Published June 26th 2016 by Dreamspinner Press
ISBN 1634773322 (ISBN13: 9781634773324)
Rating: 4 stars out of 5
At 32, Jack is a seasoned police officer. He has done everything possible to prepare his rookie partner, Kevin “The Kid”, for their undercover operation. But during the drug bust, things go horribly wrong and Jack is left with his partner dying in his arms. Off duty and beset by guilt, Jack and his Chief accept the responsiblity of relaying the news to Kevin’s wife, another police officer. At loose ends, Jack and Marie become friends and he agrees to go with her to Alabama to bury Kevin in his home town.
At the church, Jack is in for another shock when Devin, Kevin’s twin brother,appears at the funeral. Devin is a photographer and gay. He is also determined to help Marie when they all find out that Marie is pregnant. A tentative romance continues when Devin makes the surprise decision to leave California and move east to help Marie,. Such impetuousness is rewarded with a slammed door and an offer of a guest room from Jack. Soon their romance is hotter than ever.
But each time, things start to settle down for Jack, Devin, and even Marie, obstacles rise up to shatter the calm and bring them all to the edge of despair once more. Kevin’s mother blames Marie for Kevin being a police officer and his death. And the aftermath of the drug deal is still playing out.
You can’t go home again but what happens when the new home you are trying to make is threatened at every turn? Jack,and Devin are about to find out.
The opening chapters of You Can’t Go Home Again are so heartbreaking that they will stay with you for the entire book. It brings the short-lived character of The Kid alive, and he ends up hovering over the proceedings for the rest of the story. You get a real feel for Jack and his partner as things go very wrong and the Kid makes one shattering bad decision that will cost him his life. It’s shocking, painful, and the death scene is gut wrenching. Michael Murphy really delivers in the scenes where the officers are helping a shattered Jack dress and leave for Kevin’s home to relay the news of Kevin’s death to his wife. Here the pain and strength of the Thin Blue Line is poignantly portrayed and it gives a ring of authenticity to Jack as a law enforcement officer.
The power of those opening pages are so strong that sometimes the rest of the story fades under its impact. But that element of soft discourse is needed after such an emotional start. Marie’s character, especially, almost requires a quiet fortitude that comes through in the narrative. Murphy shows the restrained and stress filled support both Jack and Marie bring to each other. Jack in feeling that he hadn’t done enough to get to know his partner and Marie filling in the gaps for Jack from Kevin’s perspective and hers. It’s a lovely relationship and a touching one.
The ugliness of the Alabama family and the strain of the funeral are realistic and shocking . Here the antagonism of the mother and the reveal of the twin brother come together to show how shattering Kevin’s death is and how far its impact spreads. It also helps to bring Jack, Marie and Devin together as a unit as characters and in the eyes of the reader. You can almost feel the scrabbled together family bonds forming.
Murphy’s story still have some twists and turns as it turns the halfway point, One ties up neatly with the events that occur in the beginning and others from relationships still playing out from peoples pasts.
There are a few things I wish had been added, last names for one. I feel having a whole name contributes to a complete character identity and that was lacking all over the place here. Too, I wish the character of Devin had been a little more realized. He came across as less a complete person than his brother who is alive for only a small amount of time on the pages. Still, I loved the relationships that formed here. Whether it is the romance between Jack and Devin, or the brothers/sisterly ones that formed between Jack, Devin, and Marie, I enjoyed watched each and every one form and deepen over time.
I do recommend this story and think you will find You Can’t Go Home Again a rewarding way to spend the day reading.
Cover art by L.C. Chase. I like the cover but that model is either fine for The Kid or Devin but too young looking for Jack.
ebook, 200 pages
Published July 18th 2014 by Dreamspinner Press (first published July 17th 2014)
June 2013 has come and gone but some of the books I read that month continue to linger in my heart and mind, just some outstanding stories. As always, there is something for everyone here, from contemporary to paranormal books, terrific additions to wonderful series. If you missed them the first time, here is your chance to check them out again:
5 Star Rating:
Hobbled by John Inman
Infected: Undertow by Andrea Speed
Mighty Casey by Willa Okati
One Breath, One Bullet by S.A.McAuley
Prelude by Shira Anthony and Venona Keyes
4 to 4.75 Star Rating:
A Casual Weekend Thing by A.J. Thomas (4.75 stars) (contemporary)
A Silence Kept by Theo Fenraven (4.25 stars)(contemporary)
Aria of the Eclipse by Vivien Dean (4.75 stars)(science fiction)
Flawless by Cat Grant (4.25 stars)(contemporary)
Stonewall by Martin Duberman (4.25 stars) (non fiction)
The Hanged Man’s Ghost by Missouri Dalton (4.75 stars)(paranormal)
The Night Shift by Missouri Dalton (4.25 stars)(paranormal)(series)
3 to 3.75 Star Rating:
Fennel and Forgiveness by Ari McKay (3.5 stars) (contemporary)
Heart of the Race by Mary Calmes (3.75 stars) (contemporary)
In Search of a Story by Andrew Grey (3.25 stars) (contemporary)
When Dachshunds Ruled the Serengeti by Michael Murphy (3.75 stars) (contemporary)
2 to 2.75 Star Rating:
The Caveman and the Devil by Chris T. Kat (2.75 stars)(contemporary)
The Jouster’s Lance by A.J. Marcus (2.75 stars) (contemporary)
Rating: 3.75 stars out of 5
It is the first day of Jose’s collegiate life and he’s terrified. The older of nine children, Jose Lopez is the son of migrant workers, born in California and familiar only with the states his family worked through and the transitory life that comes with being part of a large migrant farm workers. Jose has dreamed of escaping the drudgery and poverty of his parents and being able to provide a path to a better life for his brothers and sisters. Brown University is his ticket to a education and better life but brown skinned Jose feels as out of place among the white upper echelon as a burrito at a black tie dinner. Then his roommate arrives, and the comparison between them enlarges the cultural divide already apparent.
Phillip comes from a wealthy New York family and is entering Brown just as his father and his father’s father before him. A child of privilege, Phillip can’t begin to understand the true depth of how Jose’s upbringing and background have affected him. All Phillip sees is an attractive boy, shy, and welcoming. True, their first meeting is awkward as Phillip’s mother mistakes Jose for a porter for Phillip’s bags but Jose is used to people’s perceptions of him as the help instead of a possible equal.
Soon the boys discover common ground between them, and Phillip helps Jose with all things new to him , including tv, electronics and cultural passages of youth. Slowly a friendship builds and then turns into love despite the many differences between them. But obstacles made of their divergent backgrounds rise up when Jose’s siblings are left to his care when his parents are stuck in Mexico with visa issues. Can Jose and Phillip overcome the barriers raised by a clash of cultures or will the cultural divide keep them forever apart?
Many things got me excited about this book. One, the title. When Dachshunds Ruled the Serengeti. So serendipitous and playful, then you add in that adorable cover by Paul Richmond, and I would have said that it was a slam dunk. I fully expected a light hearted tale of two cultures colliding in college and living HEA. And I sort of got that, minus the light hearted aspect as that is completely lacking. And that’s a shame because given the title and cover art there is such a disconnect between the reader’s expectations and the actual story that I am not sure the story itself recovers the good will the reader starts out with.
Paul Richmond’s cover comes from one of the more delightful sections of this story. Lacking the chance to attend school, the migrant farmers children are left to the adults around them for education. Another worker had appointed herself teacher and was trying to get across a lesson on geography and Africa. When the children were unable to grasp what a wildebeest was, Jose invented a story using a local farm dog migrating on the Serengeti. The charm and whimsy of the section of the book only serves to highlight what went wrong with the rest of the story. As I read about Jose and the children, I was completely drawn into the story. I felt I was sitting beside the youngest, so enthralled in the vision of thousands of dachshunds roaming the Serengeti, charmed by the characters, the setting, and so aware of the joy that even poverty and deprivation can’t keep down. It’s amazing and so beautifully written.
In fact, Jose is the best and most realistic thing about this story. Michael Murphy really gets into the head of Jose and the disparity between his background and the privileged young men and women he finds himself among. Jose is really the most likable of the two main characters. Murphy does a good job in giving both young men realistic and well rounded personalities. We truly understand just how frightening a new world Brown University represents and how ill prepared Jose is to enter it. He lacks not only the material belongings necessary but the cultural markers that all the other students take for granted. The author seems to understand how lonely it must be not to see another person of the same color and history reflected back at him. Over and over, we see through Jose’s eyes how society looks at the fastest growing population in the US, hispanics of Mexican, South American, and Puerto Rican backgrounds. Here is Jose looking at the precious few belongings on his bed on his first day in the dorm:
His entire life José had always been on the move with his parents and his many, many brothers and sisters. His family moved constantly, not to evade something, but to find something. His family moved with the crop cycles. They were migrant workers who might be in South Carolina one day picking peaches only to leave to move to Florida to plant strawberries. From there they might go farther south in Dade County to plant tomatoes. Then they might move back north by a few hours to weed some other field of some other crop before heading to Texas to pick pecans or Arizona to pick oranges.
In the course of a single year, the family van could clock an untold number of miles in the constant move from one location to another. The number was untold simply because the odometer in the old van they used had broken many years ago, so no one had any idea how many miles they had actually covered. Living on the move was their life, so none of them gave it much thought. It was all José and his siblings had ever known.
And then he meets Phillip and his family for the first time, and cultural reality sets in:
When he glanced toward the doorway in response to the knock, José saw a blond guy about his age, taller than him, who looked tentatively into the room.
“Is this 201?” he asked hesitantly.
“Sure is,” José answered with a smile.
The guy smiled back. “Home sweet home,” he said as he gave the place an appraising look. José, as a student of people, of humanity, watched the play of emotions on the guy’s face. It didn’t take an expert to know that the guy did not like what he was seeing. His brow was furrowed, and his face took on the appearance of displeasure.
“Kind of small,” the guy said. “And old. My dad warned me that the dorms here were like tenements, but I thought he was joking. I guess he wasn’t.”
“I set my bag over here,” José said, gesturing to his left, “but if you want that side, that’s fine with me. I’m not particular.”
“No. That’s no problem. I’m just trying to figure where I’m supposed to put everything.” Before they could continue their conversation, José saw an older version of his roommate come into view outside the door. “You found it!” he said. “I guess,” the guy responded to the man José assumed was his father. For a man of his age, the guy was in pretty good shape. He didn’t have that middle-aged spread in his center that happened to so many men. He had a full head of hair. He was attractive. And he was dressed in clothes that cost more than José’s dad had paid for the van they lived out of most of the year. Beside the man stopped a smiling woman, also well dressed in what were obviously expensive clothes, even if they were casual in appearance. “Our baby’s new home,” she said with a smile.
“Mom,” the guy said, obviously embarrassed at being called her “baby.”
“Oh, good,” the woman said, “you’ve found the porter to help us move things.” The woman seemed to assume that someone who appeared Mexican and was dressed poorly was obviously not a student but was only there to lift and carry for others. The guy standing beside José looked sharply at his mother and then turned back to José. “I’m Phillip,” he said, introducing himself and sticking out his hand in the universal greeting.
“José,” he said with a smile, “your new roomie.”
And that is just the beginning of the embarrassments and offending statements that lie in wait for Jose on the college campus. I think Michael Murphy is a great job with Jose and his experiences on the campus so alien to his upbringing and background. Then there is Phillip and family.
Sigh. I think that Phillip is where most of the problems with this story originate. I found him to be a self centered, culturally isolated young man. And in some instances, I am sure that there are plenty of real Phillips out there. He is quick to accept Jose, quick to come to his aid, and just as quick to judge and remove himself from Jose when cultural issues rise up between them. Yes, they are both extremely young but somehow, the manner in which Murphy has created Phillip leaves him lacking in ways that would connect the reader to his character. We understand Jose and his actions absolutely. We also understand Phillip’s given his wealthy, insulated background but the author never really makes the reader sympathize with Phillip in the same way we do Jose.
When the rest of Jose’s siblings arrive on scene, then the best and the worst of this story reveal themselves. Jose and his interactions with his brothers and sisters are not only believable, but they capture all of the charm and love this story has to give. It makes Phillip’s mother an endearing character and does the same thing for his father. We experience the close bond that only siblings who have spent their entire lives in one room, one car, depending only upon each other can have. This is where the storytelling comes in, as well as the power of familial love. It is also where the reader will start to pull away from Phillip. The rest of the book unfortunately removes Jose almost completely from the story to its detriment. And once they reconnect, it is almost too late to recapture the feelings brought about by the first section of the story.
The author adds a character called Steven in the second half of the book who furthers the separation between reader and Phillip. I just don’t understand the necessity of his inclusion. If you take the strange turn of events in the second half, the addition of an unnecessary character, and an abrupt ending, you can see why the reader will walk away from this book, rueing the lost promise of When Dachsunds Ruled the Serengeti while remembering with fondness Jose and his siblings, thinking of thousands of dachshunds migrating through Africa. Really it is Jose and family that raise this story up towards a 4 star rating and Phillip that pulls it down. But oh that cover, and that title…….
Cover art by Paul Richmond. Entrancing and whimsical. I loved it. One of my favorite’s of his to be sure.
ebook, 226 pages
Published May 24th 2013 by Dreamspinner Press
ISBN 1623805821 (ISBN13: 9781623805821)
Once again it’s raining here in Maryland, formerly known as The Temperate State. Before today our rain total was 6.11 inches this month. I think its safe to say we will be adding several more inches to that total just on today’s rainfall alone. Hard to believe we are looking at July just over the horizon. My lavender is looking a little soggy and I have lost several herbs to the dampness. The only ones happy are the hosta and the frogs.
I have some wonderful books on the review schedule this week including a history of the riots at Stonewall Inn by Martin Duberman. I will be posting that on Friday to mark the 44th anniversary of the Stonewall demonstrations that sparked the gay civil rights movement. Yesterday I posted several Youtube videos on the topic. If you have a chance, check them out, especially the one on the Stonewall survivors. The vid and the people it focused on are just remarkable. As we wind down gay pride month and look towards the Supreme Court’s decision on gay marriage, take a moment to remember all those LGBTQ youth in need of shelter and a hand. Organizations in need of donations can be found here and at the GLBT National Help Center.
Now about this week’s books, there are some terrific stories to be had this week. All fall within the m/m contemporary fiction range with the exception of Stonewall (non-fiction), but within that category you will find a variety of stories from the whimsically titled When Dachshunds Ruled the Serengeti by Michael Murphy to A Casual Weekend Thing by A.J. Thomas, a police mystery.
Monday, June 24: Heart of the Race by Mary Calmes
Tuesday, June 25: A Casual Weekend Thing by A.J. Thomas
Wed., June 26: Hobbled by John Inman
Thursday, June 27: When Dachshunds Rule the Serengeti by Michael Murphy
Friday, June 28: Stonewall by Martin Duberman
Saturday, June 29: The Curtis Reincarnation by Zathyn Priest
Yesterday, I had the best Cosmo I have ever tasted at Ricciuti’s in Olney. If you are local, and never had a meal or drink there, remedy that fact right away. Housed in historic Olney House, Ricciuti’s outsources all its food, fine and beer locally. It believes in using only seasonal and local produce and it shows. It has stone ovens, great staff and now the best Cosmo ever. It’s raining, a fine day to head over and taste some of the best food our local farms, wineries, and breweries have to offer. I might even see you there.