Review: Faire Fugitive by Madeleine Ribbon

Rating: 3.75 stars out of 5

Faire FugitiveSmall time thief Devlin is on the run. Mac, his friend and former protector is trying to kill him and Devlin can never stay any place for long.  When Mac catches up to Devlin again, Devlin flees to a local Renaissance Faire hoping to pick enough pockets to get the money he needs to move on.  But the faire and the people inside are not quite as they seem.  As Devlin winds his way through the crowd relieving them of their money, he notices a man with piercing green eyes watching him.  Disconcerted, Devlin runs deep into the Faire town, a place full of shops and pubs.  One shop calls to him. EZRA’S AMULETS, and he  enters.  Once inside, one particular amulet calls to him, and unable to stop, Devlin steals the amulet from the shop and puts it on.

From that moment on Devlin’s life starts to change.  For the magic inside the amulet is real and pulls Devlin back to the Faire even as he runs off  back to the city.   Injured, Devlin returns, and waiting him is the man Devlin saw watching him – Ezra.  But Mac is close behind Devlin, gun at hand.  Devlin will die unless a miracle happens.   Will Devlin trust in Ezra and the Faire’s magic to keep him alive or will Mac win out in the end?

Faire Fugitive is my first  book by Madeleine Ribbon but it definitely won’t be my last.  I found this story to be charming, engrossing, absolutely winning in almost every way.  Madeleine Ribbon has created a wonderful universe in her Faire and its varied denizens.  From a fox furry to a fortune teller with more than fortunes up his sleeve, the author has created a modern Brigadoon in the guise of a Renaissance Faire.   Her descriptions of the Faire should be familiar to any person who has visited their local festival but then she takes it several marvelous steps further into a magical realm with a sentience of its own.

Ribbon’s characters too are charming and endearing each in its own way.  Devlin’s life has been a hard one of foster families and then life on the street at the tender age of 11. His only friend has turned against him in a cruel twist of fate and now he is permanently on the run, fleeing for his life and out of funds.  His desperation is keenly felt and the reader not only fears for him but feels for his circumstances too.  Ezra, the amulet maker, is a little more of an enigma.  I wish the author had given us more of his history.  As it is, he doesn’t come against quite as realistic as Devlin does.  None of the others do, except Gail, the fox furry, an adorable character.  But perhaps that is the author’s intent because most of the other people involved are wedded to the magic that is the Faire and are no longer of the outside world.

Madeleine Ribbon’s narrative flows smoothly, bogging down only slightly when it spends too much time with Devlin prior to the Faire.  Once within the gates, however, it picks up speed, gathering momentum as the plot proceeds to the end.  And that is where all my quibbles arrive.  Madeleine Ribbon sets us up for a denouement that never happens.  We keep waiting for the “aha” moment and by a strange and deflating plot twist, takes that satisfaction away from the reader, giving us a poor substitution in its place.   She also ends her story just where we would love to see an Epilogue appear. I hope that the abrupt ending foretells another story in the same universe.  I would be first in line to pick it up.

Even with my quibbles, I recommend Faire Fugitive and look forward to much more from Madeleine Ribbon.

Cover art by Fiona Jayde.  I thought this was a gorgeous cover, perfect in tone and coloring for the story within.  One of my favorites of the month.

Book Details:

ebook, 201 pages
Published June 25th 2013 by Loose Id
ISBN139781623003890
url http://www.loose-id.com/faire-fugitive.html

Review: Dance Only for Me (Dance with the Devil #6) by Megan Derr

Rating: 4.75 stars out of 5

Dance Only For Me coverJackie Black, sorcerer and gunslinger, has a surprise for Roman, his lover of two years.  Jackie has decided to move to the city to be closer to his boyfriend and makes a surprise trip to tell Roman the good news.  But the surprise is on Jackie when he intrudes on a romantic evening Roman has planned with another man, a much younger man.   Heartbroken and lacking a place to stay, Jackie heads out of Roman’s building and straight into trouble.  In a bar in the poorer section of the city, Jackie is befriended by a man who claims to be a supernatural detective who needs help on a case.  That case involves retrieving a magical object from someone who just might also be a killer.

Needing something to take his mind off his pain, Jackie agrees to help the detective and changes the course of his life forever.  For nothing in Jackie’s life is as he wants it to be.  His father is off somewhere in Asia, mourning the loss of his wife and Jackie’s mother, Jackie feels he is not made for love as his last three boyfriends have cheated on him, and his new found friend is dead, dying in his arms moments upon his return.  What is Jackie to do but what a Black always does.  Holster his guns and go get the person who done the crime, or crimes.  He can only hope it won’t cost him his life as well.

If asked, I would be hard pressed to say which of Megan Derr’s fantasy universes is my favorite. but certainly her Dance with the Devil series would be in the top two.  So you can imagine my delight upon hearing that her latest release was a return to that amazing universe and wondrous group of supernatural beings that inhabit it.  Jackie Black and his father Jebadiah Black have appeared briefly in other stories but now Jackie is getting a central role in his own novel, Dance Only for Me (Dance with the Devil #6).  And I have to say I loved it.  It had everything  I have come to expect from Megan Derr and this terrific series.

Jackie Black is an oddity in his world, an amazing thing to say given the creatures that roam the streets and bars of the City.  He is over 70 years old, a sorcerer who wears a Stetson, cowboy boots, duster and uses magical revolvers of the old West to take down miscreants, human and non human alike.    Thin as a whippet, “whipcord” thin as his mother would say, Jackie is a bit of an anachronism, just like his father.  He speaks in the dulcet well mannered tones of a Sheriff in the old West, polite even when aiming his six shooters to kill,  This is our first introduction to him and his story:

Jackie caught the goblin right square between its crazy ass eyes and sighed as the fool thing dropped like a sack of flour to the warehouse floor. He holstered his revolver in a single, smooth move and touched the brim of his hat to the cluster of goblins huddled in the corner. “Ma’am,” he said to the one at the head of the pack, who had hired him to do something about a goblin that had tipped from average goblin crazy to crazier than a pack of elves gone drunk and frisky.

He walked over to the body to make certain it was dead and wrinkled his nose at the smell wafting off it. He’d caught whiffs of it before, but now the thing was holding still it was a sight easier to catch. “Poor thing’s mind done been scrambled like eggs at Sunday brunch.” He tipped his hat back to look up at the head goblin as she approached him. “Ain’t got a clue how he was poisoned, but I were you, ma’am, I’d be checking right careful for a traitor in your midst. This sort of thing is near always personal.”

I loved the dialog that Derr has written for Jackie.  It is so easy to picture him, a spare man of honor, like Gary Cooper in High Noon (google it).  In fact, I loved everything about Jackie, from his background and family life to his current painful predicament as a discarded lover who thinks he will never find the person/being right for him.  His singular code of honor drives his actions as well as his relationships.  And people are drawn to him whether he likes it or not.  The many layers to Jackie will draw in the reader as well, we just can’t help it!

Typical of Derr, it’s not just Jackie who is beautifully characterized but all the beings/people created for the story as well.  Whether it be friend or foe, everyone you will meet between these pages feel real.  They have hidden agendas driven by greed, pain, or a need to set things right.  They  want love or friends or a family or all three.  From a demon called Ned whose pain will make you cry to a young boy, Wyatt, whose dark past has made him older than his years, each and every one will cry out for your affection and attention.  And they will deserve it.  Especially Ned, Wyatt Thorne and a vampire necromancer, Phoenix Fairchild, each so memorable in their own way.  I loved them too.

One of the charms of this series is that couples, people from previous books make appearances throughout the series. Sable Brennus and Christian are here, as is Ontoniel Desrosiers,  Johnny and Grim, and even a dragon or three.  Seeing them here just made me want to go back and start reading each of their books all over again.  Megan Derr has such a wonderful imagination and her creativity just flows through this series like a river of magic. Every type of magic or wondrous being is included here.  Angels, sorcerers, witches, goblins and alchemists, that’s just a start.  There are werewolves, vampires, ghosts and golems too.  They are all present and involved in Jackie’s life and story and we are so much the richer for it.

I came close to giving this story a 5 star rating but there was just a few too many errors here.  Spelling errors, repetition problems and sentences like this one.  “Hope your right, Sheriff.”  Instead of “Hope you’re right, Sheriff”.  An editor should have caught these common problems and didn’t.  That brought the rating down which was a shame.   Tighter editing and better proofreading would have made this story a perfect read.

Those issues aside, I absolutely recommend this story to every person who is a fantasy fan, who love mythical beings come to life and men who hunger after love even though their past has told them it only brings heartbreak.  If you are new to the series, you can read this as a stand alone.  But reading the other stories first make this a much richer and fulfilling adventure.  I really hope that Megan Derr brings back Jackie, Ned and the rest for a followup adventure.  They are all so deserving of it.

The Dance with the Devil series:

Dance with the Devil (Dance with the Devil, #1)

The Glass Coffin

Dance in the Dark (Dance with the Devil, #2)

Midnight (Dance with the Devil, #3)

Ruffskin (Dance with the Devil, #4)

Sword of the King (Dance with the Devil, #5)

Dance Only for Me (Dance with the Devil, #6)

Cover Art by London Burden.  Great job in branding the series by cover but I wish it was a little lighter in tone so we can see the guns.

Book Details:

ebook, 236 pages
Published July 24th 2013 by Less Than Three Press LLC
original title Dance Only for Me
ISBN13 9781620040850
edition language English

A Touch of Fall and The Week In Reviews

So you know that certain color of blue that only appears in the fall skies?  That is the color of the sky outside this morning.  The air has a certain crispness about it, so foreign usually in August here in Maryland.  The light is shining at a different angle, portending the coming fall and the promise of colder weather.  I even heard a flock of Canada Geese this morning, honking as they flew overhead in the largest formation I have seen this year.  What does it all mean?  Probably nothing.  But as I love autumn, I am sure that my step is a little lighter this morning and the dogs a little bouncier on this day that seems so full of anticipation.

So I will be gathering up knitting, Kindle, dogs and my coffee and heading outside to bask in the light of a fall to come.  I cannot tarry inside for I know how fleeting such days are.  Here is the week ahead in reviews and a mini rant on story resolutions.

Monday, Aug. 5, 2013:                    Dance Only For Me by Megan Derr

Tuesday, Aug. 6, 2013:                    Wicked Solutions #1 by Haven Fellows

Wed., Aug. 7, 2013:                           Faire Fugitive by Madeleine Ribbons

Thurs., Aug. 8, 2013:                         Wicked Bindings #2 by Haven Fellows

Friday, Aug. 9, 2013:                        The Beast Without by Christian Baines

Saturday, Aug 10, 2013:                 Wait? That Was The Ending? A Story Writing Mini Rant

Scattered Thoughts July 2013 Book Review Summary

Scattered Thoughts July 2013 Book Review Summaryjulyjpeg

It was an outstanding month with regard to books I read.  So many great books and authors that it made this month a joy to be a reader and reviewer. And even more remarkable is that every one of the 5 star rated books were all part of a great series, whether it was a long established series or a series just getting started.  Mary Calmes released her 7th book in her A Matter of Time series,, Missouri Dalton new Guidebook series promises to be an instant classic for young and old,  Amy Lane made us weep as she  finished up her beloved Promises series, and Kendall McKenna continued to prove she is one of the best military fiction writers I know with her third book in the Recon Diaries series.   And that’s just the tip of the books read and reviewed this month.  So many great stories, truly something for everyone.

All the reviews are linked.  So take a look, see what story you might have missed or new author to add to your must read list.  The bar has been set really high for August.  Just saying.

 

July 2013 Book Review Summary
5 Star Rating:
Birds of a Feather (Bellingham Mysteries #5) by Nicole Kimberling (contemporary romance)
Forever Promised (Promises #4) by Amy Lane (contemporary romance)
Necromancy and You (Guidebooks #2) by Missouri Dalton (YA horror supernatural fiction)
Parting Shot (A Matter of Time #7) by Mary Calmes (contemporary romance)
The Final Line (Recon Diaries #3) by Kendall McKenna (contemporary romance)

4 to 4.75 Star Rating:
Attachment Strings (Jeff Woods Mystery #1) by Chris T. Kat (4 stars) (contemporary romance)
Fever Anthology by M. Rode (4 stars) (contemporary romance)
Grime and Punishment (The Brothers Grime #1) by Z.A. Maxfield (4.5 stars)(contemporary romance)
Son of a Gun by A.M. Riley (4 stars) (contemporary romance)
Sweet Young Thang (Theta Alpha Gamma #3) by Anne Tenino (4.25 stars)(contemporary romance)
The Curtis Reincarnation by Zathyn Priest (4.25 stars)(contemporary romance)
Vampirism and You (Guidebooks #1) by Missouri Dalton (4.75 stars) (YA horror supernatural)
Worlds Collide (Sanctuary #7) by R. J. Scott (4.75 stars)(contemporary romance)

3 to 3.75 Star Rating:
Bully For You by Catt Ford (3.75 stars) (contemporary romance)
Love On The East End by Lily Sawyer (3.5 stars)(contemporary romance)
Pick Up Men by L.C. Chase (3.75 stars) (contemporary romance)
Tattoo You by Willa Okati (3.75 stars) (contemporary romance)
The Heir Apparent by Tere Michaels (3.75 stars) (contemporary romance)
Waiting for Ty (Lovers and Friends #2) by Samantha Ann King (3 stars) (contemporary romance)

2 to 2.75 Star Rating:
Changing Planes by Karenna Colcroft (2 stars) (contemporary romance)

1 to 1.75 Star Rating:
Side Line by Ben Ryder (1.5 stars) (contemporary romance)

Review: Necromancy and You (Guidebook #02) by Missouri Dalton

Rating: 5 stars out of 5

Necromancy and You coverAlter (Al) Skelton is just like  any other 15 year old who is obsessed with death.  He has a purple and black bedroom full of skulls, walls decorated with Day of the Dead posters and a vent where he hides all his copies of Raising the Dead from Cemetery Comics.  Shortly after his 15th birthday, Al sends away for a copy of  Necromancy and You with a coupon out of the back of his Raising the Dead comic along with the box tops from three boxes of Count Chocula cereal. The book he receives in the mail is so much more than he expected.  Instead of a paperback, Al gets a heavy leather bound book addressed to him and immediately his life starts to change dramatically.

From the moment Al starts to read the book, he realizes something is weird.  The spells in the book are working for him as a disastrous incident in his science lab demonstrated.  Al can raise the dead.  Now he’s a boy with a plan and the ability to raise the dead.  That plan? To raise his dead father and get his family back together.  But so many obstacles block his path.  The man his mother is dating is hateful and abusing, too bad he is also Al’s psychiatrist. An evil group called the Coalition operates a school for Necromancers and they will do everything in their power to bring Al into their fold. Suddenly Al’s world is full of ghouls, ghosts, vampires, and talking dead frogs.  What’s a young budding necromancer to do when danger is all around him in a world turned more dark and scary than usual?

Missouri Dalton has created an instant classic for older teens and adults alike with Necromancy and You, the second story in the Guidebook series.  Never have I been so enthralled by a young 15 year old like Al Skelton.  As created by Dalton, Al is a brilliant, depressed social outcast, who lives for his Raising the Dead comics and memories of his old family life.  His father died five years before when Al was 10, an event that happened while his dad was away on business so Al never got to say goodbye. Since then, his mother has turned cold and distant, spending all her time either at work or with her  new boyfriend, a sadistic man who also happens to be Al’s psychiatrist.  With his present life a nightmare, Al would like nothing better than his family back together again, happy and whole, an impossibility considering his dad is dead.  If this description starts to conjure up visions of Harry Potter, then yes, there are similarities.  But for me, I find Al Skelton far more interesting and quite a bit darker.  He is also far more sarcastic and self aware than Harry seemed to be.  But I guess that comes with being a Necromancer. albeit a budding one as well as being a bit of a smartmouth.

Dalton’s narrative is so clever, so enthralling and her main character so charismatic and appealing that the reader is pulled in instantly, immediately hooked on Dalton’s world building and Al’s life. Oh the life of a teenager at 15, it’s such a tough one.  Hormones are raging, poised between child and adult, the world can be a harsh place, especially if that teenager is just a little different from everyone else.  Dalton takes this truism and gives us a darker version.  Al doesn’t just think everyone is out to get him, they really are.  Lonely, upset and missing his father and the way his family used to be? That should sound familiar to any number of kids these days. And if the normal world is scary place for them, what would happen if you then find out that vampires, ghouls, zombies and ghosts are real and you are not quite human?

Lucky for us, we get to find out as Al goes from normal teen to powerful Necromancer and beyond.  This is how it all starts:

When the package arrived, that clear crisp morning on the twenty-third of October, I knew it would be a good day. The package was green, vibrant and shiny, tied with black string. The address label was white with black letters that spelled my name.

Alter Skelton

215 Bridge Lane

Verity, IL 34055

It was a package I’d been waiting for seven weeks and three days. Waiting ever since I mailed in the coupon out of the back of Raising the Dead along with the box tops from three boxes of Count Chocula cereal. The ad had caught my attention immediately, gleaming on the slightly thicker glossy paper of the back cover, in bright green and black and white.

Learn to control the forces of life and death! This book will change your life!

I knew in a heartbeat I would do anything to get my hands on it. So despite my normal tendency toward not eating breakfast, I ate it. I also started to act less strange around my mother to decrease suspicion. And now, on a Saturday morning, I had my book.

I took the parcel immediately to my room. My mother was out shopping, so I had a good couple hours to peruse the book before shoving it behind the vent cover where I kept my issues of Raising the Dead and the pornographic magazine Tommy had foisted on me after his mother started cleaning his room again.

And then later on, once Al is safely in his room:

I cleared the detritus off of my bed, mostly clothes, and unwrapped the parcel.

The book was heavy, and as I tore away the paper, I noticed it was not the paperback copy I’d expected from the photo in the back of the comic. The cover, by the feel, was leather, black. On the very front there was incised decoration: bright green lines indented as a border around a white skull that felt and looked like bone. Over the skull, in silver lettering, was the title.

Necromancy and You!

Underneath the skull was a secondary title. From A to Zombie

There was no author listed. On the interior page was a notation.

A Stone House publication copyright 1344. Do not redistribute. Books sold without covers are considered stripped books; the house nor the author receives payment. Please refrain from purchasing stripped books.

And on the next page.

Welcome, young master! You have chosen to take the first step in a wonderful journey! Herein are the methods, practices, and rules of the way of Necromancy! Please read the entire first chapter thoroughly before proceeding to the Practical Applications to ensure safety!

Well. Safety was important. One wouldn’t want to raise anyone on accident or anything. No need to get the neighborhood riled with corpses walking about. Or skeletons. Or both.

No, secrecy was key here.

The neighbors were too nosy as it was. Then again, so was my mother.

And from the moment Al opens the book and begins to read, his journey (and ours) has started.  There is no going back, not that he would want to of course, at least in the beginning. Al has a unique voice, it’s quirky, it self effacing and it definitely belongs to a teenager.  It has just that right amount of young perspective and cluelessness while still sounding aware and confident.  How I love this boy.  Al is also remarkably resilient and he has to be. Because before him are so many unpleasant truths about his world and horrifying events to cope with that the ability to take such things in stride is necessary for his survival.

Along his journey he also meets a cadre of remarkable personalities and creatures, some friend, some foe, and some just well….we just don’t know where they stand.  But all of them are exquisitely created.  They team with life or unlife (!) as the case may be.  Some are personalities that we have met already in Vampirism and You (Guidebook #01), including that m/m couple of foster vampire Duncan and 17 year old Louis.  They loom large in Al’s future but more than that I won’t say.  You will have to discover the details for yourself.  All the characters involved are memorable, some charming, some chilling and several downright evil.  But no matter what side they fall on, good or bad, they are all believable and realistic right down to the smallest detail.

Dalton moves her narrative along at a swift and smooth pace and you will want to scamper along with her, wanting to rush to see where the plot is taking Al and you next.  But slow down, don’t miss any of the details, even the ones that seem so insignificant.  There is so much layering here, of plot twists, relationship dynamics, family dynamics, young love (more on that later), the trials and tribulations of growing up….you name it and Missouri Dalton has incorporated it into her story.  But  Dalton does so effortlessly, her narrative never feeling jumbled up or dense.  Really, this is an outstanding book in a remarkable  series.

There are some things that should be noted. Necromancy and You as well as the Guidebook series are categorized as a YA book, a category I do agree with one limitation.  I don’t feel it is appropriate for anyone under the age of 15 (Al’s age).  While a kiss between the hero and heroine is the sexiest this gets, there are mild suggestive comments for the sexual activities of a few other couples.  Nothing explicit, nothing even major, but its there.  My limitations pertaining to age is more along the lines of the traumatic events that occur.  Al is hurt numerous times and while we are spared the details, it happens and younger children might be upset. People die and there are other potentially violent  scenes.  They are necessary for the book and work beautifully within the narrative.  Most of the violence is “off stage” as it were, but the emotional impact is huge.  These events are as beautifully constructed as the rest of the story so yes, you will feel them just as Al does.  This is an emotionally moving, heartfelt and heartrending story.  It has the power to bring tears to your eyes even as they are rolling down our hero’s face.

In addition to giving us an intrepid young man, Dalton gives us an equally resourceful heroine. This is a minor romance happening within the storyline.  Al is straight and there is a slight romance starting here.  One that I suspect will grow over the course of the series, along with that of our m/m couple Louis and Duncan.  Again, like every other teenage, young love finds a way, no matter your sexual preference.  But this series is geared towards suspense and mystery of the supernatural kind.  The romances that occur are secondary to the main focus of the series,  a battle brewing against good and evil, that eternal conflict with surprising elements to each side.  I wanted to order print copies immediately and go running along crowded sidewalks, passing them out and yelling at them to  “read this book”!!!!!  Teenagers, young adults, old adults, and everyone in between needs to read this book, invest themselves in the series.

As you may have guessed, I enthusiastically recommend this book and this series.  I will leave you with a few thoughts from Al himself:

I just couldn’t take normal life seriously.

“Mr. Skelton, are you paying attention?”

“Yes, ma’am.”

“Good, then you can complete the problem on the board.”

Do. Not. Kill.

That should not be anyone’s daily mantra.

While it may not be ours, I love that it is Al’s.  Run, fly, do whatever you have to do, but get this book!

Here is the Guidebook stories in the order they were written:

Vampirism and You (Guidebook #01)

Necromancy and You (Guidebook #02)

Book Details:

ebook, 206 pages
Published July 3rd 2013 by Prizm Books
ISBN1610404939 (ISBN13: 9781610404938)
edition languageEnglish
series Guidebook 

Review: Vampirism and You (Guidebooks #01) by Missouri Dalton

Rating: 4.75 stars out of 5

Vampirism and You coverLouis Von Graves has had an unusual childhood.  His family name is Krekowski but his parents named him Louis Von Graves. It’s almost as though they knew what would happen to him.  You see, Louis’ family are indentured servants to vampires, specifically, The Countess and have been for more generations than can be remembered.  When he was younger, Louis’ name was picked out of a hat filled with the names of children from all the servants.  Why? So that the chosen one would be turned on his 17th birthday and become a vampire, a child of the Countess. It doesn’t matter what the child wants, its wham, bite, death, and you’re a vampire.

So here he is, 17 and a new vampire.  He has been taken away from his family and friends in England and given over to a foster sire who will teach him how to be a vampire and all the rules and regulations that go along with it.  But no one told him he would have to go to America, and no one told him he would have to go to school.  With a bunch of american high school kids no less.  So what is a sullen, pouting, teenager to do when his world has been turned upside down, he has powers he doesn’t know what to do with and a overwhelming desire to drink his classmates blood?  Why be given a guidebook of course.

But the book, Vampirism and You (A Beginner’s Guide to the Change) that his foster-vampire sire Duncan gives him can’t prepare him for everything.  A new vampire appears at the house he shares with Duncan and while Eli appears to be friendly, Duncan hates him and tells Louis to stay away from Eli at all costs. And while Louis wants to eat the girls around him, he doesn’t want to date them.  Does that make him a gay vampire?  Louis isn’t sure what the answer is but increasingly all the questions about his sexuality seem to have Duncan as their focus.

But soon Louis learns that life is not all vampire fun and games.  There is great intrigue,  and evil court politics to contend with. Plus Louis is having nightmares that keep getting more vivid all the time and the answers seem to lie in his past.  Louis must contend with unexpected evil, horny cheerleaders, and the possibility he just might be gay all at the same time.  Hopefully the guidebook can help him, now only if he could remember to read his homework!

I have found a new addiction and it’s not one book or even two.  It’s a new series from Missouri Dalton and Torquere Press’s YA Press, Prizm Books.  The Guidebooks series revolves around a group of supernatural guidebooks, each a part of a series for a group of supernatural practitioners and/or supernatural beings.  Whether it be necromancers or vampires or something more, each book is delivered or given to a teenager as they come of age (whether it is being turned or coming into their powers).  The first book in the series, Vampirism and You (A Beginner’s Guide to the Change) is given to one Louis Van Graves shortly after he is turned on his 17th birthday.

What a spectacular idea for a series!  And with Missouri Dalton, an author I have come to throughly enjoy, as it’s creator, the series has really taken flight into the realm of classic storytelling.  Louis Van Graves is that typical teenager at  17 years of age who has been made to do something he never wanted to do.  Of course, we aren’t talking woodshop here. Louis has been made into a vampire through no true choice of his own.  Not only was his name picked out of a hat but he also was promised something huge by the Countess if he agreed to be turned.   In exchange for his mortal life, the Countess agrees to let his sister live a normal life and his family leave her employ to become “normal” once more after centuries as indentured servants.  But that meant that Louis had to become the sacrificial lamb for his sister and family, something none of them even tried to stop.  So Louis’ feelings here are more than the normal sullen, pouting teenager.  In Dalton’s hands, we have a young intelligent man, separated forever from his family, forced by love to become something he never wanted and removed to the American Midwest, a foreign place in everyway, including culture no matter that we both speak “English”.  Louis is profoundly hurt, not that he would ever let on and he is trying to figure out what it all means. Just as any teenager is trying to do but in extreme circumstances. The character of Louis manages to come across as not only a believable teenager going through the appropriate stages of emotional growth but also as a realistic young vampire trying to figure out his newly dead and supposedly long lasting status.  Such a dichotomy, to walk the halls of high school, navigating the social cliques of that age but having to walk hallways full of newly categorized food.

Louis has to contend with not only relocation and new status as a vampire but a foster sire as well.  Duncan (another marvelous character) has taken control of Louis as the Countess is not “terribly maternally”.   This is Louis’ first introduction to Duncan his foster sire.  Louis has been shipped off in a coffin, wearing clothes more suitable to a 18th pirate than a teenage boy:

Then again — the hearse went over a particularly large pothole, knocking my head into the lid of the coffin. It didn’t budge so much as a centimeter, seeing how I was locked in. Apparently her ladyship thought I might try to make a run for it. How right she was. The hearse quite suddenly rumbled to a stop. I heard the doors open and close. And then my coffin was being lifted and carried. An odd sensation I’ll admit.

There was the sound of doors — sliding doors, sucking sounding, like at the market. Footsteps echoed outside the coffin, not wood floors, tile probably.

They didn’t take me to a morgue did they?

Another ten minutes of jostling and my coffin was set down — not far down, probably on a raised surface. There was a jingle of keys and click of one turning in a lock before the lid was pushed open. I rolled over and sat up, and was met with the speculative look of a man much better dressed than myself. His dark hair was slicked back neatly, and his striped blue button-down shirt was tucked into pressed black slacks.

“Hello, Captain,” he said, blue eyes hiding laughter rather unsuccessfully.

“Bite me.”

“I may take you up on that.” Without a word, he slid his arms under my legs and armpits and lifted me out of the coffin, setting me down on my feet.

“Bloody hell!” I glared, “I didn’t ask for help.”

“Uh huh.” He picked up a clipboard from a table next to my coffin, which itself was on a metal table in the gray-tiled room with gray walls and flickering overhead 6 lights. There were three other tables, two of which held open coffins.

“I see you’ve come to us from Countess Von Graves.”

“Yes.” So the Von Graves name came from her ladyship — it’s still ridiculous.

“She’s marked you as a flight risk — well, first things first, a change of clothes.” He jerked his thumb at the door. “Follow me.” Not having any other choice, I followed. The next room was carpeted, narrow, and long. A table ran along the length of the left side of the room, mirrors covered the right-hand wall — not that I could see myself in them anymore — and there was a door at the very end. The table had a myriad of things. Boxes filled with odds and ends, files, clothes, and a couple of coolers. He grabbed jeans and a plain black T-shirt from the table and tossed them to me. Of course it was black. Never mind that I looked much better in other colors. “Put these on.” He turned around, I suppose to give me privacy, and I stripped down as quickly as I could and redressed in the fresh clothes. Much better.

“All done.”

He turned to me and grinned. “Good.” Walking farther into the room, he dug through the clutter on the table to retrieve a small metal vial and a bracelet that had an obvious setting for the tiny vial at the front. He stepped back to me. “Now, the Countess marked your file, but I prefer to just ask. Are you a flight risk?”

“No,” I snapped.

“So yes then.” He nodded. “You get a tracking device.” He held up the vial and bracelet. The bracelet he snapped around my wrist before I could blink. Then, he bit down on his lip, drawing blood, and dripped one drop into the vial, closed it, and slid it onto the bracelet with a click.

And with that, Louis’ education begins.

I love how beautifully  Dalton incorporates the typical teenage feelings and moods into a 17 year old newly formed vampire with it’s own newly acquired needs.  Louis has not just regular teenage hormones to contend with but the hyped up sexuality of a vampire.  Quite overwhelming to someone who has never dated.  Louis must traverse not only the pitfalls and crevasses of an american high school but those of vampire society, each with its own dangers.

Missouri Dalton never loses track of the age of her main character or of her core audience no matter how dire the circumstances of Louis’ life or unlife becomes. Louis’ has a singular voice, so typically teenage but full of personality.  He is alternately sarcastic and hopeful, wry and hurt, little sparks of youthful arrogance appearing when you least expect to do along with equal amounts of hidden humility.  So engaging, that you become involved in Louis’ plight immediately as the true precarious nature of his status becomes known.  And that leads us into the darker sections of this novel.

Yes, there are plenty of funny situations here but there are also just as many dire ones as well as the book continues, these are vampires after all.  There are references to some horrific events, none of which are described or actually referred to in terms that I think might be warranted.   There is a “blood rape” where one is bitten against their wishes.  That is described but not in overly vivid terms.  Dalton doesn’t need them in order for us to see and feel the horror of the event.  And there is more, also either in the past or not described.  But they do occur.

This is also a book about a teenager finding out not only he is gay and coming to terms with his sexuality.  But it’s also about being a sexual person.  OK, think of teenagers and their hormones and then multiply that.  And Louis’ has to come to grips with all of that and more.  It’s funny, it’s painful and at one point horrific.  And at alls times, it also feels very real.  There are no explicit sexual scenes here, just the wants and emotions associated with sexuality.  Louis’ emotions are those we can easily understand with dealing with growing up and becoming a sexual being.  It’s confusing, confounding, and can overwhelm our senses. Plus with Louis there is something more going on.  The vampires or at least a contingent of them are dark, evil beings and have been so for centuries.  And they want Louis.  Not a good thing, trust me.

Missouri Dalton has also populated this book and her series with one memorable being after  another, each a fully fleshed out (for the most part) character with real feelings and emotions backing up their actions.  Her settings too ring with authenticity from high school plays and social dynamics to the Courts of Vampire Society that feel as real as the high school gymnasium.  Not a hint of a jumbled narrative to be seen here.

My only issue is a slight one and that would be the ending.  A few loose ends still frayed and lagging in the wind.  They are tied up neatly in the beginning of Necromancy and You (Guidebooks #02) but still those bits here keep this from a perfect 5 star rating.  This is a YA story but definitely geared towards the older crowd.  I am thinking 15 to Adult, nothing younger.  There are some very dark issues here that have to be addressed, not just youthful hormones. I can’t say anything further because I won’t spoil this book.  But if you have a sensitive child, read the story for yourself first before giving it to them.  Always a good idea at any rate.

I have to admit I read Necromancy and You first, and then came back to pick this one up.  How do they fare?  Well, I found this story to be a little darker but both are just outstanding and I will be recommending this series as one of the Best of 2013.  Whether you are 15 or 50, this story and this series is for you.  Memorable characters, thrilling narrative, great dialog…really  it has it all.  Start at the beginning  and work your way through.  What a marvelous journey it is going to be.

Book/Series Covers by LC Chase.  Each cover is the cover of the Guidebook given to the teenager in the story.  This a great idea and the covers work perfectly in every way.

Book Details:

ebook, 199 pages
Published January 29th 2013 by Prizm Books
ISBN1610404297 (ISBN13: 9781610404297)
edition language English

Anthologies, Love Them or Leave Them?

I seem to be running into more and more anthologies these days.  Name a publisher and I can show you a long list of anthologies they have published in just this year alone.  I am not sure what is driving this trend.  Are authors writing more short stories? Do publishers find it easier to publish short stories in an anthology rather than  release them on their own?  Torquere Press has their Torquere Sips.  Dreamspinner Press has Nap-sized Dreams but  is now only accepting stories under 15,000 words for use in their anthologies alone.  For the most part, I look to find short stories in anthologies these days.

What is an anthology? An anthology is a collection of short stories by various authors that is usually grouped together by a common theme.  I have seen anthologies where the stories all occurred in the same city, that was the common thread.  Or different stories about a group of friends, each having their own tale in the anthology. Think Hearts From The Ashes from Samhain Press, a favorite of mine, for an anthology along these lines.  And the number of authors found in each anthology can be anywhere from three to thirty!  An anthology is quite the diverse creature.

So why all the mixed feelings with regard to anthologies?  For some readers, its because they prefer a much longer story.  They want a novel.  These are readers who revel in the long view, jump with joy over complex characterizations and equally complicated story lines.  And for the most part, those can only be found in the novel or novella form.  Think banquet versus amuse-bouche (a one bite appetizer).  Some readers get frustrated with anthologies or short stories because they feel they just get engaged with the characters and plot only to have them end abruptly.  I understand that but often feel that is due to the quality of the short story being read.  A well done short story should leave a reader satisfied in every way, an increasingly rare occasion these days (see Scattered Thoughts Looks A Short Story Writing).

I think we need to look at anthologies a bit differently than we do with novels or novellas. And perhaps with a different expectation as well.  We all have our preset notions when it comes to novels we like.  And when we finish a novel, after having invested a certain amount of time and emotion, if it does not meet those expectations, than we are disappointed and frustrated with book and author alike. But an anthology can represent, should we choose to look at it this way, a chance to look at a compilation as something quite different. And rightly so, because there is a different expectation in the amount of time invested because of the shorter length as well as large quantity of stories involved.

Perhaps an anthology becomes a daunting proposal when you think of reading multiple stories one right after the other.  I get that as some of these collections are quite huge.    I used to just plow through the collection, one right after the other, only to find the stories running together towards the middle, a method that never seemed to do the authors or their tales justice.  Now I try to read them in short bursts and that has made it easier for me when not only reading but reviewing the anthology.  These are short stories, not a run on novel and they should be read as such.  I think we forget that at times because they have been grouped together in one volume.  But that fact doesn’t change the actuality that these are short stories, separate from each other except for an artificial grouping made by a publisher.

For me, an anthology is often a smorgasbord or even a Tapas Bar. A series of small plates or appetizers, instead of a formal banquet of a novel.   There will often be something familiar,  maybe a well-known or well-loved author or two.  And there will be surprises, new writers or authors never heard of before.  Or just maybe there will be a story from an author whose literary works you don’t normally connect with for whatever reason but here you find a story from them that just blows you away, giving you a new perspective on this author you normally pass on.  All those reasons and more make the anthology a format to be looked at with anticipation and with affection.  Think your goody bag at the end of the evening on Halloween. How did you approach it? Did you dump it all out at once or pick through the candies left inside the bag?  For me, the anthology is the Halloween goody bag.  There will be some apples, or a banana, along with Twix, or Mounds Bar to go with the Reese’s Pieces and Hershey Kisses at the end of the night.  You can read it all at once or pick through it, reading it a little at a time. Like some, love some, pass on others.

I have come to love anthologies for the jewels I have found inside, authors and stories alike.  Inside anthologies I have discovered the joys of a sloth shifter (Charlie Cochrane for Lashings of Sauce) or the grief of love lost and found again (Two Tickets To Paradise). Give them a try, they will undoubtedly surprise you.  And let me know, anthologies, do you love them or leave them?

Here are some of the anthologies I have reviewed:

Animal Magnetism

Closet Capers Anthology

Lashings of Sauce

Making Contact

Private Dicks Anthology

Two Tickets To Paradise

Fever Anthology

Unconventional At Best

Mired in the Miasma and the Week Ahead in Reviews

Miasma, such a wonderfully descriptive word.  Miasma: from the dictionary, literary the miasma from the stagnant swamp made us choke and gag: stink, reek, stench,fetor, smell, fume, odor, whiff; gas, cloud, smog, vapor.

Yep, that is exactly what it feels like in the Metropolitan DC area these days.  Most people forget that Washington, DC was built on a swamp and the regions around it are riddled with water.  There is a reason Foggy Bottom is called Foggy Bottom.  We have water everywhere.  The Potomac, the Patuxent, the Severn and a ton of other rivers and streams, the Chesapeake Bay and of course the Atlantic Ocean.  It’s delightful, it’s outstanding, except when our humidity is around 99% and stays there, making our area feel downright tropical and swampy.  The air is thick, stagnant, some call it soupy.  It is so heavy  it almost takes on a form of its own.  The skin feels clammy, your clothes stick to the skin as though they were glued, perspiration rolls down the face to disappear into your collar and sandals are the only footwear you can bear on your feet. And when someone mentions that they didn’t have air-conditioning in the “olden days” so we should all come outside and enjoy sitting on the porch…well,  you just want to swat them.

Back to miasma.  I grew up in a Southern family where the word miasma could be frequently heard in conversation, especially by my grandmothers.  It went something like this:

“Oh the miasma is so bad for you, stay away from the window.”

“Heah, keep those windows closed so the miasma doesn’t come inside.”

Or when my Mamaw smelled something bad, well, then of course, it was the “miasma”.

I love that word but it seems to have fallen out of favor.  I mean, scientifically, we know that swamps are a wonderful thing, necessary for the environment as delicate habitats and nature’s filtering system.  A swamp is not a purveyor of disease and that illness did not waft in on the moisture laden air (hey, we are not talking mosquitos today). So with knowledge in hand, the word miasma started to disappear.  But I want to bring it back.  Miasma a term rich in eloquence, laden with romantic images, mired in the gothic and teaming with meaning.  If I am to be drenched in sweat, with hair and skin soaked with moisture, miserable and lethargic, then I want to put a layer of something magical, otherworldy and significant on it.  I want miasma!  I will have my miasma.

And besides what other explanation is there for Congress?  Its miasma. Stay away from the windows.

We are all over the place in book reviews for the coming week. Plus I am still focused on the subject of short  stories so expect another Scattered Thoughts blog on the subject on Saturday.  This is how the week looks to play out:

Monday, July 15:                Tattoo You by Willa Okati

Tuesday, July 16:                Forever Promised (Promises #4) by Amy Lane

Wed., July 17:                      Worlds Collide (Sanctuary #7) by R.J. Scott

Thursday, July 18:              Waiting for Ty by Samantha Ann King

Friday, July 19:                    Side Line by Ben Ryder

Saturday, July 20:               Anthologies? Love Them Or Hate Them?

And to help fight the miasma, a Red Sangria recipe to cool you down:

Ingredients
1 bottle (750 ml) dry red wine
1/4 cup brandy
1/4 cup orange liqueur
2 tablespoons sugar
2 sliced oranges
1 sliced green apple
1 1/2 cups seltzer

FNM050111_143
Directions
Mix the wine, liqueur and sugar in a pitcher, stirring to dissolve the sugar, then add the fruit.

Refrigerate at least 1 hour and up to 1 day.

Add the seltzer just before serving.

In Search of the Illusive Great Short Story-Scattered Thoughts Looks At Short Story Writing

“A short story is a love affair, a novel is a marriage. A short story is a photograph; a novel is a film.”
―Lorrie Moore
“A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.”

― David Sedaris

“A short story must have a single mood and every sentence must build towards it.”

― Edgar Allan Poe

Wonderful quotes but they don’t get to the heart of the matter which is what is a short story, what makes a short story great and how to write one.  I have been reading a number of short stories lately, either in anthologies or published as stand alone pieces of fiction, and in the majority of the stories I have read, I am seeing the same issues over and over again.  Rarely is the story I read a complete one.  They have the feel of the beginning of a story, or the middle of a story or sometimes just a chapter in a story, but not a complete story.  And in those stories that have a beginning, a middle and an end, it is the ending that is always rushed.  It is as though the author looked at the current word count and quickly scrambled to complete it within the allotted number without rounding out the story.

So with so many short stories being published, I thought Scattered Thoughts should look at what is a short story and what makes a short story great?  First, what constitutes a short story? A short story is defined as a story with a range is usually between 3000 to 5000 words with 10,000 being the maximum.  Although this can vary depending upon different writing guilds.  The Science Fiction Writers of American uses these categories for their Nebula awards:

  • Short fiction: under 7,500 words
  • Novelette: 7,500-17,500 words
  • Novella: 17,500-40,000 words
  • Novel: 40,000 words and up

But for the purposes of this article, let’s go with the 10,000 words, just to be on the generous side. I say that because the smaller the word count, the harder it is for the author to write a good short story, let alone a great one. Writing a short story is not the easy task that some think it is.  William Faulkner calls it “the most demanding form after poetry”.  Absolutely true, especially when you consider the elements that make up a good story. For me those elements are unforgettable characters, a strong beginning, solid story framework, consistency, and a strong (read not rushed) ending. That is what I look for when reading (and reviewing) stories.  And for me those components remain no matter the length or the genre.

But let’s look at the most common five elements that go into every fictional story: character, setting, conflict, plot and theme. A short story takes those same elements and narrows it down proportionately. On the whole, short stories tend to be less dense in plot, usually focusing on one event or experience. The short story typically has a single plot, a single setting, a small number of characters, and covers a short period of time.  This does not mean that you write a story and then cut it off prematurely in order to get the word count right.  And that is the story that comes across my Kindle time and again.

What should an author remember when writing a short story?  What is your goals in writing it? Have you achieved those goals at the end? Where is your emphasis, on characters and plot? Or on length? Remember what type and length of story you are telling. If you start out writing a short story but the characters and plot pull you further than you expected, then sit back and reorganize your thoughts.  Maybe the framework you set out is that of a novella or novel.  If so, rewrite your goals and continue on with your longer version.  But don’t try to fit it into the constraints of a short story or a word count objective received from a publisher if that is not the story you are writing.

I know sometimes it is hard to condense all your ideas for plots and characters once you get started.  There are “voices” that clamor for your attention, each demanding their story to be told.  Or at least that is what some authors tell me. But remember, your goal is the short story. It has a finite framework, a compact (but not necessarily simplified) plot that contains all the same elements of a larger piece of fiction.  Remember that every word counts. Make sure each word moves your story toward the character’s goal.  Because you are working towards one goal… that of a great short story, an illusive animal indeed.

What makes a short story great?  A short story takes all those elements listed above, and executes them beautifully, giving us memorable characters and a story that makes you think and feel far past the ending.  A great short story can rock you on your feet, take your breath away or make you laugh.  It doesn’t leave you frustrated that the ending was rushed or that something was left out, whether it was a more layered characterization or incomplete world building.  The great short story feels complete because it is complete.  Sounds so simple, yet so hard to achieve.

As William Faulkner said:

“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing at that, only then does he take up novel writing.”

Writing is an  art form.  It will pull the guts out of you, it will take your blood, your heart and soul, and then ask for more to be spilled out across the page as you write.  It is frustrating, it is exhilarating and sometimes stupefying.  It’s hard work.  And the short story form is all that and much, much more compressed into a small gem.  But only if it is done correctly.  Only if you know what a short story demands of you and you respect that.  Otherwise all you will be left with is a truncated novel that satisfies no one, including yourself.

I am currently making a list of the best M/M Short Stories I have read.  Let me know if you have any you think should be on the list. In the meantime, here is a link to a list of The 50 Best Short Stories (not m/m) and 100 Great Short Stories.  In the meantime,  Scattered Thoughts is still on the hunt for that illusive animal, the great short story.

Scattered Thoughts Book Review Summary for June 2013

june

June 2013 has come and gone but some of the books I read that month continue to linger in my heart and mind, just some outstanding stories. As always, there is something for everyone here, from contemporary to paranormal books, terrific additions to wonderful series.  If you missed them the first time, here is your chance to check them out again:

5 Star Rating:

Hobbled by John Inman

Infected: Undertow by Andrea Speed

Mighty Casey by Willa Okati

One Breath, One Bullet by S.A.McAuley

Prelude by Shira Anthony and Venona Keyes

4 to 4.75 Star Rating:

A Casual Weekend Thing by A.J. Thomas (4.75 stars) (contemporary)

A Silence Kept by Theo Fenraven (4.25 stars)(contemporary)

Aria of the Eclipse by Vivien Dean (4.75 stars)(science fiction)

Flawless by Cat Grant (4.25 stars)(contemporary)

Stonewall by Martin Duberman (4.25 stars) (non fiction)

The Hanged Man’s Ghost by Missouri Dalton (4.75 stars)(paranormal)

The Night Shift by Missouri Dalton (4.25 stars)(paranormal)(series)

3 to 3.75 Star Rating:

Fennel and Forgiveness by Ari McKay (3.5 stars) (contemporary)

Heart of the Race by Mary Calmes (3.75 stars) (contemporary)

In Search of a Story by Andrew Grey (3.25 stars) (contemporary)

When Dachshunds Ruled the Serengeti by Michael Murphy (3.75 stars) (contemporary)

2 to 2.75 Star Rating:

The Caveman and the Devil by Chris T. Kat (2.75 stars)(contemporary)

The Jouster’s Lance by A.J. Marcus (2.75 stars) (contemporary)