A MelanieM Review: Wild Bells by Charlie Cochrane

 

Rating: 5 stars out of 5

wild-bellsWild Bells, two historical novellas.

The Shade on a Fine Day:
Curate William Church may set the hearts of the parish’s young ladies aflame, but he doesn’t want their affection or presents, no matter how much they want to give them to him. He has his sights set elsewhere, for a love he’s not allowed to indulge. One night, eight for dinner at the Canon’s table means the potential arrival of a ghost. But what message will the spirit bring and which of the young men around the table is it for?

The Angel in the Window:
Two officers, one ship, one common enemy.
Alexander Porterfield may be one of the rising stars of the British navy, but his relationship with his first lieutenant, Tom Anderson, makes him vulnerable. To blackmail, to anxieties about exposure—and to losing Tom, either in battle or to another ship. When danger comes more from the English than the French, where should a man turn?

Charlie Cochrane is one of our top m/m historical fiction authors.  Her stories center us and her characters in their era and cultures effortlessly, plunging us into the niceties of teas, obligation,and  respectability. A place of insular cultures and a society where loving a man and sodomy will get you and your lover hanged. In Wild Bells, Cochrane offers us up two stories.  Each beautifully written, a treasure of romance, and love found within the strictures of the laws and ways of that time period.

The Shade on a Fine Day sees the journey of one young curate to what it is he really wants and the courage to reach out and ask for it.  For the author, she always keeps in mind what is plausible and what is not within that time frame and sensibilities.  When her story plays out, as it does gently, sweetly and with love, you can see it happening and you believe in it.  I loved this story.

The Angel in the Window is a friends to lovers story that is anything but simple.  Layered and deep, the story of Alexander and Tom’s relationship is colored by the fear of discovery.  That even the hint of something less than reputable could lose them their reputations,their Commissions, their standings, even their lives.  Its the law of the land and its followed strictly.  How Alexander and Tom work through this is another Cochrane hallmark and its one that had made me a fan since I first discovered her through her Cambridge Fellows Mysteries.

This is a wonderful two story treasure.  Its perfect for the holidays but really any time of the year.   Pick up it and revel in the lovely writing and romances of Charlie Cochrane.

Cover art is simple yet effective.

Sales Links

7104e-waxcreative-amazon-kindleBook Details:

Kindle Edition, 131 pages
Published December 1st 2016
Original TitleThe Shade on a Fine Day and The Angel in the Window
ASINB01NA785ID
Edition LanguageEnglish

Charlie Cochrane on Writing Historicals and her holiday release ‘Wild Bells’ (guest blog)

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Wild Bells by Charlie Cochrane

Purchase at  7104e-waxcreative-amazon-kindle

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Scattered Thoughts and Rogue Words is happy to have Charlie Cochrane. one of our favorite authors, here today to share with our readers about writing historicals and her latest release, Wild Bells. Welcome, Charlie.

~

Why does “blizzard” make Charlie twitch?

The word “blizzard” makes me shudder. Not because I’ve ever been stuck out in one (although we did once have the most horrendous snow affected car journey) but because I used it in speech in the first edition of my Regency, “The Shade on a Fine Day”.  Now, it sounds a nice old word, doesn’t it? You can imagine King Lear blethering on about blizzards on the blasted heath. It isn’t. It’s late Victorian and comes from North America so my nice, gay Regency curate couldn’t have used it, unless he actually coined the word and it then somehow crossed the Atlantic.  Having the book come out in a revised edition has allowed me to correct my error!

I have to admit that no readers have ever taken me to task for this mistake, because it’s not an obvious blooper, but I know, which is quite sufficient. Sometimes authors are their own hardest critics. I hate getting anything wrong in my historicals, although things do slip through and my wonderful editors usually catch those, but the odd bit of stuff creeps into the final text, usually because something sounds old and isn’t.

Writing historicals can be a tricky business. To start with, that a lot of the challenge lies in the conscientious author’s head. If we didn’t care about getting things right, we could just plough on, putting the sound of Big Ben’s chimes into a Regency or letting our Victorian hero eat Jelly Babies, not checking dates and times and brands and all the other things which keep authors awake at night. We have to remember to get our men to raise their hats to a lady, to dress for dinner and to use the right words.

There is also a cadence and a rhythm to language, which makes some historicals (be they novels, films or tv programmes) sound out of kilter. I’d say to any aspirant historical writer to read things from the era they’re looking at. Novels, newspapers, plays, anything to get a feel for the words and the way they were used.

Now, there’s always the argument that says that the past isn’t so different from now. People haven’t changed, not matter what people say about the (surely imaginary) “good old days”, when everyone was decent and honest. I’m sure Ham, Shem and Japhet probably cheated at Ludo to get one over on Noah. I was recently reading about two Irish forwards dumping a Welsh rugby player into the crowd during the game, leaving him with nasty injuries including a couple of fractured ribs. Back in 1999? No. Back in 1899.

Human nature remains recognisable, even if the experiences and social conditions which play such a part in moulding people are different according to the time and place where they were raised. So getting it right in the story isn’t just a matter of language or customs, it’s about attitudes and expectations. I recently heard a keynote speech (at the Queer Company event) which illustrated the huge differences between the Regency era – the sort of period in which both the Wild Bells stories are set) and the Victorian age, and how that transformation had come about due to a number of factors such as movement into cities and economic changes. Fascinating stuff, all of which was new to me, even if I knew about the consequences.

The past has a wonderful capacity to surprise us; and sometimes it catches us out.

Wild Bells – Two stories by Charlie Cochrane

The Shade on a Fine Day:
Curate William Church may set the hearts of the parish’s young ladies aflame, but he doesn’t want their affection or presents, no matter how much they want to give them to him. He has his sights set elsewhere, for a love he’s not allowed to indulge. One night, eight for dinner at the Canon’s table means the potential arrival of a ghost. But what message will the spirit bring and which of the young men around the table is it for?

The Angel in the Window:
Two officers, one ship, one common enemy.
Alexander Porterfield may be one of the rising stars of the British navy, but his relationship with his first lieutenant, Tom Anderson, makes him vulnerable. To blackmail, to anxieties about exposure—and to losing Tom, either in battle or to another ship. When danger comes more from the English than the French, where should a man turn?

wildbells500x329

About the Author

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes. Her favourite genre is gay fiction, sometimes historical (sometimes hysterical) and usually with a mystery thrown into the mix.

She’s a member of the Romantic Novelists’ Association, Mystery People, and International Thriller Writers Inc., with titles published by Carina, Samhain, Bold Strokes Books, Lethe, MLR, and Riptide. She regularly appears with The Deadly Dames and is on the organising team for UK Meet.

To sign up for her newsletter, email her at cochrane.charlie2@googlemail.com, or catch her at:

A MelanieM Review: Jury of One (Lindenshaw Mysteries) by Charlie Cochrane

Rating: 4.5 stars out of 5

JuryOfOne_600x900Inspector Robin Bright is enjoying a quiet Saturday with his lover, Adam Matthews, when murder strikes in nearby Abbotson, and he’s called in to investigate. He hopes for a quick resolution, but as the case builds, he’s drawn into a tangled web of crimes, new and old, that threatens to ensnare him and destroy his fledgling relationship.

Adam is enjoying his final term teaching at Lindenshaw School, and is also delighted to be settling down with Robin at last. Only Robin doesn’t seem so thrilled. Then an old crush of Adam’s shows up in the murder investigation, and suddenly Adam is yet again fighting to stay out of one of Robin’s cases, to say nothing of trying to keep their relationship from falling apart.

Between murder, stabbings, robberies, and a suspect with a charming smile, the case threatens to ruin everything both Robin and Adam hold dear. What does it take to realise where your heart really lies, and can a big, black dog hold the key?

What marvelous characters! What a hedgerow maze of a plot! With Jury of One Charlie Cochrane moved her cozy mystery series even closer into my heart.

Characters Adam Matthews and Robin Bright melt you with their genuineness.  By that I mean, I believed in them utterly.  Their kindnesses and their doubts about the relationship in its newness, their intelligence and perceptions about each other and the people around them.  I accepted them as real and moved forward into the story from the first page.

The two person pov continues and I love it here.  Both Robin and Adam are strong, necessary voices here and the contributions the different perspectives make to the plot and relationship are necessary to the story and series.  We see what Robin’s continuing need to hold onto his flat is doing to the relationship on Adam’s side and his.  That’s the more intimate element.  Then when it comes to the larger scope, that of the murder mystery or mysteries here, we see how segments in both of their lives are starting to add up to a startling…well, that’s best left to the author and this wonderful book.

I think what really engages me here is the details in their lives.  Having teachers in my background, I understand when Adam faces a evening of grading papers or other such things that he has brought home to work on. He’s used to it or was until Robin entered his life. Now he loves the companionship but it seems to be missing. And Robin?  Coming home so exhausted from his cases and long hours that he can barely keep his eyes open to see his way to their bed, let alone  converse, eat, or make love in a new relationship?  He’s a inspector on a murder case and that’s his life.  Something brand new for Adam and a huge adjustment for them both.  Neither backs away from it, the author makes sure of it but I love how its handled.

And then there’s himself, that big black Newfoundland Campbell who lends a ear, a discerning look or much, much, more when needed.  Yes, I adore him too.  He’s as much of this family as Adam and Robin and the village they live in.

So make room Midsomer Mysteries, I’m adding another English mystery series to love.  I can’t wait for the third mystery to arrive.  For those of you new to the series, you have several choices.  The audiobook is out and my review will be coming shortly.  Or you can follow the ebook route.  Either way catch up.  This is a series to treasure if you love your murder mysteries and a realistic wonderful main couple like Robin and Adam, with a big Newfy thrown in for good measure.

I highly recommend them all.

Cover art by L. C. Chase is well done and works for the mystery inside.

Sales Links:   Riptide Publishing |  ARe | Amazon

Book Details:

ebook, 298 pages
Published March 21st 2016 by Riptide Publishing
Original TitleJury of One
ISBN 1626493766 (ISBN13: 9781626493766)
Edition LanguageEnglish

Series:  Lindenshaw Mysteries

Murders Afoot with the Return of the Lindenshaw Mysteries in ‘Jury of One’ by Charlie Cochrane

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Jury of One (Lindenshaw Mysteries) by Charlie Cochrane
R
iptide Publishing
Cover art by L.C. Chase

Read an Excerpt/Purchase it Here

Jury of One is the second in the Lindenshaw Mysteries series. It features a gay Detective Inspector, Robin, whose investigations never seem to run in a straightforward fashion, and his teacher partner Adam who finds Robin’s cases appear determined to involve him. And there’s Adam’s dog, Campbell, who’s desperate to stick his big, black wet nose into everybody’s business.

About  Jury of One

Inspector Robin Bright is enjoying a quiet Saturday with his lover, Adam Matthews, when murder strikes in nearby Abbotston, and he’s called in to investigate. He hopes for a quick resolution, but as the case builds, he’s drawn into a tangled web of crimes, new and old, that threatens to ensnare him and destroy his fledgling relationship.

Adam is enjoying his final term teaching at Lindenshaw School, and is also delighted to be settling down with Robin at last. Only Robin doesn’t seem so thrilled. Then an old crush of Adam’s shows up in the murder investigation, and suddenly Adam is yet again fighting to stay out of one of Robin’s cases, to say nothing of trying to keep their relationship from falling apart.

Between murder, stabbings, robberies, and a suspect with a charming smile, the case threatens to ruin everything both Robin and Adam hold dear. What does it take to realise where your heart really lies, and can a big, black dog hold the key?magnifiying glass with fingerprint

About Charlie Cochrane

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes, with titles published by Carina, Samhain, Bold Strokes, MLR and Cheyenne.

Charlie’s Cambridge Fellows Series of Edwardian romantic mysteries was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name. She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet for readers/writers of GLBT fiction. She regularly appears with The Deadly Dames.

Connect with Charlie:

JuryofOne_TourBanner

Giveaway

Leave a comment for a chance to win a download of  Lessons in Love (Cambridge Fellows Mysteries #1) in audio! Entries close at midnight, Eastern time, on March 26, 2016. Contest is NOT restricted to U.S. entries. Thanks for following the tour, and don’t forget to leave your contact info!  Must be 18 years of age or older to enter.

Lindenshaw Mysteries

Adam Matthews’s life changed when Inspector Robin Bright walked into his classroom to investigate a murder.

Now it seems like all the television series are right: the leafy villages of England do indeed conceal a hotbed of crime, murder, and intrigue. Lindenshaw is proving the point.

Detective work might be Robin’s job, but Adam somehow keeps getting involved—even though being a teacher is hardly the best training for solving crimes. Then again, Campbell, Adam’s irrepressible Newfoundland dog, seems to have a nose for figuring things out, so how hard can it be?

The Best Corpse for the Job (Lindenshaw Mysteries, #1) Charlie Cochrane*

Jury of One (Lindenshaw Mysteries, #2)Charlie Cochrane*

*A Scattered Thoughts and Rogue Words Recommended Story.

A MelanieM Review: Lessons for Sleeping Dogs (Cambridge Fellows #12) by Charlie Cochrane

Rating: 4.5 stars out of 5

Cambridge, 1921

LessonsForSleepingDogs_600x900When amateur sleuth Jonty Stewart comes home with a new case to investigate, his partner Orlando Coppersmith always feels his day has been made. Although, can there be anything to solve in the apparent mercy killing of a disabled man by a doctor who then kills himself, especially when everything takes place in a locked room?

But things are never straightforward where the Cambridge fellows are concerned, so when they discover that more than one person has a motive to kill the dead men—motives linked to another double death—their wits get stretched to the breaking point.

And when the case disinters long buried memories for Jonty, memories about a promise he made and hasn’t kept, their emotions get pulled apart as well. This time, Jonty and Orlando will have to separate fact from fiction—and truth from emotion—to get to the bottom of things.

I am always thrilled to find that Jonty Stewart and Orlando Coppersmith have returned for another mystery and here they are back in Charlie Cochrane’s Lessons for Sleeping Dogs better than ever.

With the last few stories we have been flip flopping back and forth along the time line as laid out in the novels released to date.  Lessons for Sleeping Dogs now moves that time line forward once more another year.  The men are older, their relationship more established and yet,  their love for each other has never been so deep and committed as the one we see here.  Orlando and Jonty are starting to think past their time at St. Bride’s, perhaps even into retirement age, a startling thought considering we first met them 16 years ago when their world was far more innocent (at least on the surface) and WWI was not even a faint grumbling politically.

Charlie Cochrane is easing her Fellows into the aging process with a smoothness most would envy.  Its acknowledged, through a gentle gesture or wry remark,  a memory to those so sorely missed, lost to war or old age, and then the story moves on as it should.  Its a lovely realistic touch and its inclusion makes me appreciate this author even more.

Oh the mysteries, yes, more than one.  I think this must be the most convoluted of them yet.  Shades of Sherlock Holmes!  There is an echo of an earlier story but you don’t have to have read that to get the gist of it here.  Most of that backstory is included.  There are several mysteries ongoing at several levels of importance, or so you think.  I loved them of course, but I thought that too many puzzles almost took away from the main murder mystery.  I get what Charlie was after, but this was a lot to juggle and it was hard for the reader to keep track of all of the facts, places and people while still dealing with the many emotional scenes and fallout for Jonty and Orlando.  This aspect of  Lessons for Sleeping Dogs kept it from a perfect 5 star rating, but oh it was so close.

There is so much darkness here.  The aftermath of WWI lingers on in the broken minds and bodies of the soldiers who returned, included Orlando and Jonty.  The bleakness and pain of their childhood must also be dealt with once again as parts of their case brings their memories surging back to overwhelm them.  Their past histories are  alluded to here but this remains another definite reason why theses stories should be read in order (in my opinion). You can only get the full impact of what happened to them in those previous novels not here.  Jonty and Orlando have so many issues to deal with, and they must do it using their hearts, their intelligence and their trust in each other.    What a outstanding story to have Jonty and Orlando make their reappearance!

Yes, it all works out.  We get to see some of our favorite secondary characters and Hyacinth Cottage.  I absolutely loved it.  What’s next for Jonty and Orlando?  It’s anyone’s guess and only Charlie Cochrane knows for sure.    But one thing is for certain, I will be there, waiting in line, to pick up the story and see what happens next and hoping that the author won’t tear my heart out.

I highly recommend this story and all the novels in the Cambridge Fellows Mysteries.  I have them all listed for you below.  Don’t miss out on any of them.

Cover artist:  Lou Harper.  I love these  new covers.  They are my favorite covers so  far for the series.

Sales Links:  Riptide Publishing | All Romance (ARe) | Amazon | Buy It Here

Book Details:

ebook, 243 pages
Expected publication: October 12th 2015 by Riptide Publishing

 

 

 

Join Charlie Cochrane as She Talks “Gary Stu” and “Lessons for Sleeping Dogs” (guest post and contest)

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Lessons for Sleeping Dogs (Cambridge Fellows #12)
by Charlie Cochrane
Publisher:  Riptide Publishing
Cover Artist: Lou Harper
Buy it here at Riptide

I have long been a fan of author Charlie Cochrane and this amazing series.  Set in historical England, her readers have followed Jonty Stewart  and Orlando Coppersmith from the moment at the dining table at St. Bride’s College where they first met through times filled with confounding puzzles, multiple murderers, an ever deepening relationship that could see them to the gallows if discovered, and hidden darknesses in both men’s backgrounds that comes back to haunt them time and again.  And all brilliantly staged in Cambridge  and various locations throughout England, starting in 1905, through the tumultuous war years to 1921 where this story takes place.

 One of the many elements that keeps me and so many other readers returning is that  Charlie Cochrane’s ability to place us directly onto the cobblestone walkways and dirt paths that Jonty and Orlando are trodding.  We feel as though we are there with them, and historical Cambridge is as real to us as it would be to our Cambridge Dons.  That’s quite a gift.  Now I find maybe because its author feels herself walking there too.  Hmmm.  Let’s hear it from  Charlie herself.

Anyone for self-insertion in their own books?

By Charlie Cochrane

Authors writing themselves into their works is nothing new. Many people reading St. Mark’s gospel think the young man who slipped out of his linen clothes to elude his captors and ran away naked from the garden of Gethsemane was the Apostle Mark himself. And, in “As You Like It”, there’s a slightly dim-witted countryman called William who seems to have no real purpose in the play except to be a figure of fun – is this the Bard making game of himself?

I’m not necessarily talking Mary Sues here, although some self-inserted characters come perilously close. I find the wikipedia description of these women – or  their male equivalent, the Gary Stu – useful, that they’re “primarily functioning as wish-fulfillment fantasies for their authors”. Many of the author appearances make the feet of clay all too apparent and so wouldn’t fit into this category.

Autobiographically inspired novels clearly portray the writer and his/her friends, foibles and all, to some extent or other. Sal Paradise in “On the Road” is Jack Kerouac, Jeannette in “Oranges are not the Only Fruit” is Jeannette Winterson and Philip Carey in “Of Human Bondage” may be Somerset Maugham, more or less.

Sometimes, though, the reader sees what he or she wants. E M Forster insisted that Maurice Hall wasn’t him, although the similarities in appearance, Cambridge background and sexual awakening by a man from the lower classes has made fans of “Maurice” wonder whether that’s true. Harriet Vane is evidently based on Dorothy L Sayers – similar educational background, similar unhappy love affair – although she possesses too many faults to be a Mary Sue. Except in one thing; Sayers was infatuated with Eric Whelpton (one of the models for Peter Wimsey), but to no avail. Could Harriet’s happy ending with Peter have been a bit of wish-fulfillment?

Certainly the wish-fulfillment element looms large in the case of some authors of fanfic. In Age of Sail stories, there’ll be a young woman who’s beautiful, talented, clever, witty; a right pain in the bum, to put it bluntly. She’s the best shot on the ship and can probably outdo the officers at swordplay. She might even be in disguise as a man, some very capable second lieutenant, and nobody’s twigged yet.

Talking of Age of Sail, Dr. Maturin in the Jack Aubrey series fascinates me, as does his creator, Patrick O’Brian. It would be easy to overegg the pudding discussing similarities between the two – secrecy, dissimulation about background, a daughter with special needs – but the fact remains that Maturin at times feels like a Gary Stu, despite his faults. Brilliant shot, wonderful espionage agent, a bit of a super hero (he takes a bullet out of his own abdomen and survives torture, storms, abandonment on a scorching hot island, a night on a freezing cold mountain, etc). I can’t help wondering if O’Brian was using Maturin in part to be what he’d wished to be, (or pretended he’d been) including a spy, an Irishman and a wonderful father to his disabled child.

Self inserted characters exist today. There’s a lady in my Cambridge Fellows books, including the latest, Lessons for Sleeping Dogs, who bears more than a passing resemblance to me in terms of her appearance, interests and maternal outlook. Of course, with that in mind, the tendency is when I’m reading something to try to spot a character who might just be the author in disguise. I daren’t say anything because of the risk of a suit for libel, but might that beautiful lady in the latest book by xxxx really be her indulging in wish fulfilment and can that ridiculously sexy man, the one all the blokes fawn over truly be yyyyy? And will you share your favourite ‘self-inserted’ characters in the comments?

Blurb

Cambridge, 1921

When amateur sleuth Jonty Stewart comes home with a new case to investigate, his partner Orlando Coppersmith always feels his day has been made. Although, can there be anything to solve in the apparent mercy killing of a disabled man by a doctor who then kills himself, especially when everything takes place in a locked room?

But things are never straightforward where the Cambridge fellows are concerned, so when they discover that more than one person has a motive to kill the dead men—motives linked to another double death—their wits get stretched to the breaking point.

And when the case disinters long buried memories for Jonty, memories about a promise he made and hasn’t kept, their emotions get pulled apart as well. This time, Jonty and Orlando will have to separate fact from fiction—and truth from emotion—to get to the bottom of things.

About The Author

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes, with titles published by Carina, Samhain, Bold Strokes, MLR and Cheyenne.

Charlie’s Cambridge Fellows Series of Edwardian romantic mysteries was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name. She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet for readers/writers of GLBT fiction. She regularly appears with The Deadly Dames.

Connect with Charlie:

LessonsSleepingDogs_TourBanner

Giveaway

Every comment on this blog tour enters you in a drawing for your choice of an a ebook from Charlie Cochrane’s backlist (excluding Lessons for Sleeping Dogs.) Entries close at midnight, Eastern time, on October 17, 2015. Contest is NOT restricted to U.S. entries. Don’t forget to add your contact information so we can reach you if you win!  Must be 18 years of age or older to enter.  

Cambridge Fellows Mysteries

CambridgeFellows_Series_0 (1)

If the men of St. Bride’s College knew what Jonty Stewart and Orlando Coppersmith got up to behind closed doors, the scandal would rock early-20th-century Cambridge to its core. But the truth is, when they’re not busy teaching literature and mathematics, the most daring thing about them isn’t their love for each other—it’s their hobby of amateur sleuthing.

[The Last books starting with #9 are available from Riptide Publishing]

 

A MelanieM Review: Lessons for Idle Tongues (Cambridge Fellows #11) by Charlie Cochrane

Rating: 5 out of 5 stars

Cambridge, 1910

LessonsForIdleTongues_600x900Amateur detectives Jonty Stewart and Orlando Coppersmith seem to have nothing more taxing on their plate than locating a missing wooden cat and solving the dilemma of seating thirteen for dinner. But one of the guests brings a conundrum: a young woman has been found dead, and her boyfriend is convinced she was murdered. The trouble is, nobody else agrees.

Investigation reveals that several young people in the local area have died in strange circumstances, and rumours abound of poisonings at the hands of Lord Toothill, a local mysterious recluse. Toothill’s angry, gun-toting gamekeeper isn’t doing anything to quell suspicions, either.

But even with a gun to his head, Jonty can tell there’s more going on in this surprisingly treacherous village than meets the eye. And even Orlando’s vaunted logic is stymied by the baffling inconsistencies they uncover. Together, the Cambridge Fellows must pick their way through gossip and misdirection to discover the truth.

When I first fell in love  with Orlando Coppersmith and Jonty Stewart in Charley Cochrane’s first Cambridge Fellows Mysteries, Lessons in Love (Cambridge Fellows, #1), I had no idea I was letting myself into a long time love affair with these characters and this amazing author.  Yes, the  attention to time period minutiae was perfection, as was the way the author folded it into the story.  Yes, even the conversations were spiced up and made relevant to the era and social strata by the appropriate language and verbiage the author employed to great impact in her narrative. So much so I often had to resort to some research of my own to figure out what certain terms and slang meant to a modern-age American.  Some of the elements of the story were steeped in English history and others simply in the English culture but whatever my temporary source of bafflement, my interest in this unique and fascinating couple never wavered…not once.

Orlando and Jonty were so very different in those early days.  They had the struggle to adjust to each other’s presence, and then to each other’s attraction and then the unalterable fact they were falling into love…all during a time when this mean jail and often death.  And it was carried out in the somewhat cloistered halls of St. Bride’s College, a place of high learning, occasional high spirits and hijinks until murder finds its way there.  And then the sleuths were off on a perilous investigation that included self discovery and more than a little affection.

I have laughed and bawled my eyes out along the way as Jonty and Orlando moved through the years and the vagaries of their changing culture and historical events.  And with each book, mystery, and time frame, I fell completely under their spell and forever in love.  And that’s due to the superb talent and depth of characterization that Charley Cochrane employs.

Like punting along a waterway (as Jonty and Orlando are fond of doing), all can seem serene in one of  the Cambridge Fellow Mysteries but it’s what lurks underneath that gives these characters and their stories such dimension and sometimes shocking humanity…and you would never suspect that its there, at least not at first.  Because the civility and tone of the story and language lulls you into a state similar to a promenade or arm in arm stroll in the gardens. It’s a lovely feeling, carefree and delightful. Until murder strikes or some horrific fact pops up to let you know that the deep waters were there all the time and you were merely treading water.

Here in the 11th story, that is never more apparent.  A simple mystery leads to the deeper, more complex one, and then the smoke and shadows of multiple lies or omissions lead Orlando and Jonty into a maze of betrayals, murder, and complicity.  And even as Cochrane is leading us and our Cambridge Fellows on a deep and convoluted trail, she manages to allude to some of this series most horrific elements and facts with a deft turn of  phrase or haunted look.  I will tell you that Orlando can suffer from deep depression (a fact that figures greatly into the earlier stories).  And that something extremely damaging happened to Jonty in his early days at boarding school.  And nothing more.  For those momentous discoveries, I will send you back to the beginning story and ask that you wind your own way through the various stages of their relationship and personal disclosures.  It’s a journey not to be missed and one you will take again and again.  And that knowledge will enhance your enjoyment here in Lessons for Idle Tongues (Cambridge Fellows Mysteries #11).

I didn’t figure out all the intelligent clues and facts strewn about the story.  How I adore that!  There are wonderful literary allusions, more terminology to investigate (Bertillon measurement, anyone), and that magnificent Stewart family as a whole to enjoy and revel in.  I laughed, frowned in puzzlement, and throughly enjoyed myself at every page.  And then started the story all over again.  Lessons in Idle Tongues is amazing, Charley Cochrane’s writing is deftly accomplished, the pace sprightly for a complicated mystery, and the whole story comes together just as it should and will leave you still wanting more.  Thank goodness, we are going to get it.

Can you read this as a stand alone story?  Probably (I say with great reluctance).  There is enough context here that you don’t need to have read the other stories to get great pleasure from Lessons for Idle Tongues.  But that statement comes with a caveat…the same cannot be said for the earlier stories.  This especially holds true for the books All Lessons Learned and Lessons for Survivors (#8 and #9).  Remember as the men are moving into their relationship, the years are changing as is history.  Those have to be the two most memorable books Cochrane has yet written for Orlando and Jonty.  But their power and impact is built upon the foundation stones of the previous stories.  Why not grab up all of them together and binge read? Riptide and Samhain Publishing are working together so that’s possible.  Two new books and a complete set of stories…I love it!  Charlie Cochrane’s Cambridge Fellows Mysteries remains one of my most highly recommended series.  Lessons for Idle Tongues  is a marvelous new addition to that amazing group of novels.

I have listed them all for you at the bottom.  Use it as a checklist or TBR list, whatever works best for you.  Don’t let this story or any of those books pass you by!

Cover art by Lou Harper does the couple and series justice.  I love it!

Sales Links:  Riptide Publishing |  All Romance (ARe)  |  Amazon  |  Buy It Here

Book Details:

ebook, 241 pages

Published June 29th 2015 by Riptide Publishing
ISBN139781626492714
edition language,English
url http://riptidepublishing.com/titles/lessons-for-idle-tongues
series Cambridge Fellows #1

Cambridge Fellows Mysteries in the order they were written and should be read (imo):

Get 30% off books 1-8 of the Cambridge Fellows Mysteries, exclusively in a bundle from Samhain!

 

Back to the Past with Lessons for Idle Tongues from Charlie Cochrane -A Special Interview with Orlando & Jonty (giveaway)

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Lessons for Idle Tongues (Cambridge Fellows #11)
by Charlie Cochrane
Riptide Publishing

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Cover art by Lou Harper

Sales Links: Riptide Publishing

It’s no secret that I’m a huge fan of Charlie Cochrane and her Cambridge Fellows Mysteries, featuring Jonty and Orlando.  It is one of my highly recommended series, and the terrific story, Lessons for Idle Tongues is being published by Riptide Publishing.  And to celebrate, author Charlie Cochrane is here and interviewing those incorrigible and loving duo, Jonty and Orlando.

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Interview with Jonty and Orlando

While reading her favourite mystery, Death at the President’s Lodging, Charlie Cochrane was struck by some particularly “slashy” scenes and wondered why there were no Classic Era mysteries featuring a pair of gay detectives. There were gay men at the time, so couldn’t they have taken up their magnifying glasses and got sleuthing? Frustrated at finding no answer to her conundrum, she set out to write her own stories. Here she interviews her two sleuths.

CC:  Can you tell the readers where you live?

Orlando Coppersmith: Cambridge.
Jonty Stewart: Cambridge in England. There’s another one in America, you know, Orlando.
Orlando: Really? How astonishing.
Jonty: We live here because we’re both based at St. Bride’s College, trying to knock some sense into our students. I teach them about Tudor Literature.
Orlando: And I lecture in Mathematics.
Jonty: Orlando’s worryingly bright.

CC: Did the events of your early life influence you in solving mysteries?

Orlando: Yes. Well. Hm.
Jonty: What Orlando means is that neither of us had that easy a start in life. His family were…not exactly loving. Would that be fair?
Orlando: It would. I’m not as lucky as Jonty, who has an extraordinary family with whom I get on very well.
Jonty: He means I have a very loud mother who’s madly in love with him and a terrifyingly clever father who likes to solves cryptograms with him. He wins all round.
Orlando: Meeting Jonty showed me that all sorts of things in life were possible. Love, friendship, going out and using my brains for something other than mathematics. He changed my life.
Jonty: Daft beggar. Meeting Orlando gave me hope at a time when I was a bit low. I had a rough time of things at school and it came back to haunt me at times. He changed my life, too.

CC:  Do you see yourselves as policemen?

Jonty: Oh I say, Orlando. Steady there. (He whacks his back.) I’m afraid that the police wouldn’t exactly approve of our relationship. Up before the beak and two years hard labour if they knew what we got up to in private.
Orlando: We’re amateur detectives, although we do work alongside the police when need be. That’s how we got started, acting as the eyes and ears for Inspector Wilson of the local force when there was a series of murders in St. Bride’s. (Lessons in Love)
Jonty: We get commissions, too. People ask us to solve crimes, particularly old ones.
Orlando: Sometimes hundreds of years old.
Jonty: Nearly as ancient as you, Orlando.
Orlando: Very funny.

CC: Do people contact you like they contacted Sherlock Holmes?

Jonty: You said the ‘S’ word. Orlando won’t approve. I like Holmes – and Watson, he’s a marvellous bloke – but old grumpy guts here thinks Sherlock’s a bit of a smarty pants.
Orlando: I refuse to comment. And don’t call me “grumpy guts” in public.

CC: What’s been the most outrageous thing you’ve done in the cause of investigation?

Jonty: What about the time you had to pose as a gigolo?
Orlando: I was not a gigolo. I was a professional dancing partner. Next question, please, before my “friend” finds anything else to make fun of me about.

CC: In the course of your investigations, have you encountered important historical figures?

Jonty: Figures from the past, yes. When we solved the Woodville Ward mystery we ran across Richard III, Henry VII and Elizabeth Woodville. Orlando’s almost old enough to remember being dandled at their knees.
Orlando: Don’t forget, I’ve worked out at least three foolproof ways of murdering you without the risk of being caught. Actually, he’s hiding his light under a bushel, again. He’s the one who got dandled at royalty’s knee. The Stewarts are all very pally with the royal family.
Jonty: That’s what got us involved in the gigolo – sorry, dancing partner – case. The king’s old mistress died under mysterious circumstances and they needed someone of discretion and good sense to put into the hotel where it happened. Nobody like that was available, so they asked Orlando.
Orlando: Excuse me while I resort to method number one.

CC:  Presumably you are somewhat familiar with our early 21st century, after conversations with your author. What would you most like to take back to Edwardian times?

Jonty: The freedom to hold Orlando’s hand in public – at least in Brighton. Not that he’d let me, probably, being a shy old stick, but the opportunity would be nice.
Orlando: I’d welcome the chance of entering into a Civil Partnership with Jonty. An official declaration of how much we mean to each other.
Jonty: I’d like to fly in one of your modern aeroplanes. How wonderful to cover the length of the British isles in little more than an hour. And going to Jersey without resorting to a ship would be good, wouldn’t it, Orlando? He gets sick as a dog when we sail.
Orlando: Hm. In his case it might be an Uncivil Partnership.

CC:  I’m sure you’d never murder anyone, but is there someone, whom you’d like to murder if you could?

Orlando: Owens, from “the college next door”.
Jonty: He’s St. Bride’s arch-enemy and any decent college man would strangle him with his own bicycle clips.
Orlando: I’ve devised two other foolproof and undetectable methods of murder, just for Owens.
Jonty: I said he was frighteningly clever, didn’t I? If he ever took to a life of crime, we’d all be doomed.

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About Lessons for Idle Tongues (Cambridge Fellows Mysteries #11)
Cambridge, 1910

Amateur detectives Jonty Stewart and Orlando Coppersmith seem to have nothing more taxing on their plate than locating a missing wooden cat and solving the dilemma of seating thirteen for dinner. But one of the guests brings a conundrum: a young woman has been found dead, and her boyfriend is convinced she was murdered. The trouble is, nobody else agrees.

Investigation reveals that several young people in the local area have died in strange circumstances, and rumours abound of poisonings at the hands of Lord Toothill, a local mysterious recluse. Toothill’s angry, gun-toting gamekeeper isn’t doing anything to quell suspicions, either.

But even with a gun to his head, Jonty can tell there’s more going on in this surprisingly treacherous village than meets the eye. And even Orlando’s vaunted logic is stymied by the baffling inconsistencies they uncover. Together, the Cambridge Fellows must pick their way through gossip and misdirection to discover the truth.

About Author Charlie Cochrane:

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes, with titles published by Carina, Samhain, Bold Strokes, MLR and Cheyenne.

Charlie’s Cambridge Fellows Series of Edwardian romantic mysteries was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name. She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet for readers/writers of GLBT fiction. She regularly appears with The Deadly Dames.

Connect with Charlie:

Website:http://www.charliecochrane.co.uk/
Blog: charliecochrane.livejournal.com/
Twitter: @charliecochrane
Facebook profile page: facebook.com/charlie.cochrane.18
Goodreads: goodreads.com/goodreadscomcharlie_cochrane
Riptide Publishing’s Author Page

 

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Lessons for Idle Tongues Giveaway:

Cambridge Mysteries bundle

Every comment on this blog tour enters you in a drawing for a title from Charlie Cochrane’s backlist (excluding Lessons for Idle Tongues.) Entries close at midnight, Eastern time, on July 4. Contest is NOT restricted to U.S. entries. Don’t forget to add your email so we can contact you if you win!  Must be 18 years of age or older to enter.  Prizes provided by the author and Riptide Publishing.

Cambridge Fellows Mysteries Bundle Sale!

Get 30% off books 1-8 of the Cambridge Fellows Mysteries, exclusively in a bundle from Samhain!

Cambridge Fellows Mysteries

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If the men of St. Bride’s College knew what Jonty Stewart and Orlando Coppersmith got up to behind closed doors, the scandal would rock early-20th-century Cambridge to its core. But the truth is, when they’re not busy teaching literature and mathematics, the most daring thing about them isn’t their love for each other—it’s their hobby of amateur sleuthing.

Because wherever Jonty and Orlando go, trouble seems to find them. Sunny, genial Jonty and prickly, taciturn Orlando may seem like opposites. But their balance serves them well as they sift through clues to crimes, and sort through their own emotions to grow closer. But at the end of the day, they always find the truth . . . and their way home together.

,[STRW Note: I highly recommend reading them in the order they were written in order to understand the relationship as it builds, the men, and the times.  This is especially true for books starting with Lessons in Trust, All Lessons Learned and Lessons for Survivors which hold huge spoilers and surprises for the previous books]

Publisher Note:Cambridge Fellows mysteries may be read in any order but for those who wish to read in release order, they are:

Lessons in Love (Cambridge Fellows Mysteries #1)
Lessons in Desire (Cambridge Fellows Mysteries #2)
Lessons in Discovery (Cambridge Fellows Mysteries #3)
Lessons in Power (Cambridge Fellows Mysteries #4)
Lessons in Temptation (Cambridge Fellows Mysteries #5)
Lessons in Seduction (Cambridge Fellows Mysteries #6)
Lessons in Trust (Cambridge Fellows Mysteries #7)
All Lessons Learned (Cambridge Fellows Mysteries #8)
Lessons for Survivors (Cambridge Fellows Mysteries #9)
Lessons for Suspicious Minds (Cambridge Fellows Mysteries #10)
Lessons for Idle Tongues (Cambridge Fellows Mysteries #11)
Lessons for Sleeping Dogs
The first eight books in the series are with Samhain Publishing. You can purchase them wherever ebooks are sold.

– See more at Riptide Publishing’s Cambridge Fellows Mysteries page.

In the Spotlight: Charlie Cochrane Interviews Jonty, Lessions for Suspicious Minds and More!

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Charlie Cochrane’s Cambridge Fellows Mysteries always rank high on my Rec Lists.  Cochrane’s writing is delightful and concise, her narrative perfect for the times along with their conversations and her characters, all of them, including Jonty, Orlando, and so many others are so well rounded and endearing that you mark every minute you are with them as time well spent.  The author can make you laugh, pull you into history and make you weep with despair.  But don’t take my word for it, pick up the series and make your acquaintance with Orlando and Jonty!

STRW Author Bio and Contacts

Charlie Cochrane Interviews Jonty with Memorable Results!

Do you have a nickname?
Not a nickname as such but Orlando seems to find no end of names to call me. “Idiot” is one of his more affectionate ones.

What do you wear when you go to bed?
Silk pyjamas, of course. Doesn’t everybody?

Where do you live?
Orlando and I share an updated Tudor cottage on the Madingley Road, in Edwardian Cambridge. It’s tidy without being austere and homely without being over fussy. He says my study is a mess, but I’d say his resembles a monk’s cell!

What is your most prized everyday possession?
It’s a little toffee tin I keep doodahs in. It was one of the first presents Orlando bought me and, while the toffees are long gone, the tin is there to remind me of our early days together.

What’s your date of birth?
Must a gentleman reveal that? Let’s say Queen Victoria was still on the throne.

What’s your first memory?
My sister Lavinia taking me for a walk and collecting horse chestnuts. Then Papa teaching me how to play conkers.

What did you like best at school?
Rugby. Beating the living daylights out of each other in the cause of sport.

What is your favourite memory from teenage days?
Discovering Shakespeare and realising I’d found my metier in life, learning about him and his plays.

What’s your profession?
I’m a college don, at St. Bride’s in Cambridge, specialising in Tudor Literature. I have to admit I have a reasonable private income, inherited from my maternal grandmother, so I don’t need to work, but I’d go dotty if I didn’t! Have to exercise the brain cells somehow. Maybe that’s one of the reasons I enjoy sleuthing so much, as well.

What are the rest of the people at St Bride’s like?
My fellow “fellows” at St. Bride’s are fairly typical of their breed. Red hot on their subjects but maybe a bit out of touch with reality. (Much as Orlando was before I came along, accidentally sat in his chair and turned his world upside down.) Dr. Panesar is my favourite of the rest. Completely loopy, totally brilliant and has a heart of gold.

What’s your favourite play?
“Twelfth Night”. What was going on in Shakespeare’s mind when he wrote that? And “As You Like It”, of course, especially with a hero called Orlando.

What would be the perfect gift for you?
Oh, I have no idea. Something I didn’t realise I wanted or needed until I was given it?
.
What kind of weather do you most enjoy?
The sort of clear, sunny day you only get in an English spring or autumn, when the sky is a perfect blue.

What is your favourite drink?
White wine. Or a really good cup of tea.

What’s your favourite animal? Why?
It’s a glyptodont. More specifically the one in the Natural History Museum. My parents used to take me there as a child and I was fascinated by him. I told him all my problems. (Now I have my very own fossilised, crabby, armoured animal to listen to my worries. Orlando.)

Do you have any pets? Do you want any pets?
No and no. Orlando’s jealous enough of the car. If I lavished attention on a dog or cat he’d be unbearable.

What habit that others have annoys you most?
Orlando when he’s over thinking things. Especially when he’s thinking madly about something during a moment of high passion. In the dunderheads (by which I mean students) it’s when they’ve not completed their work on time or to the best of their ability.

What kind of things embarrass you?
People spouting off about things they don’t understand, especially people who spout Old Testament law and pretend that’s Christianity. Hypocrisy in general.

If you could change the way you looked, how would you be then?
No different to how I am now. Although I wouldn’t mind being a couple of inches taller.

Who was the first person you had sex with?
A fellow student called Richard Marsters, when I was nineteen. It was nice, although I don’t think he loved me as I loved him. I suspect I was just another of his good causes he’d taken pity on.

What is your deepest, most well-hidden sexual fantasy?
A gentleman would never reveal that. And anyway, Mama might read this and she’d be appalled.

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About Lessons for Suspicious Minds

Buy It Here at Riptide Publishing…

1909

In the innocent pre-war days, an invitation to stay at the stately country home of a family friend means a new case for amateur sleuths Jonty Stewart and Orlando Coppersmith. In fact, with two apparently unrelated suicides to investigate there, a double chase is on.

But things never run smoothly for the Cambridge fellows. In an era when their love dare not speak its name, the risk of discovery and disgrace is ever present. How, for example, does one explain oneself when discovered by a servant during a midnight run along the corridor?

Things get even rougher for Orlando when the case brings back memories of his father’s suicide and the search for the identity of his grandfather. Worse, when they work out who the murderer is, they are confronted with one of the most difficult moral decisions they’ve ever had to make.

STRW Author Bio and Contacts

About the Author

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes, with titles published by Carina, Samhain, Bold Strokes, MLR and Cheyenne.

Charlie’s Cambridge Fellows Series of Edwardian romantic mysteries was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name. She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet for readers/writers of GLBT fiction. She regularly appears with The Deadly Dames.

Connect with Charlie:
Website:http://www.charliecochrane.co.uk/
Blog: charliecochrane.livejournal.com/
Twitter: @charliecochrane
Facebook profile page: facebook.com/charlie.cochrane.18
Goodreads: goodreads.com/goodreadscomcharlie_cochrane

STRW Spotlight Contest Header

Giveaway

Every comment on this blog tour enters you in a drawing for a title from Charlie Cochrane’s backlist (excluding Lessons for Survivors.) Entries close at midnight, Eastern time, on April 25. Contest is NOT restricted to U.S. entries. Don’t forget to add your email so we can contact you if you win!  Must be 18  years of age or older.  Prizes provided by the author and Riptide Publishing.

Back to Cambridge with Charlie Cochrane and Lessons for Survivors! (contest)

 

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Jonty and Orlando are Back In Lessons for Survivors!

Charlie Cochrane’s Cambridge Fellows Mysteries are a favorite of mine!  Each book is a treasure, waiting for the reader to  discover what mysteries are in store for two utterly captivating characters, Jonty and Orlando.

About Lessons for Survivors

A more than professional interest . . . a more than personal intrigue.

Orlando Coppersmith should be happy. WWI is almost a year in the past, he’s back at St. Bride’s College in Cambridge, his lover and best friend Jonty Stewart is at his side again, and—to top it all—he’s about to be made Forster Professor of Applied Mathematics. And although he and Jonty have precious little time for an investigative commission, they can’t resist a suspected murder case that must be solved in a month so a clergyman can claim his rightful inheritance.

But the courses of scholarship, true love, and amateur detecting never did run smooth. Orlando’s inaugural lecture proves almost impossible to write. A plagiarism case he’s adjudicating on turns nasty with a threat of blackmail against him and Jonty. And the murder investigation turns up too many leads and too little hard evidence.

Orlando and Jonty may be facing their first failure as amateur detectives, and the ruin of their professional and private reputations. Brains, brawn, the pleasures of the double bed—they’ll need them all to lay their problems to rest.

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About Charlie Cochrane

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes, with titles published by Carina, Samhain, Bold Strokes, MLR and Cheyenne.

Charlie’s Cambridge Fellows Series of Edwardian romantic mysteries was instrumental in her being named Author of the Year 2009 by the review site Speak Its Name. She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet for readers/writers of GLBT fiction. She regularly appears with The Deadly Dames.

Connect with Charlie:
Website:charliecochrane.co.uk/
Blog: charliecochrane.livejournal.com/
Twitter: @charliecochrane
Facebook profile page: facebook.com/charlie.cochrane.18
Goodreads: goodreads.com/goodreadscomcharlie_cochrane

Giveaway

Every comment on this blog tour enters you in a drawing for an e-book from Charlie Cochrane’s backlist (excepting Lessons For Survivors). Entries close at midnight, Eastern time, on January 31. Contest is NOT restricted to U.S. entries.

Lessons for Survivors is Book 9 in the Cambridge Fellows Mystery.  Reviews for all the stories can be found at Scattered Thoughts and Rogue Words.

 

The Adventures of Johnny Stewart Part 1

Johnny Stewart is the great nephew of Jonty Stewart. His four part story will be related by Mrs Cochrane, official biographer to the Stewart family, over the course of this year’s Cambridge Fellows series blog tour.

Roger Bradley looked out at the Thames, from his mother’s hotel suite. This was going to be a wearing evening and they hadn’t even got round to the dinner guests arriving, let alone sitting down. His godmother had burst her appendix, so a last minute replacement had to be found—probably in the form of cousin Mary—but worse still, Sophia was going to be here.

He’d be the one who’d have to take Sophia in on his arm, have to put up with her flirting all evening and, worse still, also have to contend with his mother’s insinuations about what a nice couple they’d make. She’d got brother Henry engaged to be married within a few months and therefore the possibility of grandchildren pretty well sewn up, so why make such a palaver with him?

And Johnny Stewart would be there. The evening had the potential to be disastrous.

“Are you even listening, Roger?” His mother’s voice cut into his thoughts.

“Of course,” he lied.

“And do you agree?” She fixed him with a gimlet gaze. What would he be letting himself in for if he just said “Yes”? It wasn’t worth the risk.

“Sorry, mother, you were right. I wasn’t paying attention.” He needed to defuse the potential explosion. “There was a rather pretty girl out on the embankment and I got a bit distracted.”

“Ah.” His mother’s tone softened. “All I said was that I suspect that in regard to your reference to your godmother’s medical condition, the word is appendices and not appendixes but we’ll let that go. Was she as pretty as Sophia?”

Roger narrowly avoided asking, “who?”, but he’d always been good at thinking on his feet and managed, “How can I answer that without getting myself into trouble with one or other of you? Would ‘equally pretty’ do?”

“A diplomatic answer, dear.” She sighed. “If only your cousin Mary were as pretty.”

I span round to answer her, then decided I preferred the view of the Thames to the view of a condescending maternal face.

“I hope Mary meets a duke one day, one who falls head over heels in love so she then makes a more brilliant marriage for herself than any other female in the family.”

“Since when have you appointed yourself as Mary’s knight in armour?” Roger’s mother’s voice was cool and languid, the one she adopted when she wanted to let his temper blow itself out.

“Since I was old enough to realise how rotten the family is to her. God preserve all spinsters and save them from the machinations of their married relatives.” Roger span on his heels. “This tie needs straightening.”

He ran into his maternal aunt on the way to finding a mirror, which was blessing in that she sorted it for him and kept him out of his mother’s way until he could calm down.

“I hear Johnny Stewart will be here tonight. I’ll enjoy sitting next to him. There.” Aunt Jacinta added the finishing touch to the bow.

“Better you than me. Johnny’s the most insufferable person it’s ever been my misfortune to come across.” Roger ran his hands through his hair.

“You must dislike him intensely,” his aunt said, drily, “to employ that particular gesture. You always used to do it as a lad when you came to stay and we presented you with something you didn’t want to eat. Or asked you a question you didn’t want to answer.”

He felt a bloody embarrassing flush rising up his neck; why did Aunt Jacinta always see straight through him? Did she know exactly what was going on inside his mind to make him so defensive?

Johnny bloody Stewart. Why had he got to keep coming back and making life so difficult?

Roger tried to rally. “Anyone would run their hands through their hair—or tear great clumps of it out—if they had to deal with him for any length of time. He was bad enough at school and hasn’t improved with maturity.”

“That sounds like you then, dear. Peas in a pod.” Aunt Jacinta fixed him with a smile like an auger. She might look one hundred and forty in her bombazine and lace, but that look, and the machinations of the mind behind it, could strike fear in any man.

“Just don’t vex him, would you, dear? If he’s hardly your favourite person, at least be polite.”

“I will do my utmost.” He swallowed hard. Normally, medical students would be beneath his mother’s notice, but this one being the great-grandson of a lord made a difference and she’d been delighted to invite him in the absences of Roger’s godfather, who was at his now hopefully appendix-less wife’s bedside.

How could Roger ever explain about Johnny? There were two insurmountable obstacles—finding the right words to make anyone else understand the feelings he’d had for Johnny since he first caught sight of him as a spotty youth of sixteen and having to deal with her inevitably negative reaction if he did get his point across. He supposed he was too old—and the matter too serious—to just get away with being taken over her knee, whacked, sent to his room and then allowed to come down half an hour later if he showed the right amount of contrition.

Not even Aunt Jacinta could be as understanding about things as to allow that.

Disgrace, disorder, his mother’s tears, his father’s horsewhip? Not that his father would actually resort to the whip, no matter how often he talked about using it on miscreants, although the outcome would be just about the same. Cut off without a penny and none of the Bradleys ever talking to him again. And while that idea might be an attractive one in the case of Uncle Frederick, the general aspect didn’t appeal.

Try as he might, Roger couldn’t think of any way to sweeten the pill, whatever words he could use to describe how he felt.
There was this chap at school, Stewart, J.O. Year below me; came to the school when I was seventeen. I liked the look of him from the start; he had an air about him, power restrained and all that. He matured and filled out a bit faster than more of the spotty oiks of his age. Lost most of the spots, too. Cocky little sod, though. Opinionated.

“Roger!”

“Yes, aunt?” His mind came back from school days to the present, and two females, his mother having appeared, trying to usher him out of the suite.

“Daydreaming again. His worst fault,” she said, bundling him through the door.

Roger reminded himself that if that remained her opinion of what was his worst fault, then all in the garden was still rosy.
***
Johnny was already in the foyer, chatting to Sophia. His dark blond hair was under control, for once, while his blue eyes seemed to dance with pleasure at the arrival of his hostess. Roger thought his heart was going to lunge straight through his rib cage.

“Mrs. Bradley!” He bowed over her hand. “Thank you so much for inviting me as locum tenens.”

“Thank you for stepping in.” Mrs. Bradley was clearly delighted. “Cousin Mary will be delighted to meet you.”

Johnny looked at Roger, one eyebrow raised. “I didn’t know you had a cousin, Roger. Where have you been hiding her?”

“Away from rogues like you. Sophia,” Roger said, heading off any comment Johnny was going to make, “you look lovely.”

“Thank you. It’s just an old thing.” She smoothed her dress, one which was clearly anything but old.

“Johnny,” Mrs. Bradley waved her hands airily, “would you be a sweetheart and take in Aunt Jacinta when we progress to dinner?”

“It would be my pleasure.” It sounded like it would be the highlight of Johnny’s evening. Roger wasn’t sure if his discomfort was irritation at his oiliness or simple jealousy. Why couldn’t he be on Johnny’s arm?

“I was sorry to hear about Mr. Bradley’s accident,” he continued. “He’s quite right to rest that leg up for a while. Sorry he’s missing all the fun, though. Was the matinee good?”

“Excellent thank you,” Mrs. Bradley purred, blossoming under the attention. Roger noted that every woman in the party had slowly drifted into Johnny’s vicinity, like bees after honey. Or wasps after jam. “Malcolm won’t be sorry he missed that part. He’s never one for the theatre, or for coming up to town in general.”

“Do you think he hurt his leg deliberately to get out of it? Shall I horsewhip him for you?” Maybe only Johnny could have said that and got away with it. Roger had met his great uncle, Jonty—when he was up at Cambridge—and the man was the same. Able to charm the birds from the trees.

“Only if he doesn’t enjoy the birthday dinner I have planned when we get home. And this is for me, of course. My friends. Old and new.” Mother looked graciously around her guests then took Detective Superintendent Matthew Firestone—her godfather’s—arm.

“I’m so pleased you could all come. Shall we go through? They’ve laid on some cocktails for us.”

“Oh, lovely,” Sophia said, slipping her arm through Roger’s. Johnny smirked at him, the swine, and they processed towards the private dining room.

The table looked lovely, but the cocktails looked even lovelier, if they’d help Roger cope with the twin trials of Sophia’s doe eyes and Johnny’s…everything. Roger had given up any hope of the bloke fancying him, but the chap could at least be civil.

Mary had arrived and Mrs. Bradley was asking how her journey from Loughton had been, with none of the gratitude on display she’d shown to Johnny.

“My mother pushes that poor girl from pillar to post.” Roger hissed at Matthew, wondering how many cocktails he could consume and still manage to get all his sibilants out. He managed to detach himself temporarily from Sophia on the pretext of circulating and was half way through his perambulations when the manager slipped into the room, making a beeline for Matthew. He appeared to be delivering some sort of intriguing message, given the expression on Matthew’s but before Roger could manoeuvre himself into hearing range, his mother nabbed him.

“Roger. Why did I never meet this delightful young man when you were at school together?”

“I didn’t realise it was de rigeur for me to bring everyone back for tea” Roger didn’t want to talk about Johnny Stewart, not when the half heard words being spoken over his shoulder were so much more interesting.

“I wish he had invited me. Did you have apple cake?” Johnny directed the questions at Roger’s mother, which at least saved him trying not to say, “I couldn’t trust myself enough to invite you.”

“I wish Roger had. It would have made a change from some of the spotty specimens he dragged along.”

Roger bridled. How ridiculous, his own mother flirting with a man young enough to be her son! He rolled his eyes, but the protest he wanted to make got cut off, as Matthew cuffed him on the shoulder.

“Sorry to interrupt. Got a question for you. Did Ivor Gregg seem quite himself at the matinee?”

Roger frowned. “Quite himself? I think so. In good voice, as ever.”

“He was marvellous,” Mrs. Bradley said, girlishly.

“Why do you ask?” And why had Matthew adopted his professional, rather than avuncular, tones?

“Because he’s disappeared. Not turned up for the evening performance, and can’t be found in any of his usual haunts. Totally out of character.”

“Perhaps he’s had an accident?” Mrs. Bradley flapped her hands.

“Perhaps, although the management say they’ve rung round all the likely hospitals where he’d be if he had.” Matthew shrugged.

Aunt Jacinta had joined the group. “That doesn’t strike me as being the sort of case you’d be called in on, Matthew.”

“It wouldn’t be, normally. But he’s had threats made to him.” Matthew bowed over his goddaughter’s hand. “I’m afraid I have to take my leave, my dear.”

“Phew.” Johnny whistled. “The thick plottens.”