, but it offers artists the challenge to try and use them differently.

  • How do you feel about them?

Personally, I think the only trend I didn’t like was the headless men one. I know it was a way to make use of limited models in the earlier days, plus allows readers to form their own image of the character simply from whatever descriptions the authors wrote about them, but for me, I just wasn’t a fan. Otherwise, each trend has its place and does its job. There’s a risk of all books looking the same, but that’s then up to the artists, and also the authors and their input, to put their own twist on what’s popular.

  • Anything you would like to share with our readers?

If you’re interested in my work both as an author and cover artist you can view details at my website meredithrussell.co.uk, or find me over at Facebook https://www.facebook.com/meredithrussellauthor. Thank you.

 

About Meredith

Meredith Russell lives in the heart of England. An avid fan of many story genres, she enjoys nothing less than a happy ending. She believes in heroes and romance and strives to reflect this in her writing. Sharing her imagination and passion for stories and characters is a dream Meredith is excited to turn into reality.

Meredith Russell’s Media links
I hope everyone enjoyed this week’s spotlight with Meredith Russell.  It has been a joy getting to know her further.  Please check out more of her artwork and stories at her website listed above.
We have more Artist Spotlights Scheduled. The schedule to date (with links in case you missed one):
February 09:  Aisha Akeju
February 10:   Garrett Leigh
February 17:   Meredith Russell
February 24:  Reese Dante
March  3           Paul Richmond

Cover Artist Giveaway:

Please don’t forget to leave comments or questions for our artists to be entered into our Book Cover Artist Giveaway, a Gift Certificate for $10 the person chosen.  Please leave a email address where you can be reached.  Open until St. Patrick’s Day.
Now for this week’s reviews and tours.  Happy Reading and Listening!

This Week at Scattered Thoughts and Rogue Words

Sunday, February 17:

  • Artists and Book Covers Spotlight: Meredith Russell.
  • This Week At Scattered Thoughts and Rogue Words
  • A MelanieM Review: Hat Trick (Harrisburg Railers #8) by R.J. Scott and V.L. Locey

Monday, February 18:

  • Release Blitz Milo by Lily Morton
  • Amy Lane Author Guest Post
  • Harmony Ink YA John Goode
  • An Alisa Review: Port in a Storm (Kitten and Witch #1) by K.L. Noone
  • A MelanieM Review: Wolff (Redemption #1) by J.J. Harper
  • A Lucy Review: Shine (Uncorked #4) by Shea Balik
  • A Free Dreamer Review: For the Clan by Archer Kay Leah

Tuesday, February 19:

  • Book Blitz for Blood Lust by L.E. Royal
  • Cover Reveal – Broken by Colette Davison
  • An Alisa Release Day Review: Diplomatic Relations (The Sci-Regency Series #4) by J.L. Langley
  • A MelanieM Release Day Review: Ithani (The Oberon Cycle #3) by J. Scott Coatsworth
  • A Barb the Zany Old Lady Release Day Review: My Fair Brady by K.C. Wells
  • A Lucy Audio Review: Rocking the Cowboy by Skylar M. Catesj and  Colin Darcy (Narrator)

Wednesday, February 20:

  • Ostakis by Angelica Primm
  • Review Tour – Sam Burns – Eagle In The Hawthorn (Rowan
  • Cover Reveal,- The Rising by Morgan Brice
  • A MelanieM Release Day Review: Diplomatic Relations (The Sci-Regency Series #4) by J.L. Langley
  • A Lucy Review: Sweet (Uncorked #5) by Shea Balik
  • A Free Dreamer Review:  Eagle In The Hawthorn (Rowan Harbor Cycle #8) by Sam Burns
  • A Chaos Moondrawn Review: No Fae is an Island (Endangered Fae #4) by Angel Martinez

Thursday, February 21:

  • BLOG TOUR Salute to the Stud by Beth Laycock
  • An ALisa Review: The Romantic by Elodie Parkes
  • A MelanieM Review: Gage (Redemption #2) by J.J. Harper
  • A Lila Review The Mercenaries of the Stolen Moon by Megan Derr
  • A Free Dreamer Review: Foreign to You by Jeremy Martin

Friday, February 22:

  • OLD SINS by Charlie Cochrane Tour by Charlie Cochrane
  • Release Blitz – Jay Northcote – Better Place (Rainbow Place #3)
  • DSP PROMO Andrew Grey on Reunited
  • Book Blast – Apple Boy (The Quiet Work #1) by Isobel Starling
  • An Alisa Review: Ace of Hearts by Caitlin Ricci
  • A Chaos Moondrawn Review: Broken Alpha (The Alpha/Omega Verse #1) by D.C. Juris
  • A Caryn Review: Salute to the Stud by Beth Laycock

Saturday, February 23:

  • Release Blitz Signal – Kris Jacen – Step Up With Me
  • “Ithani” by J. Scott Coatsworth Mark (OWL) Tour
  • A MelanieM Review:  Step Up With Me by Kris Jacen
  • A MelanieM Review Waiting on the Rain by Freddy MacKay

New Release Blitz for Foreign to You by Jeremy Martin (excerpt and giveaway)

Title: Foreign to You

Author: Jeremy Martin

Publisher: NineStar Press

Release Date: February 11, 2019

Heat Level: 1 – No Sex

Pairing: Male/Male

Length: 83900

Genre: Fantasy, LGBT, Young adult, fantasy, shifters, hunter, stag, forest, reincarnation

Add to Goodreads

Synopsis

The harmony between humans and fianna, a species of shapeshifting deer, begins to wither as racial tensions and deeply rooted resentment turns violent.

Ruthless hunter Finn Hail and prophesied liberator Adelaide may be heroes to their own species, but they are enemies to each other. With war on the horizon, the reluctant pair must team up to find the most elusive of prey: the god of the Forest.

As enemies press in from all sides, true intentions begin to show. For Finn to save the boy he cares for most, he might need to aim his gun at the very god he seeks. And Adelaide, with her festering hatred for mankind, will have to determine if peace holds true salvation for her people.

Excerpt

Foreign to You
Jeremy Martin © 2019
All Rights Reserved

It is strange to sit in the Forest with a rifle, bullets, and the intention to kill. The Forest is meant to be a place of harmony, where the order of things is meticulous, spontaneous, and beautiful.

I am a blemish in an otherwise blissful system.

My only justification for upsetting said balance is that I am here, with a gun, to silence another disturbance.

“To the right,” Jay whispers, his words turning into clouds similar to a furnace expelling smoke. His voice is so soft the branches seem to lean downward greedily, as if the leaves could catch each of his words like raindrops. With the meek backdrop of the Forest, Jay’s features are highlighted and prominent. His sturdy jaw, light stubble, and bright eyes were all a combination of classic handsome.

I, on the other hand, am classically average. Brown hair, dull eyes, and a nose that’s a little too big.

After waiting in the same spot an unholy amount of time, my body had sunk deeper in Pa’s musky leather jacket while my muscles and thoughts had stiffened from neglect. The slightest stirring from Jay startles me out of my daydreaming and from my cocoon of warmth. Unlike me in the present moment, Jay’s attention and energy are crisp and alert while his entire body leans forward in anticipation.

“Do you see him?” Jay murmurs with thinly veiled anxiety. He scrambles for his rifle with shaky fingers, brings the scope up to gaze through. I blame the cold, or my own fleeting concentration, but I cannot see what he does. The only abnormalities I see in the surrounding Forest are the slabs of meat Jay strung up on the branches like decorations to attract the ferals.

With a huff of frustration, he angles my line of sight with his rough fingers, squishing my cheeks, and gripping my head. Within an instant of the contact of his skin on mine, my mind sharpens.

Allowing my gaze to soften so I can absorb more of my surroundings, I finally see the tiniest of movements. A flash of white that doesn’t belong to the never-ending bark. A drifting smudge in the sea of stillness. Yet, the Forest is so dense the leaves tend to bunch together like armor, protecting its inhabitants from invaders. Between one blink and the next, the Forest returns to its previous state. Not a twig out of place. Nothing exposed.

“Found ya,” Jay says, his voice trembling. I study his nervous movements. Gloved fingers twitching individually. Teeth tugging at his bottom lip. Chest barely rising and falling as he forgets to breathe. For he has the skills of a great hunter, but not the heart for it. Jay was the boy who once found a rabbit with a broken leg and attempted to nurse it back to health. He was the same boy that cried for four days after his father snapped the creature’s neck to put it out of its misery.

I’m not good at vocalizing emotions, making them into pretty little words, which is a genetic trait from Pa. All I can tell Jay is, “Stay calm,” and that doesn’t sound like near enough. I wish I could tell him that we should head back to town, that he deserved much more than loud rifles and dirt.

But I don’t say those things.

I move past him, my boots squishing in the mixture of mud and snow. Each step is heavier than it needs to be, and my impatience starts to hum within my ears with each squish, squish. As I stalk, I strain to find the distortion of the brown that slipped away.

“It was probably a raccoon,” I tell Jay, despite knowing we are meant to be silent. Loud hunters gain no prizes. “I bet you got caught—”

A snort comes from my right, and as I turn, I find a beast stationed between two oak trees.

Its massive frame looms before me with red-rimmed eyes, thick and building black veins, patchy fur, and teeth bared. My eyes soak up every inch of the deer, my heart hammering in time with his exhales. From this distance, the beast is nearly magnificent, practically the size of a horse. His nostrils flare as he paws at the ground, catching all wayward smells while each muscle twitches and throbs. Unlike his cousins, this stag does not flee at the sight of a human. Instead, he lowers his brow defiantly, his antlers posed daggers.

It is an unholy combination of god and devil.

A loud crack fires off behind me, and before I can even blink, the bark of the nearest oak shatters into a thousand shards.

With fear leading it, the stag rears back onto his hind legs and lashes out with hooves strong enough to break bones. I attempt to leap backward, but my boots do not leave the mud willingly. As I fall onto the ground, my rifle skids across the Forest floor. I scramble for the dagger stored at my hip, but my gloves make the hilt as slick as a trout. As the stag brings down the weight of its body with an aggravated snort, I roll to my side so that the hooves bury themselves into muck, not flesh. I manage to free my knife and drag it across the beast’s torso before I make a dash for safety.

The buck, alarmed by the sudden pain, moves his eyes frantically, rolling them around his skull and exposing the whites. Its scream, a noise rivaling that of a horn being blown, attacks me even from a distance.

Another gunshot fires off too close, missing once more. As mud rains down from the misfire, the stag flees, taking blood and the stench of rot with it deep into the lush green.

Crawling out from the bush I dove into, I can hear Jay abandoning his usual stealth to reach me. His right boot slips in the slush as he nears me, causing him to crash down beside me. “Shit, Finn. Are you okay?” His hand creeps near my knee before stopping inches from it. “I thought—”

“What even was that?” I snap, pointing at the crude hole in the ground. Instantly, Jay’s cheeks flare red, his face hardening defensively. “You were aiming for it, right?” Jay is deadly silent. I work my jaw, hoping to alleviate the ringing still echoing in my eardrums.

Jay curls his fingers into fists. “Next time would you rather I let you go? You seemed to be handling it well,” he bites back with sarcasm.

At the lodge, Jay will find any reason not to pick up a gun. Instead, he studies the plants, tinkers with complex traps, and vanishes like a frightened barn cat at the sound of a rifle exploding. I shouldn’t be surprised he’s an awful shot, considering his lack of practice.

“Well, I’m alive,” I tell him, wanting more than anything to be on the move again, and to distance myself from the anger that quickly rose to the top. “But maybe leave the guns to me?”

After a quick smile, Jay squares his shoulders and flexes his hands as the facade of a hunter starts to settle back over him. As the best parts of him get stuffed away. “I’ll find him again,” he promises, and I have no doubt that he will. It’s often teased that Jay has a nose more acute than a hound. He carries a rifle for formalities, but his talents lie within his knowledge of the land. Animal droppings, tracks, and broken twigs are all parts of Jay’s trade. It’s what makes him valuable to a band of killers. “We are losing daylight,” he points out. “And we’re approaching Falling Rock.”

Are we that far out? I think, dazed. With Jay, time isn’t something I usually keep up on. When we were young, I would battle fatigue for one more hour with him.

I scratch at my neckline where sweat starts to bead. “Well, I left you a blood trail, so my portion of help is exhausted.” I let the edges of my lips rise, and Jay accepts it with a nod. This is how comrades treat one another.

Right?

Jay rises, body hunched close to the ground as he follows the red through the bushes.

Once upon a time, back when it became evident a gun only felt natural in one of our grips, Jay tried teaching me the art of tracking, taking great pride in his skill. But at that age, when I was young and full of pride, I pretended it didn’t interest me. Eventually, after I’d declined his guiding hand enough many times, Jay stopped trying to explain his methods to me.

Today, Jay is further removed, his words shorter than usual. The same tension sparking between us with the simplest of blunders, or the slightest of nods, because this is the first time Jay is tracking a feral.

The first time I have been tasked with killing a feral.

This feral is a rarity. The majority of the ferals stay in the Forest, killing what crosses their paths. Yet, this particular beast had entered human territory, killing a farmer and his wife before peeling back into the trees. It makes our mission important. It is more than just killing.

It is justice.

After a rough mile of trekking over minor cliffs and rocky outposts, Jay brings me to a halt with a snap of his wrist. As he shrinks down, I mimic him. Pointing at the snow, he shows me a large divot in the otherwise perfect layer of white. I don’t need to be a tracker to know the buck must have slipped on ice, crashing into the remaining snow and splashing against the fluff like a sponge full of red paint.

I pop two bullets into my rifle, check the safety, and snap the chambers shut. Slinging the gun onto my back, I notice that Jay’s eyes barely leave the blood, lost in the color. Doubt is starting to build upon his shoulders, gnawing at his edges.

“Are you ready?” I ask. He doesn’t know it, but the same uneasiness lines my stomach.

“We’ve come this far,” he tells me. He takes a bold step forward, and I can do nothing but follow. Despite the ground dropping away into a steep slope, it is clear the feral struggled up the side of the mountain.

Jay begins climbing first, taking fistfuls of roots and rocks, to propel himself along. As we move, the blood remains consistent on our right. Before long, Jay crawls over the top of the outpost, disappearing for a moment before reappearing to hoist me up. Once we are on even ground, I want to thank him, crack a joke, or anything, but my words are swallowed up as I look over Jay’s shoulder and across the plateau.

I follow red snow until I find the once four-legged stag wobbling on two legs, erect for a breath before plummeting onto his knees. There is blood all over his body, tainting his skin like a rampant infection. Even from here, I can see his muscles quivering and shaking, his body burning off the gentle flakes that land on his shoulders.

His frail human shoulders.

Every part of him seems at war as he spasms and writhes. Despite the fur drifting off his body in decaying clumps, his antlers still hang from his brow, holding steady in the air with crimson stains along the tines.

I snap my rifle in front of me.

When the stag turns to me, he tries to raise his hands. Hands that should be human but are jagged and blackened. A droplet of blood creeps from his eye and down his cheek and drips onto his bare leg.

It is clear he is suffering, caught between two bodies.

I hear him mumbling, but I can’t make out the individual words. Despite my head screaming, don’t get any closer, you idiot, I find my boots propelling me forward. As I near the fiend, his voice breaks like a young boy in puberty. “Begin again,” he raves. “Begin again, begin again—” he lets out a tangle of screams, his claws tearing into his cheeks. “Pain, pain, rebirth.”

“Finn,” Jay says, grabbing my shoulder with his giant hands, startling me from my daze. “It might not be too late. We might be able to help him.”

“He is sick,” I say. I stare at a point behind the beast, letting my words flood me with false confidence. “He is just an animal.” It is Pa logic. Town logic.

“Wait, Finn,” Jay pleads. None of the other hunters would hesitate to kill the feral, I want to tell him. Not after the feral’s hands were stained with blood. Blood from Norsewood.

“He’s changing—”

“It’s too late for that,” I tell him sternly. “He has already done enough damage.”

Jay looks away, squinting into the distance. “Something doesn’t feel right.”

Killing never feels right, I want to tell him. But in the seconds I take my eyes off him, the feral lunges at me, fangs angled at my throat.

Purchase

NineStar Press | Amazon | Smashwords | Barnes & Noble | Kobo

Meet the Author

Jeremy Martin, born and raised in Lancaster County Pennsylvania, considers himself to be a part-time writer and a full-time mess. If he isn’t nose-deep in a book, he’s obsessively playing video games, re-watching The Office for the umpteenth time, or lost in nature. Foreign to You is his debut novel.

Facebook | Twitter | Instagram

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More On Book Covers And Cover Artists ~ This Week Garrett Leigh! Our Week At Scattered Thoughts and Rogue Words

Author and Artist: Garrett Leigh

More On Book Covers And Cover Artists

 This Week the Fabulous Garrett Leigh!

Cover Artist: Garrett Leigh

When I am looking at book covers, I can spot a Garrett Leigh cover just at a glance.  It has a certain style, a tone, a composition that states that yes, this cover was created by Garrett Leigh, and no other.

When sending out Scattered Thoughts and Rogue Words questions, Garrett Leigh not only snapped immediately to mind because of the instant recognition factor in her covers but because Leigh is also an author as well.  Leigh is in a unique position in that a Garrett Leigh novel can have (although not always) a Garrett Leigh cover, one perfectly tuned to the story and characters within.

I can think of only a few other author/artists off the top of my head in a similar position.  Meredith Russell, LC Chase are among them.

So we are lucky to have Garrett Leigh here today answering our questions about books, cover artists, the future of covers, and much more.  Check it all out below.  Also the link to Garrett Leigh’s design website, Black Jazz Design.  Don’t miss out on the gallery there and all the many book covers.  Such a delight!

From Garrett Leigh:

Cover Book and Cover Artist Questions:

  • How long it takes to put together a cover draft and whether or not they make multiple drafts to show authors/publishers?

The time frame varies from job to job. For example, I’ve worked on a series cover today, book 6, that took me half an hour, as we already knew which model we were using, and exactly how the cover would look. Over the weekend, I did a job for a publisher that required three markedly different drafts, before one was chosen to work on further.

  • How much of your covers are original art and how much do you rely on using content purchased elsewhere (like Shutterstock)

I’m a photographic artist, so most of images come from stock sites, or my husband’s collection (he is a pro photographer/videographer). Stock sites are invaluable, though.

  • How much input comes from the author and/or storyline?

Again, it depends on the job. Some authors have a clear idea of what they want, and the book is already written, and some have no clue and want their art before they start writing the book. When working with publishers, you also have to consider house style.

As far as the story itself is concerned, the most important aspect is the tone. I wouldn’t want to make a super gritty thriller cover for a cute holiday romance.

  • How did you get to become a cover artist?

Entirely by accident. I wanted something specific for a book of my own, so I made it myself and went from there.

  • What mediums do you use?  

Photoshop, Illustrator, Daz, Wacom.

  • Do you have a favorite cover you have done?

That’s like asking me to choose between my children, but I do have a few I don’t like. And no, I’m not saying which ones, haha.

  • Do you have a favorite cover artist yourself?

Loads. We’re super lucky in the romance genre in that there are dozens of stellar artists to choose from. And I’m good friends with a few too—Kellie Dennis, Jay Aheer, Meredith Russell.

  • Did you look at book covers or were influenced by book covers as a child?

Not that I can remember, but I mainly read Enid Blyton, so…

  • What do you find most rewarding as a Book Cover Artist?

When a job “clicks” and the author is over the moon. It makes the trickier jobs worthwhile.

  • If you could ask yourself a question, what would it be?

Where the hell did you put the spare laptop you bought for camping last year?

For both the Author and Cover Artist:

  • What or how do you see the role of the Book Cover?

The cover is equally, if not more, important as the blurb. I choose my books with my eyes first, and if a book has a crappy cover, I’ll scroll on by unless it’s been specifically recommended to me.

  • How has the eBook format changed that, if any?

eBooks have been around as long as I’ve been a professional artist, so I honestly couldn’t say.

  • What trends do you see in Book Covers in the industry? Past, present, and future?  {for example the rise of the naked half male torso, model overuse ,generic covers ,etc.)

Chalkboard cursive fonts are still in, with warm happy colours. But the moody black and white hero is a long time favourite in the romance genre.

  • How do you feel about them?

Naked torsos? I’ve produced many covers with torsos, and read many books with them on the cover. I think they’re awesome if they suit the book.

  • Anything you would like to share with our readers?

I bought a cheap laptop last year so I could write on a camping trip. If anyone has any ideas as to where I might have put it, that would be amazing.

About the Author/Artist:

Bonus Material available for all books on Garrett’s Patreon account. Includes short stories from Misfits, Slide, Strays, What Remains, Dream, and much more. Sign up here: https://www.patreon.com/garrettleigh

Facebook Fan Group, Garrett’s Den… https://www.facebook.com/groups/garre…

Garrett Leigh is an award-winning British writer, cover artist, and book designer. Her debut novel, Slide, won Best Bisexual Debut at the 2014 Rainbow Book Awards, and her polyamorous novel, Misfits was a finalist in the 2016 LAMBDA awards, and was again a finalist in 2017 with Rented Heart.

In 2017, she won the EPIC award in contemporary romance with her military novel, Between Ghosts, and the contemporary romance category in the Bisexual Book Awards with her novel What Remains.

When not writing, Garrett can generally be found procrastinating on Twitter, cooking up a storm, or sitting on her behind doing as little as possible, all the while shouting at her menagerie of children and animals and attempting to tame her unruly and wonderful FOX.

Garrett is also an award winning cover artist, taking the silver medal at the Benjamin Franklin Book Awards in 2016. She designs for various publishing houses and independent authors at blackjazzdesign.com, and co-owns the specialist stock site moonstockphotography.com with photographer Dan Burgess.

Contact Garrett Leigh at:

Website
Twitter

 

 

 

 

More to come next week with author/artist Meredith Russell .  Meanwhile keep checking out our reviews and our covers below.  What do you think of them?  Do they grab your attention?  I love quite a few this week.  Have a great week.  Happy reading to all!  And Happy Valentine’s Day!

This Week At Scattered Thoughts and Rogue Words

 

 

Sunday, February 10:

  • More On Book Covers And Cover Artists ~ This Week Garrett Leigh!
  • Our Week At Scattered Thoughts and Rogue Words
  • A Lucy Review Full Bodied (Uncorked #2) by Shea Balik

Monday, February 11:

  • Release Blitz NOBLE HOPS by Layla Reyne
  • Release Blitz – Outlaw Girls – Miss Merikan
  • PROMO Foreign to You by Jeremy Martin
  • An Alisa Review: How Not to Blend  (Lovestrong #1) by Susan Hawke
  • A Lucy Review: Snowed In: Jonah and Cooper by Kris T. Bethke
  • A MelanieM Review: In Case You Missed It (#lovehim #3) by S.M. James
  • A Free Dreamer Review: Battle of Will by Sasha L. Miller

Tuesday, February 12:

  • TOUR Kicking up My Heels by Liam Livings
  • Release Blitz – In Case You Missed It by S. M. James
  • Andrew Grey on Rebound
  • An Alisa Review: Stepbrother’s Secret (Men of Meadowfall #6) by Anna Wineheart
  • A Stella Release Day Review: Rebound by Andrew Grey
  • A Chaos Moondrawn Release Day Review: How to Be a Movie Star (How to Be #2) by TJ Klune
  • A Barb the Zany Old Lady Release Day Review: Familiar Demon (Familiar Love #2) by Amy Lane

Wednesday, February 13:

  • Release Blitz – Damaged by Tricia Owens
  • PROMO The Vampire’s Quest by Damian Serbu
  • Blog Tour – Darkness Dawns by Zakarrie Clarke
  • An Alisa Review: Square One by Dale Chase
  • A Stella Release Day Review: How to Be a Movie Star (How to Be #2) by TJ Klune
  • A Jeri Review: Damaged by Tricia Owens

Thursday, February 14: Happy Valentine’s Day ❤️

  • Release Blitz for Sam Burns – Eagle In The Hawthorn
  • An Ashlez Audio Review: Road of No Return: Hounds of Valhalla MC (Sex & Mayhem #1) by K.A. Merikan and Wyatt Baker (Narrator)
  • An Alisa Review: Hidden Hearts (Bad Valentine #3) by Clare London
  • A Free Dreamer Review: Blood Echo by L.E. Royal
  • A MelanieM Review Old Sins (Lindenshaw Mysteries #4) by Charlie Cochrane

Friday, February 15:

  • Tour and Giveaway:Old Sins (Lindenshaw Mysteries #4) by Charlie Cochrane
  • Release Blitz – Apple Boy (The Quiet Work #1) by Isobel Starling
  • A MelanieM Review: Peony Lanterns by Patricia Correll
  • A Lucy Review Blush (Uncorked #3) by Shea Balik
  • A Lila Review: Faeted Box Set By Caitlin Ricci
  • A Chaos Moondrawn Review :Royal Guardian (Rise of the Symbionts #1) by Jo Tannah

Saturday, February 16:

  • A MelanieM Review: Little (Trenton Security #2) by J.M. Dabney
  • Release Blitz – Nell Iris – Snowed In: Nen and Anani