Category: Supernatural

Review: Necromancy and You (Guidebook #02) by Missouri Dalton

Rating: 5 stars out of 5

Necromancy and You coverAlter (Al) Skelton is just like  any other 15 year old who is obsessed with death.  He has a purple and black bedroom full of skulls, walls decorated with Day of the Dead posters and a vent where he hides all his copies of Raising the Dead from Cemetery Comics.  Shortly after his 15th birthday, Al sends away for a copy of  Necromancy and You with a coupon out of the back of his Raising the Dead comic along with the box tops from three boxes of Count Chocula cereal. The book he receives in the mail is so much more than he expected.  Instead of a paperback, Al gets a heavy leather bound book addressed to him and immediately his life starts to change dramatically.

From the moment Al starts to read the book, he realizes something is weird.  The spells in the book are working for him as a disastrous incident in his science lab demonstrated.  Al can raise the dead.  Now he’s a boy with a plan and the ability to raise the dead.  That plan? To raise his dead father and get his family back together.  But so many obstacles block his path.  The man his mother is dating is hateful and abusing, too bad he is also Al’s psychiatrist. An evil group called the Coalition operates a school for Necromancers and they will do everything in their power to bring Al into their fold. Suddenly Al’s world is full of ghouls, ghosts, vampires, and talking dead frogs.  What’s a young budding necromancer to do when danger is all around him in a world turned more dark and scary than usual?

Missouri Dalton has created an instant classic for older teens and adults alike with Necromancy and You, the second story in the Guidebook series.  Never have I been so enthralled by a young 15 year old like Al Skelton.  As created by Dalton, Al is a brilliant, depressed social outcast, who lives for his Raising the Dead comics and memories of his old family life.  His father died five years before when Al was 10, an event that happened while his dad was away on business so Al never got to say goodbye. Since then, his mother has turned cold and distant, spending all her time either at work or with her  new boyfriend, a sadistic man who also happens to be Al’s psychiatrist.  With his present life a nightmare, Al would like nothing better than his family back together again, happy and whole, an impossibility considering his dad is dead.  If this description starts to conjure up visions of Harry Potter, then yes, there are similarities.  But for me, I find Al Skelton far more interesting and quite a bit darker.  He is also far more sarcastic and self aware than Harry seemed to be.  But I guess that comes with being a Necromancer. albeit a budding one as well as being a bit of a smartmouth.

Dalton’s narrative is so clever, so enthralling and her main character so charismatic and appealing that the reader is pulled in instantly, immediately hooked on Dalton’s world building and Al’s life. Oh the life of a teenager at 15, it’s such a tough one.  Hormones are raging, poised between child and adult, the world can be a harsh place, especially if that teenager is just a little different from everyone else.  Dalton takes this truism and gives us a darker version.  Al doesn’t just think everyone is out to get him, they really are.  Lonely, upset and missing his father and the way his family used to be? That should sound familiar to any number of kids these days. And if the normal world is scary place for them, what would happen if you then find out that vampires, ghouls, zombies and ghosts are real and you are not quite human?

Lucky for us, we get to find out as Al goes from normal teen to powerful Necromancer and beyond.  This is how it all starts:

When the package arrived, that clear crisp morning on the twenty-third of October, I knew it would be a good day. The package was green, vibrant and shiny, tied with black string. The address label was white with black letters that spelled my name.

Alter Skelton

215 Bridge Lane

Verity, IL 34055

It was a package I’d been waiting for seven weeks and three days. Waiting ever since I mailed in the coupon out of the back of Raising the Dead along with the box tops from three boxes of Count Chocula cereal. The ad had caught my attention immediately, gleaming on the slightly thicker glossy paper of the back cover, in bright green and black and white.

Learn to control the forces of life and death! This book will change your life!

I knew in a heartbeat I would do anything to get my hands on it. So despite my normal tendency toward not eating breakfast, I ate it. I also started to act less strange around my mother to decrease suspicion. And now, on a Saturday morning, I had my book.

I took the parcel immediately to my room. My mother was out shopping, so I had a good couple hours to peruse the book before shoving it behind the vent cover where I kept my issues of Raising the Dead and the pornographic magazine Tommy had foisted on me after his mother started cleaning his room again.

And then later on, once Al is safely in his room:

I cleared the detritus off of my bed, mostly clothes, and unwrapped the parcel.

The book was heavy, and as I tore away the paper, I noticed it was not the paperback copy I’d expected from the photo in the back of the comic. The cover, by the feel, was leather, black. On the very front there was incised decoration: bright green lines indented as a border around a white skull that felt and looked like bone. Over the skull, in silver lettering, was the title.

Necromancy and You!

Underneath the skull was a secondary title. From A to Zombie

There was no author listed. On the interior page was a notation.

A Stone House publication copyright 1344. Do not redistribute. Books sold without covers are considered stripped books; the house nor the author receives payment. Please refrain from purchasing stripped books.

And on the next page.

Welcome, young master! You have chosen to take the first step in a wonderful journey! Herein are the methods, practices, and rules of the way of Necromancy! Please read the entire first chapter thoroughly before proceeding to the Practical Applications to ensure safety!

Well. Safety was important. One wouldn’t want to raise anyone on accident or anything. No need to get the neighborhood riled with corpses walking about. Or skeletons. Or both.

No, secrecy was key here.

The neighbors were too nosy as it was. Then again, so was my mother.

And from the moment Al opens the book and begins to read, his journey (and ours) has started.  There is no going back, not that he would want to of course, at least in the beginning. Al has a unique voice, it’s quirky, it self effacing and it definitely belongs to a teenager.  It has just that right amount of young perspective and cluelessness while still sounding aware and confident.  How I love this boy.  Al is also remarkably resilient and he has to be. Because before him are so many unpleasant truths about his world and horrifying events to cope with that the ability to take such things in stride is necessary for his survival.

Along his journey he also meets a cadre of remarkable personalities and creatures, some friend, some foe, and some just well….we just don’t know where they stand.  But all of them are exquisitely created.  They team with life or unlife (!) as the case may be.  Some are personalities that we have met already in Vampirism and You (Guidebook #01), including that m/m couple of foster vampire Duncan and 17 year old Louis.  They loom large in Al’s future but more than that I won’t say.  You will have to discover the details for yourself.  All the characters involved are memorable, some charming, some chilling and several downright evil.  But no matter what side they fall on, good or bad, they are all believable and realistic right down to the smallest detail.

Dalton moves her narrative along at a swift and smooth pace and you will want to scamper along with her, wanting to rush to see where the plot is taking Al and you next.  But slow down, don’t miss any of the details, even the ones that seem so insignificant.  There is so much layering here, of plot twists, relationship dynamics, family dynamics, young love (more on that later), the trials and tribulations of growing up….you name it and Missouri Dalton has incorporated it into her story.  But  Dalton does so effortlessly, her narrative never feeling jumbled up or dense.  Really, this is an outstanding book in a remarkable  series.

There are some things that should be noted. Necromancy and You as well as the Guidebook series are categorized as a YA book, a category I do agree with one limitation.  I don’t feel it is appropriate for anyone under the age of 15 (Al’s age).  While a kiss between the hero and heroine is the sexiest this gets, there are mild suggestive comments for the sexual activities of a few other couples.  Nothing explicit, nothing even major, but its there.  My limitations pertaining to age is more along the lines of the traumatic events that occur.  Al is hurt numerous times and while we are spared the details, it happens and younger children might be upset. People die and there are other potentially violent  scenes.  They are necessary for the book and work beautifully within the narrative.  Most of the violence is “off stage” as it were, but the emotional impact is huge.  These events are as beautifully constructed as the rest of the story so yes, you will feel them just as Al does.  This is an emotionally moving, heartfelt and heartrending story.  It has the power to bring tears to your eyes even as they are rolling down our hero’s face.

In addition to giving us an intrepid young man, Dalton gives us an equally resourceful heroine. This is a minor romance happening within the storyline.  Al is straight and there is a slight romance starting here.  One that I suspect will grow over the course of the series, along with that of our m/m couple Louis and Duncan.  Again, like every other teenage, young love finds a way, no matter your sexual preference.  But this series is geared towards suspense and mystery of the supernatural kind.  The romances that occur are secondary to the main focus of the series,  a battle brewing against good and evil, that eternal conflict with surprising elements to each side.  I wanted to order print copies immediately and go running along crowded sidewalks, passing them out and yelling at them to  “read this book”!!!!!  Teenagers, young adults, old adults, and everyone in between needs to read this book, invest themselves in the series.

As you may have guessed, I enthusiastically recommend this book and this series.  I will leave you with a few thoughts from Al himself:

I just couldn’t take normal life seriously.

“Mr. Skelton, are you paying attention?”

“Yes, ma’am.”

“Good, then you can complete the problem on the board.”

Do. Not. Kill.

That should not be anyone’s daily mantra.

While it may not be ours, I love that it is Al’s.  Run, fly, do whatever you have to do, but get this book!

Here is the Guidebook stories in the order they were written:

Vampirism and You (Guidebook #01)

Necromancy and You (Guidebook #02)

Book Details:

ebook, 206 pages
Published July 3rd 2013 by Prizm Books
ISBN1610404939 (ISBN13: 9781610404938)
edition languageEnglish
series Guidebook 

Review: Vampirism and You (Guidebooks #01) by Missouri Dalton

Rating: 4.75 stars out of 5

Vampirism and You coverLouis Von Graves has had an unusual childhood.  His family name is Krekowski but his parents named him Louis Von Graves. It’s almost as though they knew what would happen to him.  You see, Louis’ family are indentured servants to vampires, specifically, The Countess and have been for more generations than can be remembered.  When he was younger, Louis’ name was picked out of a hat filled with the names of children from all the servants.  Why? So that the chosen one would be turned on his 17th birthday and become a vampire, a child of the Countess. It doesn’t matter what the child wants, its wham, bite, death, and you’re a vampire.

So here he is, 17 and a new vampire.  He has been taken away from his family and friends in England and given over to a foster sire who will teach him how to be a vampire and all the rules and regulations that go along with it.  But no one told him he would have to go to America, and no one told him he would have to go to school.  With a bunch of american high school kids no less.  So what is a sullen, pouting, teenager to do when his world has been turned upside down, he has powers he doesn’t know what to do with and a overwhelming desire to drink his classmates blood?  Why be given a guidebook of course.

But the book, Vampirism and You (A Beginner’s Guide to the Change) that his foster-vampire sire Duncan gives him can’t prepare him for everything.  A new vampire appears at the house he shares with Duncan and while Eli appears to be friendly, Duncan hates him and tells Louis to stay away from Eli at all costs. And while Louis wants to eat the girls around him, he doesn’t want to date them.  Does that make him a gay vampire?  Louis isn’t sure what the answer is but increasingly all the questions about his sexuality seem to have Duncan as their focus.

But soon Louis learns that life is not all vampire fun and games.  There is great intrigue,  and evil court politics to contend with. Plus Louis is having nightmares that keep getting more vivid all the time and the answers seem to lie in his past.  Louis must contend with unexpected evil, horny cheerleaders, and the possibility he just might be gay all at the same time.  Hopefully the guidebook can help him, now only if he could remember to read his homework!

I have found a new addiction and it’s not one book or even two.  It’s a new series from Missouri Dalton and Torquere Press’s YA Press, Prizm Books.  The Guidebooks series revolves around a group of supernatural guidebooks, each a part of a series for a group of supernatural practitioners and/or supernatural beings.  Whether it be necromancers or vampires or something more, each book is delivered or given to a teenager as they come of age (whether it is being turned or coming into their powers).  The first book in the series, Vampirism and You (A Beginner’s Guide to the Change) is given to one Louis Van Graves shortly after he is turned on his 17th birthday.

What a spectacular idea for a series!  And with Missouri Dalton, an author I have come to throughly enjoy, as it’s creator, the series has really taken flight into the realm of classic storytelling.  Louis Van Graves is that typical teenager at  17 years of age who has been made to do something he never wanted to do.  Of course, we aren’t talking woodshop here. Louis has been made into a vampire through no true choice of his own.  Not only was his name picked out of a hat but he also was promised something huge by the Countess if he agreed to be turned.   In exchange for his mortal life, the Countess agrees to let his sister live a normal life and his family leave her employ to become “normal” once more after centuries as indentured servants.  But that meant that Louis had to become the sacrificial lamb for his sister and family, something none of them even tried to stop.  So Louis’ feelings here are more than the normal sullen, pouting teenager.  In Dalton’s hands, we have a young intelligent man, separated forever from his family, forced by love to become something he never wanted and removed to the American Midwest, a foreign place in everyway, including culture no matter that we both speak “English”.  Louis is profoundly hurt, not that he would ever let on and he is trying to figure out what it all means. Just as any teenager is trying to do but in extreme circumstances. The character of Louis manages to come across as not only a believable teenager going through the appropriate stages of emotional growth but also as a realistic young vampire trying to figure out his newly dead and supposedly long lasting status.  Such a dichotomy, to walk the halls of high school, navigating the social cliques of that age but having to walk hallways full of newly categorized food.

Louis has to contend with not only relocation and new status as a vampire but a foster sire as well.  Duncan (another marvelous character) has taken control of Louis as the Countess is not “terribly maternally”.   This is Louis’ first introduction to Duncan his foster sire.  Louis has been shipped off in a coffin, wearing clothes more suitable to a 18th pirate than a teenage boy:

Then again — the hearse went over a particularly large pothole, knocking my head into the lid of the coffin. It didn’t budge so much as a centimeter, seeing how I was locked in. Apparently her ladyship thought I might try to make a run for it. How right she was. The hearse quite suddenly rumbled to a stop. I heard the doors open and close. And then my coffin was being lifted and carried. An odd sensation I’ll admit.

There was the sound of doors — sliding doors, sucking sounding, like at the market. Footsteps echoed outside the coffin, not wood floors, tile probably.

They didn’t take me to a morgue did they?

Another ten minutes of jostling and my coffin was set down — not far down, probably on a raised surface. There was a jingle of keys and click of one turning in a lock before the lid was pushed open. I rolled over and sat up, and was met with the speculative look of a man much better dressed than myself. His dark hair was slicked back neatly, and his striped blue button-down shirt was tucked into pressed black slacks.

“Hello, Captain,” he said, blue eyes hiding laughter rather unsuccessfully.

“Bite me.”

“I may take you up on that.” Without a word, he slid his arms under my legs and armpits and lifted me out of the coffin, setting me down on my feet.

“Bloody hell!” I glared, “I didn’t ask for help.”

“Uh huh.” He picked up a clipboard from a table next to my coffin, which itself was on a metal table in the gray-tiled room with gray walls and flickering overhead 6 lights. There were three other tables, two of which held open coffins.

“I see you’ve come to us from Countess Von Graves.”

“Yes.” So the Von Graves name came from her ladyship — it’s still ridiculous.

“She’s marked you as a flight risk — well, first things first, a change of clothes.” He jerked his thumb at the door. “Follow me.” Not having any other choice, I followed. The next room was carpeted, narrow, and long. A table ran along the length of the left side of the room, mirrors covered the right-hand wall — not that I could see myself in them anymore — and there was a door at the very end. The table had a myriad of things. Boxes filled with odds and ends, files, clothes, and a couple of coolers. He grabbed jeans and a plain black T-shirt from the table and tossed them to me. Of course it was black. Never mind that I looked much better in other colors. “Put these on.” He turned around, I suppose to give me privacy, and I stripped down as quickly as I could and redressed in the fresh clothes. Much better.

“All done.”

He turned to me and grinned. “Good.” Walking farther into the room, he dug through the clutter on the table to retrieve a small metal vial and a bracelet that had an obvious setting for the tiny vial at the front. He stepped back to me. “Now, the Countess marked your file, but I prefer to just ask. Are you a flight risk?”

“No,” I snapped.

“So yes then.” He nodded. “You get a tracking device.” He held up the vial and bracelet. The bracelet he snapped around my wrist before I could blink. Then, he bit down on his lip, drawing blood, and dripped one drop into the vial, closed it, and slid it onto the bracelet with a click.

And with that, Louis’ education begins.

I love how beautifully  Dalton incorporates the typical teenage feelings and moods into a 17 year old newly formed vampire with it’s own newly acquired needs.  Louis has not just regular teenage hormones to contend with but the hyped up sexuality of a vampire.  Quite overwhelming to someone who has never dated.  Louis must traverse not only the pitfalls and crevasses of an american high school but those of vampire society, each with its own dangers.

Missouri Dalton never loses track of the age of her main character or of her core audience no matter how dire the circumstances of Louis’ life or unlife becomes. Louis’ has a singular voice, so typically teenage but full of personality.  He is alternately sarcastic and hopeful, wry and hurt, little sparks of youthful arrogance appearing when you least expect to do along with equal amounts of hidden humility.  So engaging, that you become involved in Louis’ plight immediately as the true precarious nature of his status becomes known.  And that leads us into the darker sections of this novel.

Yes, there are plenty of funny situations here but there are also just as many dire ones as well as the book continues, these are vampires after all.  There are references to some horrific events, none of which are described or actually referred to in terms that I think might be warranted.   There is a “blood rape” where one is bitten against their wishes.  That is described but not in overly vivid terms.  Dalton doesn’t need them in order for us to see and feel the horror of the event.  And there is more, also either in the past or not described.  But they do occur.

This is also a book about a teenager finding out not only he is gay and coming to terms with his sexuality.  But it’s also about being a sexual person.  OK, think of teenagers and their hormones and then multiply that.  And Louis’ has to come to grips with all of that and more.  It’s funny, it’s painful and at one point horrific.  And at alls times, it also feels very real.  There are no explicit sexual scenes here, just the wants and emotions associated with sexuality.  Louis’ emotions are those we can easily understand with dealing with growing up and becoming a sexual being.  It’s confusing, confounding, and can overwhelm our senses. Plus with Louis there is something more going on.  The vampires or at least a contingent of them are dark, evil beings and have been so for centuries.  And they want Louis.  Not a good thing, trust me.

Missouri Dalton has also populated this book and her series with one memorable being after  another, each a fully fleshed out (for the most part) character with real feelings and emotions backing up their actions.  Her settings too ring with authenticity from high school plays and social dynamics to the Courts of Vampire Society that feel as real as the high school gymnasium.  Not a hint of a jumbled narrative to be seen here.

My only issue is a slight one and that would be the ending.  A few loose ends still frayed and lagging in the wind.  They are tied up neatly in the beginning of Necromancy and You (Guidebooks #02) but still those bits here keep this from a perfect 5 star rating.  This is a YA story but definitely geared towards the older crowd.  I am thinking 15 to Adult, nothing younger.  There are some very dark issues here that have to be addressed, not just youthful hormones. I can’t say anything further because I won’t spoil this book.  But if you have a sensitive child, read the story for yourself first before giving it to them.  Always a good idea at any rate.

I have to admit I read Necromancy and You first, and then came back to pick this one up.  How do they fare?  Well, I found this story to be a little darker but both are just outstanding and I will be recommending this series as one of the Best of 2013.  Whether you are 15 or 50, this story and this series is for you.  Memorable characters, thrilling narrative, great dialog…really  it has it all.  Start at the beginning  and work your way through.  What a marvelous journey it is going to be.

Book/Series Covers by LC Chase.  Each cover is the cover of the Guidebook given to the teenager in the story.  This a great idea and the covers work perfectly in every way.

Book Details:

ebook, 199 pages
Published January 29th 2013 by Prizm Books
ISBN1610404297 (ISBN13: 9781610404297)
edition language English

Review of The Night Shift by Missouri Dalton

Revised Rating: 4.25 stars on 6/10/2013

So, here it is Mea Culpa time.  I just finished reading, out of order again, the other two books in this series and now have to revise my rating upward.  I think what irritated me so much about this book was that it showed so much promise, that the characters were able to hit home even as they dangled in the atmosphere so to speak, that I took it to heart that it felt incomplete.   I get emotional about  stories and authors that resonate with me for some reason, and this author and book did.

After finishing The Hellfire Legacy, I knew that I had made a mistake.  The author had a sensational series on her hand and I blew it by reading them  out of order.  Taken together and read, 1-2-3, they are spectacular and one of my favorite series of the year.  But they must be read in sequence as only the first book could be considered a stand alone.

If you read this book as I did (out of sequence), then the review holds up.  It really does seem to be floating around, cut loose from it’s mooring and adrift without a map.  But the characters I fell in love with in The Hanged Man’s Ghost (Night Wars #1) and were firmly addicted to by The Hellfire Legacy (Night Wars #3)  are all here, but just as cut loose from their foundations as was the book.  It is my opinion that each and every book should contain the same elements, regardless of whether they are a part of a series or to be read by itself.  Considering how necessary the first book is to ground the characters with their history and relationship circumstances, I still believe it  even more important that some of that narrative needs to be included in the next book in the series. This helps readers remember particular plot points and connections between events and characters, especially if there is a long time between publication dates.

So with the first and third books fully in mind, I found myself nodding in appreciation over aspects of character development here and how certain events further along the overall series objectives.  I really liked this story while agreeing with my original assessment that it needed further  exposition and background support.

I love this series and think you will too.  But again, read them as the author intended, starting with The Hanged Man’s Ghost and continuing on. This series will delight you even while sending chills down your spine and whiten your knuckles.  Continue through to The Hellfire Legacy.  I hope the author has much more ahead for us.  I, for one, am looking forward to it.

Rating: 2.75 stars

Flynn Adder, husband to Jack, father to Tara, former addict, has been assigned a new partner, Simon, to train.  Simon is young, troubled and the son of a mob boss in the city.  Flynn, in trouble with his  boss, has a large case load at their Agency which handles cases dealing with the supernatural elements in town, the werewolves, the vampires, necromancers, trolls and more. It’s his daughter’s birthday. So just as Flynn is coordinating her party, he and Simon get thrown a gruesome case.  A young boy is found dead and all the evidence points to a new necromancer in town.  As Flynn, Simon and the rest of the investigators of the Unit work to gather clues, another boy is killed and it looks as though the necromancer is also working with a vampire but to what end?  The race is on to find out who the necromancer is and stop them before more children die.  If that wasn’t enough, someone is stealing mystical objects from the evidence vault to sell on the black market.  It has to be a inside job and suspicion is falling on Simon.  It’s enough to shake Flynn loose from his sobriety if things aren’t solved soon on The Night Shift.

This will be a short review.  When learning the basics of writing, one things we are all taught is that whether it is a short story or novel, there is a structure to be followed, there is a beginning, a middle and an end.  And each part has a distinct purpose.  The beginning is where the author introduces the main characters, the setting, the goals, and any conflict.  The middle is where a series of events happen. This is also where the characters grow as they deal with the conflicts within the story.  While some elements of the story are resolved the story “continues in the direction of a major crisis, or climax.”* And finally, the end where the storyline is resolved, any conflicts or loose ends tied up, and the reader is left satisfied by a well told tale.  Up until now, all the stories I have reviewed or read have followed those rules.

Missouri Dalton in The Night Shift totally disregards the basic tenants of writing in my opinion.  Here, the novel starts in the middle.  I have no backstory on any of the main characters, only able to glean what I could a little at a time.  Flynn is an addict, his husband Jack used to be his partner, they have a daughter.  Supernatural creatures are a common element in society.  Flynn has some background with Simon that we are supposed to know about but don’t.  Simon has a backstory we are supposed to be familiar with but aren’t.  And we are left totally in the dark about the Agency they all work for.   Flynn has a twin brother, Michael, who is dead but alive (living corpse? who knows?).  Michael tried to commit suicide which left him brain damaged but he is also schizophrenic and possessive of his brother.  I think he was dead and then tried to kill himself again and was hospitalized but  I really am not sure of anything here.  It is all middle ground.  There are some nice elements buried in the reader’s confusion and shear bafflement over the storyline and characterizations.  It all could have been resolved with a beginning that is desperately needed.

So no beginning, a promising but confusing middle and here is the real problem.  Absolutely no ending, just a cliffhanger.  Yes, you read that correctly.  It leaves an already confused reader hanging with a cliffhanger and does not resolve the story.  I just find that so unprofessional. Now I know of several authors who write these wonderful serial free stories on their blogs and websites.  And that is great and I have enjoyed them immensely.  But The Night Shift is a novel that you are expected to buy at $6.99!  If I had purchased this book at that price, I would be clamoring for my money back.

I will leave you all with this final thought.  If you like Missouri Dalton’s fiction and want to read this book, wait!  Make sure there is a sequel, although given the way this was handled, I don’t know that I would trust that book to be resolved at the end either. Or if you like cliffhangers and don’t care if you never find out what happens to the main character, then go ahead and read this.  I promise you the frustration you seek.  As for me, I am totally done here.

Cover:  Nice cover by Alessio Brio, the 2nd cover by the artist that I have seen.